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In this ambitious - even radical - literary collection, first published in 1920, civil rights leader W. E. B. Du Bois tackled race, gender, art, politics, labor, and economics from the perspective of an African American who, in his own words, had “been in the world, but not of it.” Du Bois took an experimental approach in Darkwater - utilizing essays, poetry, spirituals, sketches, and autobiographical writings - to break new ground on issues of race, class, and prejudice that continue to confound us.

The Scots-Irish were 40 percent of the Revolutionary War army; they included the pioneers Daniel Boone, Lewis and Clark, Davy Crockett, and Sam Houston; they were the writers Edgar Allan Poe and Mark Twain; and they have given America numerous great military leaders, including Stonewall Jackson, Ulysses S. Grant, Audie Murphy, and George S. Patton, as well as most of the soldiers of the Confederacy (only five percent of whom owned slaves, and who fought against what they viewed as an invading army).

This Black History Collection contains the brilliant works of Frederick Douglass (Narrative of the Life of Frederick Douglass), Booker T. Washington (Up from Slavery) and W. E. B. Du Bois (The Souls of Black Folk). Enjoy the works of these three influential men, whose vision and ideas helped to shape modern society.

The Souls of Black Folk is a classic work by W. E. B. Du Bois. Originally published in 1903, it contains many essays on race and equality, but is also a piece of seminal history, laying the groundwork for the field of sociology. Some of the essays in the book were even previously published by the Atlantic Monthly magazine. When writing, Du Bois drew from his personal experiences as an African-American in America to highlight the issues of prejudice that were still going on into the 20th century.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

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From mystery and crime to romance and tragedy, in this collection you will discover award-winning writing that effortlessly spans genre and style. Witness the excess and luxury of 1920s America in The Great Gatsby, experience profound meditations on death in The Bridge of San Luis Rey, as well as Poirot's very first murder case in The Mysterious Affair at Styles.

DuBois takes on the labor unions in this essay. He confesses that he had always inveighed against color discrimination by employers and by the rich. He knew at the same time in silence that it was practically impossible for any colored man or woman to become a boiler maker, book binder, electrical worker, a plumber or a printer or a textile worker, carpenter, or any of a dozen other important employments, without encountering the determined opposition of the united labor movement.

Ailey Pearl Garfield grows up between the City in the north and summers spent in her mother’s small hometown of Chicasetta, Georgia. From an early age, she finds herself in a battle for belonging that’s made all the more difficult by a hurt in her past, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.

Although Du Bois’ name is still (and inexplicably) less well-known than that of Washington, his prolific writings serve as a bedrock to the modern social engines at work in the pursuit of racial equality in America. In his life and experience of nearly a century, he spanned the administrations of Andrew Johnson and Lyndon Baines Johnson, dying only one day before King’s “I Have a Dream” speech. W. E. B. Du Bois: The Life and Legacy of Early 20th Century America’s Most Famous Civil Rights Activist chronicles the life and work of one of America’s most influential men.

Las almas del pueblo negro es una obra clásica de la literatura estadounidense, un trabajo seminal en la historia de la sociología y una piedra angular en la historia de la literatura afroamericana. Originalmente publicado en 1903, es un estudio sobre raza, cultura y educación a principios del siglo XX. Con su combinación única de ensayo, memoria y ficción, catapultó a Du Bois a la vanguardia del comentario político estadounidense y el activismo por los derechos civiles.

When the free-spirited Zora and the ambitious Bles first meet, they strike up an immediate friendship - one that seems destined to mature into love. That emotional journey is disrupted, however, by the crushingly oppressive forces that surround them in the post-Reconstruction South. Zora’s desire for personal growth takes her to New York, where she finds work as a domestic servant, while Bles travels to Washington, DC, for an education in politics. Disillusioned by the corruption and hypocrisy of the North, they eventually return home with a new dream altogether.

The Souls of Black Folk by W. E. B. Du Bois is a landmark in sociology and a cornerstone of African American literature. The book comprises various essays on race, some of which had previously appeared in The Atlantic Monthly. As an uncompromising advocate of civil rights, Du Bois stated that through work, culture, and liberty, the dual heritage of African Americans could be melded into a force for positive social and cultural change.

The Souls of Black Folk was published in 1903 as a collection of essays from W.E.B. Du Bois, an African-American sociologist who wrote frequently about his experiences as a Black man for magazines and other publications. This book is comprised of 14 essays, with Du Bois’s overall message being that Black people were equally worthy of the rights of White people: to vote, to receive a good quality education, and to be treated justly.

This landmark book is a founding work in the literature of black protest. W. E. B. Du Bois (1868-1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind.

The great scholar W. E. B. Du Bois once wrote about the problem of race in America, and what he called ‘Double Consciousness', a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois' words all too well.

In this work, Du Bois makes a case for the critical role of education, outlining the limiting development of Southern education. He criticises the vision of Booker T. Washington and calls for an education that encourages aspiration, that sets lofty ideals and seeks as an end culture and character.

The arduous task of overthrowing Jim Crow codes and legislation marked one of the first strides toward the modern struggle for ethnic equality in American society and required nearly a century of struggle. That effort spawned a multitude of heroic African American activists, but it is remembered in large part for the work of two iconic African American men of stature. Much like their later counterparts, the debate between gradual integration through temporary accommodation and overtly insistent activism was led by Booker T. Washington and W. E. B. Du Bois.

W. E. B. Du Bois considered his first novel, The Quest of the Silver Fleece, to be an “economic study” of the post-Reconstruction relationship between the North and the South, but this first foray into fiction proves itself to be much more than that. Filled with literary realism, social commentary, and romance, Silver Fleece chronicles the love story between Zora, a free-spirited Black girl from a Southern swamp, and Bles, a Black man educated in the North.

The struggle for human rights, emancipation, civil rights, social justice, voting rights, and freedom from discrimination and tyranny is captured here in this volume of speeches by some of the most influential and brilliant Black orators in history.