
Tokyo Ueno Station
A Novel
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Narrated by:
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Johnny Heller
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By:
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Yu Miri
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Morgan Giles
About this listen
Winner of the 2020 National Book Award in Translated Literature
A New York Times Notable Book of the Year
A surreal, devastating story of a homeless ghost who haunts one of Tokyo's busiest train stations.
Kazu is dead. Born in Fukushima in 1933, the same year as the Japanese emperor, his life is tied by a series of coincidences to the Imperial family and has been shaped at every turn by modern Japanese history. But his life story is also marked by bad luck, and now, in death, he is unable to rest, doomed to haunt the park near Ueno Station in Tokyo.
Kazu's life in the city began and ended in that park; he arrived there to work as a laborer in the preparations for the 1964 Tokyo Olympics and ended his days living in the vast homeless village in the park, traumatized by the destruction of the 2011 tsunami and shattered by the announcement of the 2020 Olympics.
Through Kazu's eyes, we see daily life in Tokyo buzz around him and learn the intimate details of his personal story, how loss and society's inequalities and constrictions spiraled toward this ghostly fate, with moments of beauty and grace just out of reach. A powerful masterwork from one of Japan's most brilliant outsider writers, Tokyo Ueno Station is a book for our times and a look into a marginalized existence in a shiny global megapolis.
©2020 Yu Miri (P)2020 Penguin AudioListeners also enjoyed...
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Critic reviews
"Tokyo Ueno Station is a dream: a chronicle of hope, loss, where we've been and where we're going. That Yu Miri could conjure so many realities simultaneously is nothing short of marvelous. The novel astounds, terrifies, and make the unseen concrete - entirely tangible and perennially effervescent, right there on the page." (Bryan Washington, author of Lot and Memorial)
"Poetic.... How Kazu comes to be homeless, and then to haunt the park, is what keeps us reading, trying to understand the tragedy of this ghostly everyman. Deftly translated by Morgan Giles.... It is an urgent reminder of the radical divide between rich and poor in postwar Japan." (The Guardian)
"A radical and deeply felt work of fiction, psychogeography and history all at once, tapping us straight into the lifeblood of a Tokyo we rarely see: Tokyo from the margins, rooted in the city's most vulnerable and least visible lives - and deaths." (Elaine Castillo, author of America Is Not the Heart)
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Story
In the North of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of its own, they find a spiritual connection to the past. What comes next but human sacrifice?
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A good read!
- By Chester Johnson on 02-23-19
By: Sarah Moss
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Diary of a Void
- A Novel
- By: Emi Yagi, David Boyd - translator, Lucy North - translator
- Narrated by: Nancy Wu
- Length: 4 hrs and 38 mins
- Unabridged
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When thirty-four-year-old Ms. Shibata gets a new job to escape sexual harassment at her old one, she finds that as the only woman at her new workplace—a manufacturer of cardboard tubes—she is expected to do all the menial tasks. One day she announces that she can’t clear away her coworkers’ dirty cups—because she’s pregnant and the smell nauseates her. Except Ms. Shibata is not pregnant. But she has a nine-month ruse to keep up. Before long, it becomes all-absorbing, and with every stage of her “pregnancy,” the boundary between her lie and her life begins to dissolve.
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whiny lost woman
- By Pam Haynes on 12-01-23
By: Emi Yagi, and others
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An Artist of the Floating World
- By: Kazuo Ishiguro
- Narrated by: David Case
- Length: 6 hrs and 24 mins
- Unabridged
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This is the story of an artist as an aging man, struggling through the wreckage of Japan's World War II experience. Ishiguro's first novel.
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An incongruous reader
- By Emeritus on 11-03-17
By: Kazuo Ishiguro
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The Lantern of Lost Memories
- By: Sanaka Hiiragi
- Narrated by: Hanako Footman
- Length: 4 hrs and 57 mins
- Unabridged
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This is the story of the peculiar and magical photo studio owned by Mr. Hirasaka, a collector of antique cameras. In the dimly lit interior, a paper background is pulled down in front of a wall, and in front of it stands a single, luxurious chair with an armrest on one side. On a stand is a large bellows camera. On the left is the main studio; photos can also be taken in the courtyard. Beyond its straightforward interior, however, is a secret. The studio is, in fact, the door to the afterlife, the place between life and death where those who have departed have a chance—one last time.
