Unsettled Ground
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Narrated by:
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Kim Bretton
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By:
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Claire Fuller
About this listen
Shortlisted for the Women's Prize for Fiction
From the award-winning author of Our Endless Numbered Days, Swimming Lessons, and Bitter Orange comes a brilliant novel about an unusual family held together by a string of lies, a small town with too many questions, and a sudden death that threatens to undo them all.
©2021 Claire Fuller (P)2021 Audible, Inc.Listeners also enjoyed...
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Astrid Bell has known most of her roommates for years, but while they have a history together - romantic pairings, one-night stands, friendships - each of them also has a past. Astrid is on her way home one day when her neighbor knocks her off her bike. Seeing she is bruised but not broken, her roommates help her home. The next day, they learn that same neighbor was beaten to death hours later. Each of them tells the police what they know and are dismissed - until Astrid stumbles over another body.
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My First Nicci French Novel recommended Goodreads
- By Beverly on 12-18-11
By: Nicci French
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The Road Home
- By: Rose Tremain
- Narrated by: Juliet Stevenson
- Length: 7 hrs and 55 mins
- Abridged
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Winner of the Orange Broadband Prize for Fiction 2008, The Road Home is the best-selling story of Lev, a middle-aged migrant from Eastern Europe, who moves to London in search of work after losing his wife and job. Lev's London is awash with money, celebrity and complacency. The world Tremain creates is both convincing and poignant.
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OK - nice narration - good characters
- By bea on 02-21-11
By: Rose Tremain
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Bad Debts
- A Jack Irish Thriller, Book 1
- By: Peter Temple
- Narrated by: Marco Chiappi
- Length: 6 hrs and 51 mins
- Unabridged
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Meet Jack Irish, criminal lawyer, debt collector, football lover, turf watcher, trainee cabinetmaker, and the best Australian crime character we've seen in years. When Jack receives a puzzling message from a jailed ex-client, he's too deep in misery over Fitzroy's latest loss to take much notice. Next thing Jack knows, the ex-client's dead and he's been drawn into a life-threatening investigation involving high-level corruption, dark sexual secrets, shonky property deals and murder.
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The story was all over the place
- By Beth on 07-22-24
By: Peter Temple
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The Bermondsey Bookshop
- By: Mary Gibson
- Narrated by: Anne Dover
- Length: 13 hrs and 48 mins
- Unabridged
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Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender.
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A glimpse into the past
- By Luci-Lu on 10-27-21
By: Mary Gibson
What listeners say about Unsettled Ground
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 05-22-21
Moving and utterly brilliant!
Gorgeously written and brilliantly performed by Kim Bretton this modern folktale had me gripped from start to finish. Such memorable characters. I'll be thinking about this audiobook for a long time....
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4 people found this helpful
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- Fine Memory
- 06-10-21
Loved it. Unique and interesting. Strong female lead.
More of this please! We need to hear from strong, albeit “outside the box”, women. Gloriously written and strong performance. My only tweak, the very strong accent could be a little softer.
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2 people found this helpful
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- NEILL
- 06-07-21
Great Book
Loved it This is great book. Every time you thought you knew what was going to happen you are surprised!
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2 people found this helpful
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- Rory
- 10-12-22
Very strange and sad story
This book is not what I expected or hoped. The narrator's voice was quite dry and the accents used were all over the place. The story itself was depressing and full of unanswered questions.
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- John C. Fitzpatrick
- 07-30-21
Weirdly engaging.
Not bad but found the two main characters annoying - unable to get out of their own ways.
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2 people found this helpful
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- Tess
- 09-18-21
Truly Sad!
Very well written sad & depressing story. Some hope at the end though. When love inhibits and suffocates- is it love or selfishness? I wonder. I have to read something light hearted after this.
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2 people found this helpful
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- Louise Renaudin
- 07-10-21
Fantastic reader!!!
A nailbiting, entertaining read! What made this thriller come to life was the narration! The reader placed you smack in the story with voices so believable whic allowed the listener the privilege of really knowing the characters!
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2 people found this helpful
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- Kate Juliff
- 02-21-23
For a minute I thought I was in 1920s Ireland
A disappointing novel. The descriptions of poverty and homelessness was full of pathos, primroses and pity. A misunderstanding, folk-singer siblings, a kindly gossip, a nasty lad, a woke young single-mother, subsistence farming, a mean-spirited wealthy landowner, a freckled and feckless lass …
Yet we have smart-phones and an up-market deli in a tiny village, and references to the effects of Brexit on the cost of organic milk. Plus an apparently generous welfare system idealized and exaggerated, appearing suddenly story-years after the damage is done.
Verging at times on Mills and Boon albeit a well-written one, I was uncertain what century or country I was in. In the cottage gardens reminiscent of those of Agnes in Maggie O’Farrell’s Hamnet, 51 year old Jeannie tends her vegetables with love when she is not cooking, cleaning, worrying about overdue bills, or playing folk music about lovelorn villagers. Meanwhile twin brother Julius spends time doing odd-jobs and having a pint, or suffering PTS by throwing up if he has to sit in a car.
The narration is maudlin middle-class English which does not sit well with the underlying Irish vibe. Chapters are announced with the emotion of the previously read chapter, which is disconcerting. As is the nasal accent of the upper-class landowner, contrasting jarring with the dulcet tones that fit perfectly with the well-written descriptions of povert. If only that there weren’t so many of them.
I can’t write any more or I’d spoil-pun-intended the story, and I would never do that. Or would I?
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