Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jack Turner comes back to Culpepper to give a series of lectures for his old history professor. Within days, he starts having bizarre experiences at night. Like he’s traveling back in time, experiencing the epic events in his lectures firsthand. He has no control over these experiences and can’t make them stop. Joe Boyd thought he’d left big city crime back in Pittsburgh when he took a detective job in Culpepper, Georgia, a sleepy southern college town. His peaceful life ends when two students turn up dead in two weeks. The coroner is saying natural causes, but something doesn’t add...

When Sylvia Wilcox takes a leave of absence from the police force to investigate the untimely death of her husband, another mystery-the murder of several students from the local colleges-grabs her attention. The murder of the young men indicates that a serial killer may be roaming the backwoods of southeastern Michigan. Amid Sylvia's grief and search for answers surrounding the loss of her husband, she finds herself simultaneously involved in a dangerous case that threatens to reveal the college town's dark secrets.

Mike Lynch is going through hard times. But things get much worse when he witnesses a murder in a lay-by. Snatching the victim’s car in order to get away, Mike soon makes a shocking discovery - the victim’s young daughter and her nanny are hiding in the rear footwell. This is when the real trouble begins. Mike wants to go to the police, but the nanny, Melissa, wants to delay until the daughter, Charlie, is somewhere safe. Who exactly was the man he saw murdered? And who is the man he saw pulling the trigger?

Maeve Byrne is on the run. She’s a hunted woman and she’ll do anything to protect her baby daughter from harm. When she realizes that she’s been found by people who wish her dead, she gets in her car and drives as fast as she can into the night. Unfortunately, all it takes is one unexpected curve in the road for her life to be literally upended. Kyle Walsh is no stranger to bad luck. On administrative leave from the Boston PD, for an incident surrounding the unauthorized use of his weapon, he witnesses Maeve’s accident and instinct kicks in; he runs to the scene to try and help her....

After a nightmare brings clarity to a hazy memory of childhood trauma, Sylvia Wilcox starts to replay the event in her mind. As she digs through the twisted details, struggling to recover lost innocence, she uncovers multiple levels of deception and betrayal. Finally, after decades of mystery, the disturbing and unexpected answers begin to appear before her eyes.