Will and Testament
A Novel
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Narrated by:
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Nano Nagle
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By:
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Vigdis Hjorth
About this listen
A controversial best seller from one of Norway’s most intelligent and highly-regarded novelists
When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.
Will and Testament is a lyrical meditation on trauma and memory, as well as a furious account of a woman’s struggle to survive and be believed.
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Story
The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.
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Mixed Feelings
- By Elin VanD on 05-10-20
By: Annie Ernaux
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The Morning Star
- By: Karl Ove Knausgaard
- Narrated by: Alyssa Bresnahan, Edoardo Ballerini, Elisabeth Rodgers, and others
- Length: 23 hrs and 11 mins
- Unabridged
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Story
It's a normal night in August. Literature professor Arne and artist Tove are with their children at the resort in Sørlandet. Their friend, Egil, a driver by day, is staying in a cabin nearby. Kathrine, a priest, is on her way home from a seminar; the journalist Jostein is out on the town; and his wife, Turid, who is an assistant nurse, has a night shift. Above them all, a huge star suddenly appears in the sky. No one, not even the astronomers, knows for sure what kind of phenomenon it is.
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Great read for religious scholars
- By matt m on 01-13-22
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Drive Your Plow Over the Bones of the Dead
- A Novel
- By: Olga Tokarczuk, Antonia Lloyd-Jones
- Narrated by: Beata Pozniak
- Length: 11 hrs and 39 mins
- Unabridged
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Performance
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Story
In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then, a neighbor, Big Foot, turns up dead. Soon, other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind....
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Narrator - Authentic as it can get!
- By Chris on 09-03-19
By: Olga Tokarczuk, and others
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Rejection
- Fiction
- By: Tony Tulathimutte
- Narrated by: Micky Shiloah, Allyson Ryan, Quincy Surasmith, and others
- Length: 8 hrs and 1 min
- Unabridged
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Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.
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The utter darkness
- By larux on 10-02-24
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Is Mother Dead
- By: Vigdis Hjorth
- Narrated by: Kim Bretton
- Length: 6 hrs and 41 mins
- Unabridged
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A cat and mouse game of surveillance and psychological torment develops between a middle-aged artist and her aging mother, as Vigdis Hjorth returns to the themes of her controversial modern classic, Will and Testament.
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So real, absorbing & compelling
- By Ross on 12-27-23
By: Vigdis Hjorth
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Long Live the Post Horn!
- By: Vigdis Hjorth, Charlotte Barslund - translator
- Narrated by: Aven Shore
- Length: 5 hrs and 33 mins
- Unabridged
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Overall
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Performance
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Story
Ellinor, a thirty-five-year-old media consultant, has not been feeling herself; she's not been feeling much at all lately. Far beyond jaded, she picks through an old diary and fails to recognize the woman in its pages, seemingly as far away from the world around her as she's ever been. But when her coworker vanishes overnight, an unusual new task is dropped on her desk. Off she goes to meet the Norwegian Postal Workers Union, setting the ball rolling on a strange and transformative six months.
By: Vigdis Hjorth, and others
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The Years
- By: Annie Ernaux
- Narrated by: Anna Bentinck
- Length: 8 hrs and 11 mins
- Unabridged
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Overall
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Performance
-
Story
The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.
-
-
Mixed Feelings
- By Elin VanD on 05-10-20
By: Annie Ernaux
-
The Morning Star
- By: Karl Ove Knausgaard
- Narrated by: Alyssa Bresnahan, Edoardo Ballerini, Elisabeth Rodgers, and others
- Length: 23 hrs and 11 mins
- Unabridged
-
Overall
-
Performance
-
Story
It's a normal night in August. Literature professor Arne and artist Tove are with their children at the resort in Sørlandet. Their friend, Egil, a driver by day, is staying in a cabin nearby. Kathrine, a priest, is on her way home from a seminar; the journalist Jostein is out on the town; and his wife, Turid, who is an assistant nurse, has a night shift. Above them all, a huge star suddenly appears in the sky. No one, not even the astronomers, knows for sure what kind of phenomenon it is.
