Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands.

Maya Hoshimoto was once the best art thief in the galaxy. For ten years, she returned stolen artifacts to alien civilizations—until a disastrous job forced her into hiding. Now she just wants to enjoy a quiet life as a graduate student of anthropology, but she’s haunted by persistent and disturbing visions of the future. Then an old friend comes to her with a job she can’t refuse: find a powerful object that could save an alien species from extinction. Except no one has seen it in living memory, and they aren’t the only ones hunting for it.

Mossa has returned to Valdegeld on a missing persons case, for which she’ll once again need Pleiti’s insight. Seventeen students and staff members have disappeared from Valdegeld University—yet no one has noticed. The answers to this case may lie on the moon of Io—Mossa’s home—and the history of Jupiter’s original settlements during humanity’s exodus from Earth. But Pleiti’s faith in her life’s work as a scholar of the past has grown precarious, and this new case threatens to further destabilize her dreams for humanity’s future, as well as her own.

When there is a call, there is often a response. Najeeba knows. She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest.

My name is Rex. I am a good dog. Rex is also seven foot tall at the shoulder, bulletproof, bristling with heavy calibre weaponry and his voice resonates with subsonics especially designed to instil fear. With Dragon, Honey and Bees, he's part of a Multiform Assault Pack operating in the lawless anarchy of Campeche, Mexico. A genetically engineered Bioform, he's a deadly weapon in a dirty war. All he wants to be is a Good Dog. And to do that he must do exactly what Master says and Master says he's got to kill a lot of enemies.

Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins—resurrected, deadly, wiped of their memories—have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. The third and the simplest: once you accept a job, you must carry it out.

Welcome to the Grand Abeona Hotel: home of the finest food, the sweetest service, and the very best views the galaxy has to offer. All year round it moves from planet to planet, system to system, pampering guests across the furthest reaches of the milky way. The last word in sub-orbital luxury—and an absolute magnet for intrigue. Intrigues such as: Why are there love poems in the lobby inbox? How many Imperial spies are currently on board? What is the true purpose of the Problem Solver’s conference? And perhaps most pertinently—who is driving the ship?

The planet of Kiln is where the tyrannical Mandate keeps its prison colony, and for inmates, the journey there is always a one-way trip. One such prisoner is Professor Arton Daghdev, xeno-ecologist and political dissident. Soon after arrival, he discovers that Kiln has a secret. Humanity is not the first intelligent life to set foot there. In the midst of a ravenous, chaotic ecosystem are the ruins of a civilization, but who were the vanished builders and where did they go?

A beautifully crafted, enriching saga inspired by East Asian mythology, The Melancholy of Untold History is Minsoo Kang’s debut novel, steeped in history like R.F. Kuang’s Babel, epic in scope like Anthony Doerr’s Cloud Cuckoo Land, and lyrically exciting like David Mitchell’s Cloud Atlas, interweaving four complex yet entertaining stories as they shape and create a nation’s literary narrative through the themes of love and grief.

The Pandominion: a political and trading alliance of a million worlds–except that they’re really just the one world, Earth, in many different realities. And when an AI threat arises that could destroy everything the Pandominion has built, they'll eradicate it by whatever means necessary, no matter the cost to human life.

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human

The Carryx—part empire, part hive—has waged wars of conquest for centuries, destroying or enslaving species across the galaxy in its conflict with an ancient and deathless enemy. When they descend on the isolated world of Anjiin, the human population is abased, slaughtered, and put in chains. The best and brightest are abducted, taken to the Carryx world-palace to join prisoners from a thousand other species. Dafyd Alkhor, assistant to a prestigious scientist, is captured along with his team.

Edie is done with crime. Eight years behind bars changes a person—costs them too much time with too many of the people who need them most. And it’s all Angel’s fault. She sold Edie out in what should have been the greatest moment of their lives. Instead, Edie was shipped off to the icy prison planet spinning far below the soaring skybridges and neon catacombs of Kepler space station—of home—to spend the best part of a decade alone. But then a chance for early parole appears out of nowhere and Edie steps into the pallid sunlight to find none other than Angel waiting—and she has an offer.

Jun Ironway—hacker, con artist, and occasional thief—has gotten her hands on a piece of contraband that could set her up for life: proof that implicates the powerful Nightfoot family in a planet-wide genocide seventy-five years ago. The Nightfoots control the precious sevite that fuels interplanetary travel through three star systems. And someone is sure to pay handsomely for anything that could break their hold. Of course, anything valuable is also dangerous. The Kindom, the ruling power of the star systems, is inextricably tied up in the Nightfoots’ monopoly.

Hundreds of years after the end of the world, the Appalachian community of Iron Hollow finds itself beset by demons. Such horrors are common these days in the outlands, where most folks die young—if they don’t turn into monsters first. When a legendary knight is summoned to hunt down the latest unearthly beast to haunt their woods, the town’s new oral historian, Shrike, has more reason than most to be concerned. Because that demon was her wife. And while Shrike is certain that May still recognizes her—that May is still herself, somewhere beneath it all—she can’t prove it.