Showing titles in Journalists, Editors & Publishers

As a journalist whose career spans three decades, CNN correspondent Tom Foreman has reported from the heart of war zones, riots, and natural disasters. He has interviewed serial killers and been in the line of fire. But the most terrifying moment of his life didn't occur on the job - it occurred at home, when his 18-year-old daughter asked, "How would you feel about running a marathon with me?"

Society, films, song lyrics and our parents are adamant that a happy ending has to be couple-shaped. Catherine Gray took a whole year off dating to find single satisfaction. She lifted the lid on the reasons behind the global single revolution, explored the bizarre ways cultures single-shame, detached from 'all the good ones are gone!' panic and debunked the myth that married people are much happier.

In this powerful, passionate chronicle, Noah Adams, the beloved host of NPR's All Things Considered, takes us on a river journey through the heart of Appalachia - a journey shared by pioneers and preachers, white-water daredevils, bluegrass musicians, and an unforgettable cast of vivid historical characters.

Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Egypt, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism.

By the 1970s, the country’s oldest continuously published newspaper had fallen on hard times, just like its nearly bankrupt hometown. When the New York Post was sold to a largely unknown Australian named Rupert Murdoch in 1976, staffers hoped it would be the start of a new golden age for the paper. Now, after the nearly fifty years Murdoch has owned the tabloid, American culture reflects what Murdoch first started in the 1970s: a celebrity-focused, noisy, one-sided media empire that reached its zenith with Fox News.

A story of a young woman left behind and a young reporter coming of age in a world of war; a gripping memoir of Cambodia and Vietnam in the 1970s. As brutal wars in Cambodia and Vietnam come to swift and cataclysmic ends, a young reporter plans a last minute rescue of a woman he loved. The rescue fails.

In David Lipsky's view, David Foster Wallace was the best young writer in America. Wallace's pieces for Harper's magazine in the '90s were, according to Lipsky, like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

Just days after the United States decimated Hiroshima and Nagasaki with nuclear bombs, the Japanese surrendered unconditionally. But even before the surrender, the US government and military had begun a secret propaganda and information suppression campaign to hide the devastating nature of these experimental weapons. The cover-up intensified as Occupation forces closed the atomic cities to Allied reporters, preventing leaks about the horrific long-term effects of radiation that would kill thousands during the months after the blast.

They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles, sometimes gliding through countries in the splendor of a first-class sleeper car. While empires collapsed and fledgling democracies faltered, they chased deposed empresses, international financiers, and Balkan gun-runners, and then knocked back doubles late into the night.

In September 2011, Erik Weissman and two friends were murdered in a brutal triple homicide in Waltham, Massachusetts. The case went unsolved for months and then years, with no discernible leads. Erik’s friend Susan Zalkind, an investigative journalist, needed closure and knew that finding it would be up to her. As Susan began digging, and as the Boston Marathon bombing exposed startling new leads, the case led her down a tangled and sometimes dangerous path to the truth.

In the wake of the September 11 attacks and the US-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul.

Run, Hide, Repeat is a memoir of a childhood steeped in unexplained fear and menace. Gripping and suspenseful, it moves from Dakin's uneasy acceptance of her family's dire situation to bewildered anger. As compelling and twisted as a thriller, Run Hide Repeat is an unforgettable portrait of a family under threat and the resilience of family bonds.

Beloved former ABC 20/20 anchor Elizabeth Vargas reveals her alcohol addiction and anxiety disorder in a shockingly honest and emotional memoir. From the moment she uttered the brave and honest words, "I am an alcoholic," to interviewer George Stephanopoulos, Elizabeth Vargas began writing her story, as her experiences were still raw. Now, in Between Breaths, Vargas discusses her accounts of growing up with anxiety—which began suddenly at the age of six when her father served in Vietnam.

From the beginning of World War II through the early days of Vietnam, groundbreaking female photojournalist and war correspondent Dickey Chapelle chased dangerous assignments her male colleagues wouldn’t touch, pioneering a radical style of reporting that focused on the humanity of the oppressed. She documented conditions across Eastern Europe in the wake of the second world war. She marched down the Ho Chi Minh Trail with the South Vietnamese Army and across the Sierra Maestra Mountains with Castro.

And the Rest Is History takes listeners on a traveling circus from Paris to Beirut, Baghdad, and beyond, introducing them to spies and terrorists, arms dealers and crooks, and along the way reveals a few surprises about the secret underbelly of recent history you won’t find in WikiLeaks. This book pinpoints precisely when the era of “fake news” actually began in America, and will change the way you think about journalism and journalists.

When Gauri Lankesh, an outspoken journalist in the South Indian city of Bangalore, was assassinated in September 2017 outside her home, it wasn’t just a loss to her close-knit community of writers and activists—the shock reverberated nationwide, making headlines and sparking mass protests. Why was she targeted, and who was behind it? Following the case to its stunning, unsettling conclusion, Rollo Romig uncovers a world of political extremists, fearless writers, organized crime, and shadowy religious groups.

Picking up where he left off at the end of his widely praised debut memoir, One of These Things First, Gaines recounts his hilarious, sometimes poignant attempt to forge a writing career and a successful love life in the gay world of the 1970s. He has limited success until he falls in love with an older woman dying of cancer.

There was no reason to bet on Bruce Johnson, given where he started out. Poor, Black, and raised by a single mother who had a secret. He was the child she hid in plain view from the rest of her family. As an adult, he set out to just make a living - to do better than Black folks who tried their best before, while making his Momma and Grandmomma proud. His journey to becoming a successful TV journalist nearly killed him, but he refused to treat himself as a victim. His role was to use his voice and example to pull others out of deep waters.

Books tell all kinds of stories—romances, tragedies, comedies—but if we learn to read the signs correctly, they can tell us the story of their own making too. The Book-Makers offers a new way into the story of Western culture’s most important object, the book, through dynamic portraits of eighteen individuals who helped to define it.