-
-
Great read for religious scholars
- By matt m on 01-13-22
-
Drive Your Plow Over the Bones of the Dead
- A Novel
- By: Olga Tokarczuk, Antonia Lloyd-Jones
- Narrated by: Beata Pozniak
- Length: 11 hrs and 39 mins
- Unabridged
-
Overall
-
Performance
-
Story
In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then, a neighbor, Big Foot, turns up dead. Soon, other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind....
-
-
Narrator - Authentic as it can get!
- By Chris on 09-03-19
By: Olga Tokarczuk, and others
-
Rejection
- Fiction
- By: Tony Tulathimutte
- Narrated by: Micky Shiloah, Allyson Ryan, Quincy Surasmith, and others
- Length: 8 hrs and 1 min
- Unabridged
-
Overall
-
Performance
-
Story
Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.
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The utter darkness
- By larux on 10-02-24
What listeners say about Will and Testament
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- H. Anderson
- 11-29-22
An Illuminating Read
Will and Testament begins as an inheritance dispute over two vacation cabins, and methodically progresses to the real subject: the protagonist’s childhood sexual abuse by her father and her family’s denial of it. Both the prose and the performance are flat, which is fitting: abuse victims suffer from “flat affect” because of their trauma. It wasn’t an easy listen, but I found it compelling.
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- Expedition44
- 07-04-21
Well written but difficult subject matter
Narration is great. Style of writing is unusual and at times a bit belaboring but it’s a well-written story about a very difficult subject matter. It’s hard to recommend a book like this because it’s not exactly enjoyable though it is a compelling perspective to get a glimpse of.
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1 person found this helpful
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- anne k.
- 06-10-24
A deep Dive into the psyche of a sexual abuse survivor and her family
I liked the honesty, and how she demonstrated the way her childhood sexual abuse affected her social development and adult behavior. Also how it affected her relationship with family members. As a survivor of sexual abuse myself I appreciate the courage to speak out about it, as my sexual abuse has made me ashamed and afraid to share myself with the world.
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- KRN
- 12-05-24
a marvelous book - with some quibbles
For now I will simply make a couple notes on issues other than the main theme:
- my favourite publisher, Verso, did a bad job with the copy on this one. In multiple places I found myself correcting the incorrect word choices that made no sense. they meant to write "fell" but they published "feel" etc etc. the syntax generally was often difficult to process in the print edition. without using a hybrid print/audiobook reading method i might not have enjoyed it as much
- the author makes repeated recourse to israel as some kind of analogue to the power dynamics of her family conflict. she seems to think she is saying something profound. yet while she demands to be taken seriously, for her suffering to be acknowledged and then, coherently, for those who acknowledge her suffering to take appropriate action in favour of justice - the author does not do the same with israel. she intimates that she has taken a position in favour of justice, but never makes it explicit and therefore, in fact, never does. the closest parallel in her own book of her treatment of the israel question is her sister Astrid's treatment of her. "she shows how much she has practised being a good and sensible human being, a kind of officially good person.... she knows that [Palestine] is telling the truth, but if she were to acknowledge it, accept it, there would be consequences, and she's incapable of dealing with them." as a result, the image that comes across is that tel aviv is a wonderful place, and we should wring our hands because something unidentified and unrecognised is wrong with Gaza and some refugees being so close to it. near the end the author pulls away from her Balkans and Israel analogies and moves the parallel to Ireland. But what this choice might represent isn't even hinted at. Thus, despite the great impact this book had on me, it must be stated that the difficulty of genocide is not that both perpetrator and victim claim they are the victim. Her mother and sister rhetorically usurped her rightful role as victim to avoid acknowledgement and reparation, and by not embodying that more resolutely in her text - that Israel does the same to the Palestinians - the author ends up replicating the moral failure of her family on a geopolitical scale.
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- IsabelS
- 09-03-22
Tedious!
I struggled with this one.
The writing style was annoying with so many repeats of the same sentence and words.
I pushed through hoping it will get better but it didn't and then it stopped so abruptly I'm still confused.
Narration was okay.
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- MONIQUE JACKETTA
- 01-09-24
Repeat and repeat again
The character kept repeating herself over and over and over. It was really hard to listen to.
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