Showing titles in Death, Grief & Loss

In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child.

Drawing inspiration from the art of Kintsugi, the Japanese technique of mending broken pottery with gold, Carol beautifully weaves together the shattered fragments of her heart, transforming them into a life worth living. Divided into three sections, "Shattered", "In Pieces", and "Making Broken Beautiful", this book of poems chronicles the full spectrum of the grieving experience. With raw honesty, Carol illuminates the pain and loneliness that accompany loss, the disorienting struggle to adapt to a changed world, and the gentle steps towards self-discovery.

Popular Instagram poet and bestselling author Morgan Harper Nichols reimagines the classic heroine's journey—from the very first call to adventure, through trials, hardships, and new relationships, all the way back home—and offers key lessons and affirmations to encourage and equip you every step of the way.

Following several of his internationally acclaimed, beloved novels, A Year of Last Things is Michael Ondaatje’s long-awaited return to poetry. In pieces that are sometimes wittily funny, moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and abandoned landscapes we hold onto to rediscover the influence of every border crossed.

Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat: New and Selected Poems, 1961-2023 assembles Atwood’s most vital poems in one essential volume. In pieces that are at once brilliant, beautiful, and hyper-imagined, Atwood gives voice to remarkably drawn characters—mythological figures, animals, and everyday people—all of whom have something to say about what it means to live in a world as strange as our own.

Many are familiar with teacher and poet Mark Nepo's books on inner transformation, relationship, and the emergence of purpose in our lives. Less well-known is that in 1987 he was diagnosed with cancer, and the revelations during that time would inform every dimension of his work to follow. With Inside the Miracle, Mark Nepo shares what he discovered along this challenging terrain and the insights most essential to those of us who now find ourselves there.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

When Brianna Pastor released her self-published poetry collection, Good Grief, she was blown away by the outpouring of support from people who reached out and said, “Yes. Me too.” For anyone who has struggled with questions of identity or coped with serious emotional issues, including grief, trauma, anxiety, and depression, this collection will help you find hope on the other side.

My Greenhouse is a collection of poems inspired by the author's first romance, beginning with the seeds of infatuation, blooming for a time into real love, and then eventually dying back, making room for new growth. The pieces evoke the feelings of enchantment, uncertainty, pain, and ultimately healing that come with your first love and heartbreak.

Goodreads Choice Award-winning poet and USA Today best-selling author Amanda Lovelace presents the mermaid’s voice returns in this one - the third and final installment in her women are some kind of magic series, featuring a foreword from Lang Leav and 13 guest poems from leading voices in poetry such as Nikita Gill, KY Robinson, and Orion Carloto.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give listeners new and old a lasting collection of favorites.

La misteriosa visita de un cuervo parlante a la casa de un amante afligido, y del lento descenso hacia la locura de este último. El amante, que a menudo se ha identificado como un estudiante, llora la pérdida de su amada, Leonora. El cuervo negro, posado sobre un busto de Palas Atenea, parece azuzar su sufrimiento con la constante repetición de las palabras «Nunca más».

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

With electrifying boldness and fearlessness of vision, Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father’s Parkinson’s Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body’s animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt’s lyric intensity and linguistic mastery, along with a stark new clarity of voice.

With work that ranges from the laugh-out-loud funny to the silence and rage of loss, Forgive Yourself These Tiny Acts of Self-Destruction is a must read. This is a collection of work that asks itself for forgiveness while becoming an instruction manual on how listeners can follow suit. These complex and passionate poems make space for a narrative about the self in the wake of destruction. It explores American culture and examines how Singer's identity as a Jewish American underpins daily life.

I recorded this the day after we lost one of our beloved pets. Rainbow Bridge is the theme of several works of poetry written in the 1980s and 1990s that speak of an other-worldly place where pets go upon death, eventually to be reunited with their owners. It brings a lump to my throat, and often a tear to my eye but also comfort as I recall good times with Pongo.

Sabrina Benaim, author of Depression & Other Magic Tricks, has connected deeply with readers and reached millions of viewers through her poetry, breaking down the stigma around mental illness. Now, she dives into challenging and universal territory: grief over a relationship’s end, loneliness in a world under lockdown, and the anxiety of caring for a loved one from afar in the wake of a serious diagnosis.

If Ollie Schminkey’s Dead Dad Jokes asks the question, “What was it like to watch my father die?”, Where I Dry the Flowers asks “How did watching someone die teach me how to live?” This unrestrained and raw sophomore collection explores themes of grief, healing, and forgiveness while refusing to sacrifice the hard truths that come with addiction, caretaking, and the death of a loved one. Ollie opens their heart to listeners and tells them that these emotions are okay, no matter how conflicting and confusing they may be.

Dive between the borders of ruined and radical love with this lyrical poetry collection that explores topics as expansive as divorce, the first Black Bachelorette, and the art world. Stanzas shift between reverence to irreverence as they take us on a journey through institutional and historical pains alongside sensuality and queer, Black joys.