After thirteen months at war, Vittorio Gandy is haunted by memories. Once a gifted painter, now he can’t bear the vivid, bleeding colors on a canvas. His young son doesn’t remember him, and his wife, Valerie, is scared of him. But the most disconcerting change is in Vitto’s father, Robert Gandy, who has fallen from being a larger-than-life sculptor to a man whose heart has been broken by the death of his muse—Vitto’s mother. When Robert steals away in the night, Valerie, Vitto, and his new acquaintance and fellow veteran John go to the only place Robert might remember.

Father Silence once terrorized the rural town of Twisted Tree, disguising himself as a priest to prey on the most vulnerable members of society. When the police finally found his House of Horrors, they uncovered nineteen bodies and one survivor–a boy now locked away in a hospital for the criminally insane. Nearly two decades later, Father Silence is finally put to death, but by the next morning, the detective who made the original arrest is found dead. A new serial killer is taking credit for the murder and calling himself the Outcast.

Dr. Wolfgang Pike would love nothing more than to finish the requiem he’s composing for his late wife, but the ending seems as hopeless as the patients dying a hundred yards away at the Waverly Hills Tuberculosis sanatorium. If he can’t ease his own pain with music, he tries to ease theirs—but his boss thinks music is a waste, and in 1920s Louisville, the specter of racial tensions looms over everything. When a retired concert pianist arrives, Wolfgang is thrust into an orchestra of the most extraordinary kind that emerges to change everything.

The small town of Harrod’s Reach has seen its fair share of the macabre, especially inside the decrepit old train tunnel around which the town was built. After a young boy, Sully Dupree, is injured in the abandoned tunnel and left in a coma, the townspeople are determined to wall it up. Deputy sheriff Beth Gardner is reluctant to buy into the superstitions until she finds two corpses at the tunnel’s entrance, each left with strange calling cards inscribed with old lullabies. Soon after, Sully Dupree briefly awakens from his coma.

Blackwood mansion looms, surrounded by nightmare pines, atop the hill over the small town of New Haven. Ben Bookman, bestselling novelist and heir to the Blackwood estate, spent a weekend at the ancestral home to finish writing his latest horror novel, The Scarecrow. Now, on the eve of the book’s release, the terrible story within begins to unfold in real life.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Blackwood mansion looms, surrounded by nightmare pines, atop the hill over the small town of New Haven. Ben Bookman, bestselling novelist and heir to the Blackwood estate, spent a weekend at the ancestral home to finish writing his latest horror novel, The Scarecrow. Now, on the eve of the book’s release, the terrible story within begins to unfold in real life.

The small town of Harrod’s Reach has seen its fair share of the macabre, especially inside the decrepit old train tunnel around which the town was built. After a young boy, Sully Dupree, is injured in the abandoned tunnel and left in a coma, the townspeople are determined to wall it up. Deputy sheriff Beth Gardner is reluctant to buy into the superstitions until she finds two corpses at the tunnel’s entrance, each left with strange calling cards inscribed with old lullabies. Soon after, Sully Dupree briefly awakens from his coma.

Dr. Wolfgang Pike would love nothing more than to finish the requiem he’s composing for his late wife, but the ending seems as hopeless as the patients dying a hundred yards away at the Waverly Hills Tuberculosis sanatorium. If he can’t ease his own pain with music, he tries to ease theirs—but his boss thinks music is a waste, and in 1920s Louisville, the specter of racial tensions looms over everything. When a retired concert pianist arrives, Wolfgang is thrust into an orchestra of the most extraordinary kind that emerges to change everything.

Just as Jeremiah Goodbye is set to meet his fate in the electric chair, he is given a second chance at life. With the flip of a coin, he decides to return to his home town of Nowhere, Oklahoma, to settle the score with his twin brother Josiah. But upon his escape, he enters a world he doesn’t recognize—one that has been overtaken by the Dust Bowl. And the gift he once relied on to guide him is as unrecognizable as the path back to Nowhere.

After thirteen months at war, Vittorio Gandy is haunted by memories. Once a gifted painter, now he can’t bear the vivid, bleeding colors on a canvas. His young son doesn’t remember him, and his wife, Valerie, is scared of him. But the most disconcerting change is in Vitto’s father, Robert Gandy, who has fallen from being a larger-than-life sculptor to a man whose heart has been broken by the death of his muse—Vitto’s mother. When Robert steals away in the night, Valerie, Vitto, and his new acquaintance and fellow veteran John go to the only place Robert might remember.