Showing titles in Death, Grief & Loss

The definitive collection from a writer whose transgressive legacy and raw, funny, acutely observant writing has left an enduring mark. Here is Bukowski eating walnuts and scratching his back, rolling a cigarette while listening to Brahms, showering with Linda in the midafternoon. Here is Bukowski knowing that the secret is beyond him, that people who never go crazy live truly horrible lives, that there's a bluebird in his heart that wants to get out.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

La produzione in versi più conosciuta di Giacomo Leopardi. La raccolta si divide in quattro fasi: la prima riguarda temi erotici, il suicidio, la natura e il senso della vita; la seconda tratta i piccoli e i grandi idilli; la terza è dedicata alla donna di cui Leopardi si innamorò, Fanny Targioni Tozzetti; la quarta e ultima fase comprende infine due canzoni sepolcrali, la "Palinodia", il capitolo "I nuovi credenti", "La ginestra" e "Il tramonto della Luna". Giacomo Leopardi (1798 – 1837) è stato un filosofo, filologo, poeta e scrittore italiano.

Southern Bred is a haunting, powerful collection of gothic poems that captivate and transport the listener into the heart and soul of the Deep South. Each poem offers a glimpse into its mystery and enchantment, drawing you in with a blend of beauty and darkness. In the style of a memoir in verse, it showcases Ghigna’s southern soul and his tender, yet piercing language, and affirms his place as one of the finest poets of our time.

From a poet and celebrated spoken-word performer comes a debut poetry collection that takes listeners on an empowering, lyrical journey exploring truth, silence, wounds, healing, and the resilience we all share.

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.

Set in three sections, Robert Wood Lynn explores interior uncertainty, interpersonal uncertainty and uncertainty at a larger scale. These narrative poems, influenced by storytelling traditions, find themselves at the nexus of the intimate and the humorous, as well as the absurd and the tragic. These poems examine isolation and grief in their many forms—through heartbreak or the death of loved ones, or show us the world looking back at itself after it ends.

Drawing from his experience as a translator, Forrest Gander includes, in the first powerfully elegiac section, a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the US border with Mexico. The poems of the third section - a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s - rise like hymns, transforming slowly from reverence to revelation.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics - of both the body and society, of both the individual and the collective experience.

There are many facets to love. It can be all-embracing, passionate, fulfilling, platonic. And when this love is shattered, it gives rise to anguish, hate, anger, jealously, and melancholy. There are times when such powerful emotions must be expressed, for to keep them bottled up inside can render one senseless and unbalanced. What better way to find release than through the age-old medium of poetry? It is the author’s sincere hope that her poetry will bring solace to others who have endured the same tumultuous experiences with love and heartache. Perhaps the sharing of her words will ...

The Flame Will Always Burn is a collection of very raw, heartfelt poems written in free verse that chronicles one young woman’s traumatic disappointment in love. Given the range and detail in which the trauma is recounted, she might well stand for every woman in such a predicament. The poems are written at a white hot heat, employing no niceties or euphemisms. The honesty and anguish of extreme disillusionment are not papered over and the writer is true to her raging feelings, resorting to none of the more acceptable attractive phraseology that usually tempers such poems. Her hurt and ...

From the author's leather-bound book kept locked at the base of his bed, we journey through New York City, chilled farmlands and isolated cabins in the woods. Calloway's solid masculine approach is refreshingly original. We have all felt the warmth of the world around us and we have all felt the cold. This author holds our hand as he leads us down rich passageways of the psyche.

The Twilight Zone Haiku explores the essence of Rod Serling’s iconic, uncanny 1960s television show through haiku, giving us dazzling, spot-on snapshots of each episode. In seventeen syllables, Boykin captures the show's main objective: to deliver a keen jolt of existential awareness.

"Annabel Lee" tells the story of young love cut short by tragedy. As the speaker (often assumed to be based on Poe himself, whose young wife died shortly before he wrote this poem) discusses his relationship with the now-deceased Annabel Lee, he presents the love between them as pure, eternal, and all-conquering. The love between the speaker and Annabel Lee may have been short-lived, but it remains too powerful to be defeated, even by death. Through describing this intensely idealized love, the poem argues that love is the strongest force on earth.

“You are told to believe in one paradise / and then there is the paradise you come to know,” begins Rick Barot. What follows is an account of the rich and thorny valley between those poles. Moving the Bones dwells in liminal spaces—of love and memory, the pandemic’s singular domesticity, a serene cemetery of ancestral plots, dawn. In precise and tender verse, Barot captures the particularities of being in the middle of one’s life, reflecting on the joys and sorrows of the past and confronting the inevitabilities that lie ahead.

Mariella Saavedra Carquin confronts hard truths in this powerful debut collection, pushing through layered complexities of immigration, race, and identity to find a way forward.

Jory Ames' second book of poetry focuses on poems of love found, love lost, and regrets. It also includes poetry about visions, challenges, and death.

The Life of a Wannabe Mogul: Mental Disarray, Bella Thorne’s collection of illuminating and inspiring poems chronicles her personal struggles, relationships, and wild-child lifestyle, all with her trademark wit and wisdom.

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.