After losing her job and her fiancé and moving back from the city to live with her parents, Shell Pine needs some help. And according to the sign in the window, the florist shop in the mall does too. Shell gets the gig, and the flowers she works with there are just the thing she needs to cheer up. Or maybe it’s Neve, the beautiful shop manager, who is making her days so rosy? But you have to get your hands dirty if you want your garden to grow—and Neve’s secrets are as dark and dangerous as they come.

After losing her young son in an accident, Rachel Kennan throws herself into her career as police chief of a small Virginia town to avoid focusing on her grief. Meanwhile, her husband, Finn, a washed-up writer whose alcoholism led to the devastating tragedy that changed everything, struggles to redeem himself before his family completely falls apart. Their two daughters are the only things keeping Rachel and Finn together, but the girls have demons of their own. At the same time, a disturbing crime rocks their tightknit religious community.

Clifford Island. When Willow Stone finds these words written on the floor of her deceased son’s bedroom, she’s perplexed. She’s never heard of it before, but soon learns it’s a tiny island off Wisconsin’s Door County peninsula, 200 miles from Willow’s home. Why would her son write this on his floor? Determined to find answers, Willow sets out for the island. After a few days on Clifford, Willow realizes: This place is not normal. Everyone seems to be stuck in a particular day in 1994.

A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this "fast-paced and frightening debut" (Rachel Harrison) about the long shadows cast by family secrets, perfect for listeners of Grady Hendrix or Ashley Audrain.

They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them.

When a video depicting the brutal murder of a former classmate leaks online, Kylie Bennington’s—whose dreams of becoming a successful influencer remain frustratingly elusive—curiosity gets the better of her, leading to the discovery of an off-the-grid social media app called MonoLife. As it turns out, there are certain cryptic rules in the user agreement that must be adhered to, such as interacting with other users at least twice daily or risk losing it all…and never, ever speaking of MonoLife’s existence to non-users or risk dire consequences.

Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters. Together, this motley crew will face down the ultimate evil—Dracula.

After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous, striking—and to Emily, something about it feels deeply wrong. Old boards creak at night, fires go out, and books fall from the shelves, and all of it stems from the terrible presence she feels in the third-floor room. But these things happen only when Emily’s alone, so are they happening at all?

Annie Blunt has had an unimaginably terrible year. First, her husband was killed in a tragic hit-and-run accident, then one of the children’s books she’s built her writing and illustrating career on ignited a major scandal. Desperate for a fresh start, she moves with her son Charlie to a charming small town in upstate New York where they can begin to heal. But Annie’s year is about to get worse.

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin.

A historic hotel long past its prime and huddled along The Cut, a questionable Lake Erie beach, isn’t Sadie Miles’ ideal place to raise a toddler while also navigating her second pregnancy. After finally fleeing her abusive ex-fiancé, though, Sadie’s new housekeeping position and free room at L’Arpin Hotel are the best she can manage. On her first night, Sadie runs to help a guest struggling in the hotel’s pool only to find the water calm and empty when she gets there, leaving her with a lingering unease.

After losing her job and her fiancé and moving back from the city to live with her parents, Shell Pine needs some help. And according to the sign in the window, the florist shop in the mall does too. Shell gets the gig, and the flowers she works with there are just the thing she needs to cheer up. Or maybe it’s Neve, the beautiful shop manager, who is making her days so rosy? But you have to get your hands dirty if you want your garden to grow—and Neve’s secrets are as dark and dangerous as they come.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live on the grounds—and together they begin to unpack the secrets of this place. As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew—and risk what she holds most dear.

Stacey is the dusty air, the cracked soil, the drought. To thirteen-year-old Bethany Sloane, she’s everything. Abandoned by her mother at a remote African boarding school, Bethany will do anything to stay in Stacey’s good graces. And that means learning the rules of each twisted game.

In this elegant work of literary fantasy, a young, 19th century attorney receives a strange birthday gift from his friend, Edgar Allan Poe, which requires him to make an arduous journey to an old Puritan town to defend a family at trial. Unbeknownst to him, it’s a journey through time; one from which, even if he survives—he may never return!

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

While attempting to abduct a teenager from her home, sadistic serial killer Victor Brooks meets his match: ten 9mm bullets. In a puddle of his own blood, sprawled across a stranger’s kitchen floor, Victor’s life begins to flash before his very eyes. He sees the living and the dead, peace and carnage, friends and foes, success and disappointment, love and hatred. He sees a life defined by rage, suffering, and despair. The light at the end of Victor's tunnel is red—red with blood. Jon Athan, the author of "The Groomer" and "Are Your Parents Home?

For fans of Megan Collins with the taut character study of Angie Kim comes a searing mystery that follows three siblings as they reckon with the darkness hidden within their family after multiple graves are discovered behind their childhood home.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.