Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.

Holly Liddell has been stuck with crimped hair since 1987 when she agreed to let her boyfriend, Elton, turn her into a vampire. But when he ditches her at a gas station a few decades into their eternity together, she realizes that being young forever actually means working graveyard shifts at Taco Bell, sleeping in seedy motels, and being supernaturally compelled to follow your ex from town to town - at least until Holly meets Elton’s other exes. It seems that Holly isn’t the only girl Elton seduced into this wretched existence.

Beneath the streets of York, the goblin market calls to the Wickett women—the family of witches that tends to its victims. For generations, they have defended the old cobblestone streets with their magic. Knowing the dangers, they never entered the market—until May Wickett fell for a goblin girl, accepted her invitation, and became inextricably tied to the world her family tried to protect her from. The market learned her name, and even when she and her sister left York for Boston to escape it, the goblins remembered.

Something is wrong in Snakebite, Oregon. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and all fingers point to TV’s most popular ghost hunters who have just come to town. Logan Ortiz-Woodley, daughter of TV's ParaSpectors, has never been to Snakebite before. But the moment she and her dads arrive, she starts to get the feeling that there's more than ghosts plaguing this small town.

Opal is a lot of things—orphan, high school dropout, full-time cynic and part-time cashier—but above all, she's a determined to find a better life for her younger brother Jasper. One that gets them out of Eden, Kentucky, a town remarkable for only two things: bad luck and E. Starling, the reclusive nineteenth century author of The Underland, who disappeared over a hundred years ago. All she left behind were dark rumors—and her home. Everyone agrees that it’s best to ignore the uncanny mansion and its misanthropic heir, Arthur. Almost everyone, anyway.

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed “The Lost Village”, since she was a little girl. In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left - a woman stoned to death in the town center and an abandoned newborn - have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

When Tess and Eliot stumble upon an ancient book hidden in a secret tunnel beneath the school library, they accidentally release a devil from his book-bound prison, and he’ll stop at nothing to stay free. He’ll manipulate all the ink in the library books to do his bidding, he’ll murder in the stacks, and he’ll bleed into every inch of Tess’ life until his freedom is permanent. Forced to work together, Tess and Eliot have to find a way to re-trap the devil before he kills everyone they know and love, including, increasingly, each other.

Ranka is tired of death. All she wants is to be left alone, living out her days in Witchik’s wild north with the coven that raised her, attempting to forget the horrors of her past. But when she is named Bloodwinn, the next treaty bride to the human kingdom of Isodal, her coven sends her south with a single directive: kill him. Easy enough, for a blood-witch whose magic compels her to kill. Except the prince is gentle, kind, and terrified of her. He doesn’t want to marry Ranka; he doesn’t want to be king at all. And it’s his sister who seems to be the real threat.

Helen Vaughan doesn't know why she and her mother left their ancestral home at Harrowstone Hall, called Harrow, or why they haven't spoken to their extended family since. So when her grandfather dies, she's shocked to learn that he has left everything—the house, the grounds, and the money—to her. The inheritance comes with one condition: She must stay on the grounds of Harrow for one full year, or she'll be left with nothing. There is more at stake than money. For as long as she can remember, Harrow has haunted Helen's dreams.

In a world bound for an epic flood, only a chosen few are guaranteed safe passage into the new world once the waters recede. The Kostrovian royal court will be saved, of course, along with their guards. But the fate of the court's Royal Flyers, a lauded fleet of aerial silk performers, is less certain. Hell-bent on survival, Principal Flyer, Natasha Koskinen, will do anything to save the flyers, who are the only family she's ever known. Even if "anything" means molding herself into the type of girl who could be courted by Prince Nikolai.

Dare Chase doesn’t believe in ghosts. But as the host of Attachments, her brand-new paranormal investigation podcast, she knows to keep her doubts to herself if she wants to win over listeners. Her first season’s subject is the Arrington Estate - a sprawling manor rumored to be haunted by the spirit of Atheleen Bell, who drowned in its lake almost 30 years ago. Dare’s more interested in investigating the suspicious circumstances of Atheleen’s death, which she thinks point to a decades-old murder, not something supernatural. But Arrington is full of surprises.

The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls - a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit.

With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

Finch Chamberlin is the newest transfer student to the ultra-competitive Ulalume Academy . . . but she's also not what she seems. Months before school started, Finch and her parents got into an accident that should have left her dead at the bottom of the river. But something monstrous and ancient and terrifying wouldn't let her drown. Finch doesn't know why she woke up after her heart stopped, but since dying she's felt a constant pull from the school and the surrounding town of Rainwater, like something on the island is calling to her.