Having spent her life watching her father run his East London firm, Zara Ezra has learnt a thing or two about being a gangster, and she’s ready to take over when the time comes. Mike Regan, a blast from Zara’s past, is the head of his own firm, but when his son is kidnapped in the middle of a gangland feud, Mike has no choice but to accept help from the Ezras to get his little boy back alive. With a rival firm playing increasingly dirty, murder moves to the top of the agenda and Zara has some big choices to make.

Bermondsey , London. With an absent father and a penniless mother, Cyril Reardon is determined to be the man of the house. As young as eight, Cyril is a charmer, a planner, and a risk-taker. A rare trip to the country, shows Cyril a completely different world and it opens his eyes to how the other half lives. A young man wants Cyril shot dead but receives a nasty scar and a few injuries that set him on a path of revenge.

When Dionne married a nightclub owner, Luke Mason, a whisper in her ear told her she would have it all - the money, the house and the luxury lifestyle. But she never expected her life to turn upside down the day they became parents to twins....

When Mia shows up for the interview at a well-known architecture firm, she only has 27p, a squashed loaf of bread, and a jar of peanut butter to her name. She needs this job, even if she is scared to death of the owner of the company. To Mia, huge, grumpy men aren't sexy; they're simply terrifying. She knows from experience that even men of average size can be dangerous. If she weren't so desperate, she'd run.

You’d never know what secrets the house on Hogarth Street holds - what’s happening, right this second, behind closed doors. An emerald-green front lawn. Perfectly trimmed hedging. An ivy-covered front gate and the scent of honeysuckle in the air. In the yard, two scooters lie on the grass. One blue, one pink, belonging to five-year-old twins.

Get four complete stories in Frank Kurns: Tales of the Underworld: You Don't Touch John's Cousin, Bitch's Night Out, Bitch's Night Out, and Challenges.

The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

Ivy Donovan is a successful stylist, entrepreneur, and single mom who has been loyal to her sons’ father, Michael, who’s serving a lengthy prison sentence. But life has gotten lonely over the years, and Ivy wants more for herself. Michael, however, isn’t about to lose his family. Coco Norris is well-off, single, childless, and struggling with her allegiance to emotionally unavailable men. When she finds a man who seems like he can give her everything she has ever wanted, Coco soon discovers that she has taken on more than she can possibly handle.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

As the only survivor of a horrific car crash, Lila Amberson believes she's on the road to recovery after being released from the hospital. Her memories of the accident are blurred though and a series of unsettling incidents leave her fearing for her safety. Does she have survivor's guilt or is something more sinister at play? Jack Foley's reeling from the shock of losing his sister in the crash, so when he first meets Lila, he lashes out, blaming her for Stephanie's death. But when she gives him a locket that she believes belonged to his sister, it presents more questions than answers.

Martin Gable is a boy becoming a man, but nothing can prepare him for the evil that has entered his home. A mysterious doorway has appeared on the landing outside his bedroom. Something is alive inside the mysterious room beyond. Something old. Something hungry. As old resentments arise and home becomes a dangerous place, Martin must become a man and face down the monster his family brought home before it's too late.

Ten years ago he killed my son. Today I married him. Ten years ago my darling son Jesse was murdered and our perfect family was destroyed. My strong, handsome boy, so full of life, became a memory, a photo I carried with me everywhere. But today I’m finally close to finding happiness again. My ash-blonde hair has been curled into ringlets. Carefully placed white flowers frame my delicate features. The small, drab chapel has been prettied up with white satin, and there are tiny red hearts scattered on the small table where I will soon sign the register with my new husband.

Secrets can kill, and Danni Brooks knows that better than anyone. When her husband and two of her three children perish in a devastating house fire, Danni is sure it is arson. She’s even more sure that her and her eldest daughter, Mia, were meant to die in the fire, too. But they are just a normal family. Who would want them dead? Mia doesn’t talk. She can’t. She is locked in her own world where no one, not even her mother, can reach her.

Mead House was once our childhood home. Despite my fears, I always knew we would have to return to face the demons of our past. Back to the place where it happened, to where, as carefree teenagers, we lost our elder sister in the most brutal of circumstances. As executors of our grandmother’s will, my twin brother, Ollie, and I needed to empty the house for resale. What I didn’t expect to discover was my sister’s secret journal that contained her most private thoughts and shocking dark secrets.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

As the only survivor of a horrific car crash, Lila Amberson believes she's on the road to recovery after being released from the hospital. Her memories of the accident are blurred though and a series of unsettling incidents leave her fearing for her safety. Does she have survivor's guilt or is something more sinister at play? Jack Foley's reeling from the shock of losing his sister in the crash, so when he first meets Lila, he lashes out, blaming her for Stephanie's death. But when she gives him a locket that she believes belonged to his sister, it presents more questions than answers.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

A shocking double-murder scene greets Detective Inspector Philip Brennan when he is called to a flat in Colchester. Two women are viciously cut open and laying spread-eagled, one tied to the bed, one on the floor. The woman on the bed has had her stomach cut into and her unborn child is missing. But this is the third time Phil and his team has seen such an atrocity. Two other pregnant women have been killed in this way and their babies taken from them. No one can imagine what sort of person would want to commit such horrible crimes.

Late one night, a man walks into the luxurious home of disgraced banker Harry McNamara and his wife Julie. And when the man launches an unspeakably brutal attack on Harry, a horror-struck Julie, frozen by fear, watches her husband die. Just one hour later, the attacker, J. P. Carney, hands himself into the police and confesses to beating Harry to death. But he also claims that the assault was not premeditated and that he didn’t know the identity of his victim.

Tressa Middleton made UK history when she became Britain's youngest mum in 2006 aged just 12 years and eight months. Her case provoked shock and outrage - but the truth behind the headlines was far sadder than anyone could ever have imagined. Born into a life of poverty and neglect, Tressa was forced to grow up fast when was she taken into care at just four years old. She was returned to her mother's chaotic world, but by the age of seven, she was being abused by her own brother and at 11 years old she fell pregnant with his child. For years she kept his dark secret in an attempt to hold her family together until the truth threatened to destroy her completely.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.