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Quiet, magical feels...a bit like Harry
- By SHES4AMWF on 03-18-25
By: Sanaka Hiiragi
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Butter
- A Novel of Food and Murder
- By: Asako Yuzuki
- Narrated by: Hanako Footman
- Length: 17 hrs and 12 mins
- Unabridged
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Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen, whom she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can’t resist writing back.
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Interesting look at societal pressure in Japan
- By john w straus on 11-18-24
By: Asako Yuzuki
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Convenience Store Woman
- By: Sayaka Murata, Ginny Tapley Takemori - translator
- Narrated by: Nancy Wu
- Length: 3 hrs and 21 mins
- Unabridged
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Tokyo resident Keiko Furukara has never fit in - neither in her family, nor in school - but when at the age of 18 she begins working at the Hiiromachi branch of national convenience store chain Smile Mart, she realizes instantly that she has found her purpose in life. Delighted to be able to exist in a place where the rules of social interaction are crystal clear (many are laid out line-by-line in the store's manual), Keiko does her best to copy the dress, mannerisms, and mode of speech of her colleagues, playing the part of a "normal" person excellently, more or less.
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Am amazing and different story
- By D.R. on 04-10-19
By: Sayaka Murata, and others
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Vanishing World
- A Novel
- By: Sayaka Murata
- Narrated by: Nancy Wu
- Length: 5 hrs and 48 mins
- Unabridged
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As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.
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Excellent
- By Chris Reich on 04-28-25
By: Sayaka Murata
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Sweet Bean Paste
- By: Durian Sukegawa, Alison Watts - translator
- Narrated by: Cindy Kay
- Length: 5 hrs and 4 mins
- Unabridged
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Sentaro has failed. He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste. Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape.
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Heartfelt Story between the unlikely friendship between an old lady in her 70s and a middle aged chef
- By Anonymous User on 05-24-25
By: Durian Sukegawa, and others
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Mina's Matchbox
- A Novel
- By: Yoko Ogawa, Stephen B. Snyder - translator
- Narrated by: Nanako Mizushima
- Length: 8 hrs and 37 mins
- Unabridged
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In the spring of 1972, twelve-year-old Tomoko leaves her mother behind in Tokyo and boards a train alone for Ashiya, a coastal town in Japan, to stay with her aunt’s family. Tomoko’s aunt is an enigma and an outlier in her working-class family, and her magnificent home—and handsome foreign husband, the president of a soft drink company—are symbols of that status. The seventeen rooms are filled with German-made furnishings; there are sprawling gardens and even an old zoo where the family’s pygmy hippopotamus resides.
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Very Enjoyable
- By unco on 09-03-24
By: Yoko Ogawa, and others
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Earthlings
- A Novel
- By: Sayaka Murata
- Narrated by: Nancy Wu
- Length: 7 hrs and 6 mins
- Unabridged
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As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.
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Intriguing but disturbing
- By C. Parham on 01-01-21
By: Sayaka Murata
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The Beekeeper of Aleppo
- A Novel
- By: Christy Lefteri
- Narrated by: Art Malik
- Length: 8 hrs and 43 mins
- Unabridged
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Nuri is a beekeeper and Afra, his wife, is an artist. Mornings, Nuri rises early to hear the call to prayer before driving to his hives in the countryside. On weekends, Afra sells her colorful landscape paintings at the open-air market. They live a simple life, rich in family and friends, in the hills of the beautiful Syrian city of Aleppo - until the unthinkable happens. When all they love is destroyed by war, Nuri knows they have no choice except to leave their home. But escaping Syria will be no easy task: Afra has lost her sight.
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Just TOO AWFULLY DEPRESSING WITHOUT ending with any hope
- By Abby Mamacos on 07-28-20
By: Christy Lefteri
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Before the Coffee Gets Cold: A Toshikazu Kawaguchi Book Set
- By: Toshikazu Kawaguchi
- Narrated by: Arina Ii, Kevin Shen
- Length: 18 hrs and 54 mins
- Unabridged
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What would you do if you could travel back in time? Discover the internationally bestselling novels of Toshikazu Kawaguchi’s Before the Coffee Gets Cold series, now a worldwide phenomenon and BookTok sensation, in this special new book set. Step inside Tokyo’s whimsical Café Funiculi Funicula and travel back in time with a cast of unforgettable characters.
