It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.

Powerless witch Saika is ready to enact her sister's final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate's caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika's been disconnected from her magic since her sister's death two years prior.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization.

Three remarkable journeys into the stars: Worlds of Exile and Illusion includes Rocannon's World, Planet of Exile, and City of Illusions. These three spacefaring adventures mark the beginning of grand master Ursula K. Le Guin’s remarkable career. Set in the same universe as Le Guin’s groundbreaking classics The Left Hand of Darkness and The Dispossessed, these first three books of the celebrated Hainish series follow travelers of many worlds and civilizations in the depths of space.

In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial even proscribed by the Sun Priest as an unbalancing of the world. Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger.

Transformative and breathtakingly honest, The American Queen is based on actual events that occurred between 1865 - 1889 and shares the unsung history of a Black woman who built a kingdom in Appalachia as a refuge for the courageous people who dared to dream of a different way of life. Over the twenty-four years she was enslaved on the Montgomery Plantation, Louella learned to feel one thing: hate. Hate for the man who sold her mother. Hate for the overseer who left her daddy to hang from a noose. Hate so powerful there's no room in her heart for love.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

In this remarkable short story collection, Damilare Kuku takes us deep into the heart of modern Lagos, Nigeria’s largest city, and the lives of a collection of audacious women who cope with romantic difficulties by brilliantly turning the tables on the men who wrong them.

Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead…. A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever…. These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now... something absolutely impossible.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

In this long-overdue celebration of Black women’s resilience and unheralded strength, the revered, trailblazing White House correspondent reflects on “The Year That Changed Everything”—2020—and African-American women’s unprecedented role in upholding democracy.

Two years ago, Kennedy Mitchell was plucked from the reception desk and placed in the corporate boardroom in the name of diversity. Rather than play along, she and her best friend founded Token, a boutique PR agency that helps “diversity-challenged” companies and celebrities. With corporate America diversifying workplaces and famous people getting into reputation-damaging controversies, Token is in high demand.

Mikaela Marchand is living the polished life she always planned for: a successful New York lawyer, with a promotion in her sights and a devoted boyfriend by her side. She’s come a long way from the meek teen she was growing up in small town Georgia, but the memory of her adolescence isn’t far—in fact, it’s splashed across a massive billboard in Times Square. An old photograph of Mikaela and her former best friend, Julie, has landed on the cover of a high-profile fashion magazine advertised all over the city. And when Julie files a lawsuit, Mikaela is caught in the middle.

In the summer of 2017, twenty-two-year-old Savanna LaFontaine-Greywind vanished. A week after she disappeared, police arrested the white couple who lived upstairs from Savanna and emerged from their apartment carrying an infant girl. The baby was Savanna’s, but Savanna’s body would not be found for days. The horrifying crime sent shock waves far beyond Fargo, North Dakota, where it occurred, and helped expose the sexual and physical violence Native American women and girls have endured since the country’s colonization.

Jess is a senior in college, ambitious but aimless, when she meets Josh. He’s a privileged preppy in chinos, ready to inherit the world. She’s not expecting to inherit anything. A year later, they’re both working at the same investment bank. And when Jess finds herself the sole Black woman on the floor, overlooked and underestimated, Josh shows up for her in surprising—if imperfect—ways. Before long, an unlikely friendship forms, tinged with undeniable chemistry. It gradually, and then suddenly, turns into an electrifying romance that shocks them both.

On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river. The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has spent the past two years behind bars. When he learns that someone is co-opting his grisly signature - the arrangement of victims’ limbs in puzzle-piece shapes - he decides to take matters into his own hands.

Someday, Maybe is a stunning, witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of friends, and the love and laughter she shared with her husband.

Living in small-town Utah has always been an uncomfortable fit for Tunde Akinola’s family, especially for his Nigeria-born parents. Though Tunde speaks English with a Midwestern accent, he can’t escape the children who rub his skin and ask why the black won’t come off. As he struggles to fit in, he finds little solace from his parents who are grappling with their own issues. Tunde’s father, ever the optimist, works tirelessly chasing his American dream while his wife, lonely in Utah without family and friends, sinks deeper into schizophrenia.

In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout.

​​From the award-winning author of The Map of Salt and Stars, a new novel about three generations of Syrian Americans haunted by a mysterious species of bird and the truths they carry close to their hearts - a “vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night is a feat” (R.O. Kwon, author of The Incendiaries).

Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, responsible for her aging father, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. One day, in the background of a self-portrait, Lu accidentally captures on film a boy falling past her window to his death.

Georgia, 1962. Rose Perkins Bourdon returns home to Parsons, GA, without her husband and pregnant with another man’s baby. After tragedy strikes her husband in the war overseas, a numb Rose is left with pieces of who she used to be and is forced to figure out what she is going to do with the rest of her life. Her sister introduces her to members of the Student Nonviolent Coordinating Committee—young people are taking risks and fighting battles Rose has only seen on television.

1820: Sophia Ashmore-Percy reluctantly accompanies her husband James to a remote Greek island, where he searches for rare biological specimens. Once there, however, she sets on her own voyage of discovery—stumbling across the very creature he is looking for, making an unexpected connection with a local woman, and ultimately reconsidering her marriage, life, and own desires. Decades later, audiologist Henry Latimer is sent to the home of industrialist Sir Edward Ashmore-Percy and tasked with curing the man’s young daughter, Philomel, of her deafness.

The daughter of slaves, Madam C.J. Walker was orphaned at seven, married at 14, and widowed at 20. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then - with the discovery of a revolutionary hair care formula for Black women - everything changed. By her death in 1919, Walker managed to overcome astonishing odds: Building a storied beauty empire from the ground up that would be run by four generations of Walker women until its sale in 1985.

On a winter day north of the Arctic Circle, nine-year-old Elsa—daughter of Sámi reindeer herders—sees a man brutally kill her beloved reindeer calf and threaten her into silence. When her father takes her to report the crime, local police tell them that there is nothing they can do about these “stolen” animals. Killings like these are classified as theft in the reports that continue to pile up, uninvestigated. But reindeer are not just the Sámi’s livelihood, they also hold spiritual significance; attacking a reindeer is an attack on the culture itself.