Featuring all-new tales of dark fantasy, cosmic horror, supernatural revenge, and the sorcery of terror from masters of the craft, this issue includes stories and poems by Alma Katsu, Heather Graham, Maurice Broaddus, Fran Wilde, Priya Sharma, Anne Walsh, Yvonne Navarro, Jake Bible, Gabrielle Faust, and Christina Sng.

A sorcerer on a cliff cuts into his own hand, summoning members of the ancient cult that destroyed his family. A maid hunts her former employer with a sword, attempting to win a revenge that could save us all. A doomed man rides a train to his dead father's home to unravel a terrible secret....

One hundred years ago, H.P. Lovecraft created the Necronomicon, a grimoire of lost souls, magical rites and forbidden lore. Now, locked away, the hoarder of horror is after new voices, new blood, to add to his collection. Listen as he shares the tales that come to him, whispered through the keyhole and written in the dust. From ghost stories to encounters with demons, haunted houses and a fateful Celtic goddess, they will draw you into his claustrophobic and disturbing world.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

This collection comprises 40 stories by and inspired by the originators of weird fiction. From Blackwood's The Empty House, through to Philip K. Dick's The Hanging Stranger, Lovecraft's Out of The Aeons, and beyond.

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

From Robert E. Howard's fertile imagination sprang some of fiction's greatest heroes, including Conan the Cimmerian, King Kull, and Solomon Kane. But of all Howard's characters, none embodied his creator's brooding temperament more than Bran Mak Morn, the last king of a doomed race.

Tales of blood, magic, and steel by masters of the craft!

Twenty tales of terror and suspense, brought to you by sinister storyteller Vincent Price. Horror legend Vincent Price presents an anthology of eerie, unsettling tales with a devilish twist - some purportedly based on his own adventures, others narrated by him in his own inimitable style.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

In the far reaches of Imperial space, a ferocious warp storm approaches an Administratum world, cutting off the entire planet from the rest of the Imperium. As their towering grey spires are punished by endless rain, countless administrators, tithe-masters, and book-keepers are forced to evacuate. Among them is Greta, a lowly data-drone with a terrible secret, wanted for questioning by the sadistic Imperial interrogator Stefan Crucius. As disaster strikes and the pair are left stranded in the depths of the drowning city, captor and captive must cooperate.

A strange case of amnesia strikes down a university professor: Five years of his life vanish under a mysterious cloud. He recovers and embarks on an investigation to piece together his strange activities and nefarious associations while afflicted.

A brilliant medical student dreams of bringing life to the dying - and to the dead. How far will he go to achieve his dream? Will his genius unlock the secrets of life and death, or will boundless ambition twist his noble purpose into something monstrous?

Dark Adventure Radio Theatre's Bad Medicine brings three classic tales of horror and medicine to life in a 1930s-style radio drama. Edgar Allan Poe's "The Facts in the Case of M. Valdemar" and H.P. Lovecraft's stories "Cool Air" and "The Picture in the House" are brought to life by a talented cast of professional actors, exciting sound effects, and thrilling original music by Reber Clark.

Welcome to a very special issue of Weird Tales. This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award.

A sorcerer on a cliff cuts into his own hand, summoning members of the ancient cult that destroyed his family. A maid hunts her former employer with a sword, attempting to win a revenge that could save us all. A doomed man rides a train to his dead father's home to unravel a terrible secret....

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

Tales of blood, magic, and steel by masters of the craft!

Featuring all-new tales of dark fantasy, cosmic horror, supernatural revenge, and the sorcery of terror from masters of the craft, this issue includes stories and poems by Alma Katsu, Heather Graham, Maurice Broaddus, Fran Wilde, Priya Sharma, Anne Walsh, Yvonne Navarro, Jake Bible, Gabrielle Faust, and Christina Sng.

Celebrating the 100th anniversary of the first issues of Weird Tales Magazine, 100 Years of Weird is a masterful compendium of new and classic stories, flash fiction, essays, and poems from the giants of speculative fiction, including R. L. Stine, Laurell K. Hamilton, Ray Bradbury, H. P. Lovecraft, Tennessee Williams, and Isaac Asimov.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

For a thousand years, the Sabbat Worlds have been lost to the Imperium, claimed by the dread powers of Chaos. Now, a mighty crusade seeks to return the sector to Imperial rule. And at the forefront of that crusade are Colonel-Commissar Ibram Gaunt and the Tanith First and Only - better known as Gaunt’s Ghosts. Trapped in the grinding trench warfare of Fortis Binary, the Ghosts find themselves drawn into a conspiracy to assassinate the crusade’s leader, Warmaster Macaroth.

This collection comprises 40 stories by and inspired by the originators of weird fiction. From Blackwood's The Empty House, through to Philip K. Dick's The Hanging Stranger, Lovecraft's Out of The Aeons, and beyond.

On a misty cemetery world, three strangers are drawn together through mysterious circumstances. Each of them has a tale to tell of a narrow escape from death. Amid the toll of funerary bells and the creep and click of mortuary-servitors, the truth is confessed. But whose story can be trusted? Whose recollection is warped, even unto themselves?