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very profound, lost in translation?
- By Ashlyn C. on 10-06-23
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What You Are Looking For Is in the Library
- A Novel
- By: Michiko Aoyama
- Narrated by: Hanako Footman, Susan Momoko Hingley, Kenichiro Thomson, and others
- Length: 7 hrs and 19 mins
- Unabridged
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What are you looking for? So asks Tokyo’s most enigmatic librarian. For Sayuri Komachi is able to sense exactly what each visitor to her library is searching for and provide just the book recommendation to help them find it. A restless retail assistant looks to gain new skills, a mother tries to overcome demotion at work after maternity leave, a conscientious accountant yearns to open an antique store, a recently retired salaryman searches for newfound purpose. In Komachi’s unique book recommendations they will find just what they need to achieve their dreams.
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The power of honesty and an open mind
- By ili pika on 09-10-23
By: Michiko Aoyama
The Only Constant is Displacement
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Very moving
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Poor narrator, meandering story but moments of greatness
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Very sad story but beautiful
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Raw
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Awful narrator
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Well-Examined Life Well Worth Reading
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This novel caught my attention for its setting in Japan during the period from roughly the 1960s through 2010s, narrated from an alternative perspective— one that is usually invisible and ignored: a man who becomes homeless in his later years. It’s a portrait of the social and economic changes in both Tokyo and the countryside that builds in a sense of cultural texture of the era - pachinko parlors, street life, urban development, and individuals struggling along in the tides of local and national priorities and disasters. But it’s also a heartbreaking portrait of this man looking back on an entire lifetime, wondering what went wrong and looking at the world around him passing him by. At times the first person non-linear structure can seem meandering and repetitive, but that could be justified as an effort to replicate the voice of an older man who has been leading a marginal, peripatetic existence, and an experiment with conveying the ways that memory can be layered, inconsistent, doubted, revised. In this book, time itself can seem to expand, contract, and fold in on itself as it does in lived experience.
That said, even though this is a short book, the unremitting suffering, loss, and tragedies in the narrative make it a very hard read. It often feels like the book of Job, minus the famous frame of that parable. In seeking to convey the harsh contrasts, desperation, and painful ironies of life for the homeless, the author does not shy away from being relentless. But it strains credibility when the symbolism or contextual details come across as heavy handed or forced. One key example is the way the author, in an effort to convey the huge gap between this Everyman and the imperial family, sets up some highly unlikely coincidences that get repeated several times — the narrator and his son are born on same day as two successive emperors yet have starkly different fates. Similarly, the 1960s Tokyo Olympics are mentioned a few times, bearing heavy weight as symbols of the contemporary globalization, the aspirations of contemporary Japan, and the socioeconomic realities for laborers hired for all the construction involved.
If you do read this book, go for the print version, not this audio. I wished I had listened to a sample first. As others have noted, the clipped plaintive tone of the main narration is weirdly mechanical and distracting... I kept wondering if the narrator was trying to make the book sound more “Japanese,” more “gruff”? Yet it ultimately sounds like a “broken-English” accent, which just comes across as inappropriate. (Later in the book there are a few other brief voices of Japanese women that the narrator performed realistically, and quite well, without the weird mechanical accent, which makes the clipped tone of the rest of the narration all the more inexplicable and annoying.)
It was especially distracting to hear so many basic Japanese place names, people’s names, and phrases mispronounced or with emphasis on all the wrong syllables in this audio version. Even Buddha— a word most English speakers can pronounce fairly well—is rendered in this audio version as Boooo.Da., which sounds so fake and comical that it ruins several scenes, such as a funeral where the incantations are supposed to convey a deeply somber tone.
Audiobook producers : Please hire readers who can pronounce words correctly when a book contains a lot of phrases and names in languages other than English. Don’t assume your listeners only speak English and will never know the difference!
Audiobook narrators: If you do hope to take on a project that involves a languages other than those you speak, please consult a voice coach who has native-level fluency, and practice in advance those words and phrases with them till you get it right. It doesn’t have to be perfect, but at least get the right sounds and emphasis. And please carefully consider the tone and accenting of your narration, so that it doesn’t inappropriately come across as broken English.
Heartbreaking story; avoid this narration
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Moving novel by important writer
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short story about life and hardships
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