Showing titles in Death, Grief & Loss

Following on his bestselling collections, The Truth of You and The Secret of You, Thomas’s latest volume of over two hundred poems examines how we find the faith to carry on when everything has been stripped away and all that remains is the core of who we are. The Heart of You explores fear, bravery, intimacy, what we keep, and what we leave behind.

I’ve never seen anyone at a public pool with a memorable enough body, good or bad, that I think about it ever again. If this line sounds familiar, it’s because you’ve heard it in the background of thousands of videos on social media—a humbling reminder from poet and radio personality Josie Balka that what’s important in our lives now isn’t necessarily what’s important to us in the long run. I Hope You Remember, Josie’s first book of poetry, includes this poem and over eighty others, some previously published and others never shared before.

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

The scariest monsters are the ones that lurk within our souls. — Edgar Allan Poe Shadows Amongst the Threads is a haunting collection of gothic poetry that delves into the dark side of human nature. J.A. Santana masterfully crafts horror poems that explore our deepest fears and most primitive instincts, creating a mesmerizing tapestry of darkness and shadow. This compilation of dark poetry taps into the primal emotions hardwired into our psyche, surfacing when we face the unknown lurking in the shadows or confront the horrors standing before us. Each gothic poem serves as a mirror to the ...

The final installment in a long journey of healing is the fieriest of them all. Out of the Ashes offers a roadmap for listeners seeking to emerge from devastation. Divided into seven sections—The Destruction, The End, The Quiet, The Wrath, The Transformation, The Arising, The Resurgence—this very personal and engaging new collection from prolific poet Courtney Peppernell illuminates a powerful journey of resilience and survival. It masterfully charts the process of rising again after your life has been burned to the ground.

In her first book, poet Havva Ramadan explores the pain of grief, the struggle of mental health, and the journey we all must take to collect our pieces and rebuild ourselves once again.

A new volume of poetry from Robert Hass is always an event. In Summer Snow, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities and expansive intellect, and tremendous listenability.

Bestselling poet and author of the acclaimed Pillow Thoughts series, Courtney Peppernell returns with a story of uncovering the light that resides deep within us all, should we only be brave enough to search the darkness to find it. A Month of Sundays is a tribute to surviving a long winter and a promise that, despite the darkness, the light will undoubtedly return.

From Chameleon Aura author Billy Chapata comes his second major poetry collection, Flowers on the Moon. Chapata presents his signature blend of experience and advice through a chaptered series of prose and poetry. Filled with the familiar themes of love, loss, resilience, and growth from Chameleon Aura but with fresh poems and new advice, his touching narrative celebrates humanity for its undeniable worth, and this collection will leave listeners warm with hope for growth, rebirth, and, most prominently, self-acceptance.

I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.

I Wrote This for You: Please Listen focuses on a different facet of life, love, loss, beginnings, and endings. This audio project inspired by the original book weaves the poetry into a never-before heard holistic narrative.

I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be.

Neil Hilborn returns with the poignant and profound collection About Time. Balancing between devastation and perseverance, About Time shares the struggle to maintain mental health during the recent global crises. With his distinctly conversational tone and dark humor, Hilborn breaks down the cycle of mental illness—small improvements, setbacks, and the process of recovery. This collection fights against itself as the poems try to find a place for hope, love, and goodness in a lonely, terrifying world—ultimately, inspiring belief in and connection to all the small joys that we can find.

Gleaned from Rainer Maria Rilke's voluminous, never-before-translated letters to bereaved friends and acquaintances, The Dark Interval is a profound vision of the mourning process and a meditation on death's place in our lives. Following the format of Letters to a Young Poet, this book arranges Rilke's letters into an uninterrupted sequence, showcasing the full range of the great author's thoughts on death and dying as well as his sensitive and moving expressions of consolation and condolence.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

A journey through the ups and downs of love, heartache, heartbreak, loss, grief, and healing, this book reflects my inner most thoughts from my most recent years of life

Seeds Planted in Concrete is Bianca Sparacino's raw testament to the beauty that is found within the contrasts of life. Speaking truthfully about the intricacies of both love and loss, Sparacino's first collection of work will speak to the very depths of those who hear it, inspiring a will to love and live. This collection is a manifesto of the journey every human being takes throughout life - an assembly of words that celebrates the resilience of the human heart through stages of hurting, feeling, healing, and loving.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'". It's about wrestling with histories, personal and shared.

Herein lies a raw exploration of duality, darkness, and desire. A collection of sonnets, haikus, and free verse that brings to the surface our fractured pieces and celebrates how the light and the dark blend to make us whole. An invitation to embrace the shadow and give it its rightful place as a part of the self.