Showing results by narrator "Caroline Lennon" in All Categories

It’s 1913, and the time has come for Lily to leave primary school in Sligo and start her job in the Big House - Lissadell. Her employers, the Gore-Booths, are kind, but life as a young housemaid is hard: Lily misses her home and family, she works long days and has to learn how to get on with her sullen roommate, Nellie. Then Maeve, the daughter of Constance Markievicz and niece of the Gore-Booths, comes to visit. She decides to paint a portrait of Lily, and a friendship begins.

The second book in the best-selling famine trilogy is an extraordinary story of courage, independence and adventure. At seven, Peggy made a terrifying journey through famine-stricken Ireland. Now 13, and determined to make a new life for herself, she sets off alone across the Atlantic to America. Will she ever see her family again? The story of Peggy, a young Irish emigrant, is a tale of courage, independence and adventure.

Sister Fidelma is thrown into a sinister mystery full of intrigue, danger and violence in Peter Tremayne's fourth Celtic mystery. A headless female corpse is found in the drinking well of a remote abbey in southwest Ireland. One hand clasps a crucifix; tied to the other arm is a pagan death symbol. A merchant ship is encountered under full sail on the high seas off the Irish coast. But the crew and cargo have vanished - as if by sorcery. Whose is the body in the well? Where is the crew of the vessel? Are these bizarre events connected? And if so, who is responsible?

Number 1 bestselling author Patricia Scanlan is set to capture the hearts and enchant the minds of a whole new generation of readers who will fall in love with her sublime storytelling. A trailblazing women’s fiction author, all of her novels have been #1 international bestsellers. She writes multi-generational family dramas with compassion and authenticity, and a hint of comforting escapism.

Suspicion falls on three dark strangers from the distant land of Aksum (Ethiopia), who are guests at the Abbey of Finbarr. A panic-stricken mob attacks the abbey, leaving the religious in fear for their lives. Sister Fidelma and Brother Eadulf are called in to restore order and find the killer, but it soon becomes clear that the three mysterious strangers are hiding a dark secret. And what about the ageing Laig, a hermit-like apothecary, who is known to have instructed all three victims about the magic and power of the moon....

Ireland AD 672. The abbey of Muman at Imleach Iubhair is being renovated when its guests' hostel burns to the ground. There is one fatality: Bishop Brodulf of Luxovium, a distinguished visitor and cousin to the king of Franks. Sister Fidelma is asked by Abbot Cuán to investigate the unfortunate incident and soon finds that the bishop had been stabbed to death before the fire had even started. Thrown into a world of treachery and jealousy, where religious beliefs are vehemently disputed, Fidelma and her companions, Eadulf and Enda, face a barrier of deceit.

Ireland. AD 672. The body of a dead man has been found on a lonely mountain road and taken to the isolated abbey of Gleann Da Loch for a proper burial. The abbot quickly identifies him as Brehon Brocc, who had been travelling to the abbey on a secret mission with Princess Gelgeis and her steward. When news reaches Colgu, king of Muman, that his betrothed, Princess Gelgeis, has disappeared, Fidelma with her trusted companions, Eadulf and Enda, enter the hostile Kingdom of Laigin in search of the truth.

A servant has been murdered and the baby in her charge abducted. Fidelma of Cashel has solved even more horrendous crimes in her career as an advocate of the ancient Brehon Courts of Ireland. But this case is different. For both Sister Fidelma and her companion, Brother Eadulf of Saxmund's Ham, the case is unique because of the personal emotions involved. The baby who has been abducted is their own son. What is the motive for their crime? Could someone seeking vengeance on Fidelma and Eadulf have done the deed? They have made a lot of enemies in their pursuit of justice.

Ebert is not a man to make enemies. He is a chieftain with a reputation for kindliness and generosity. Yet, one night, his household is aroused by a scream from his chamber. The servants burst in to find Móen, a young man to whom Eber had extended his protection, crouched over the bloody body of the chieftain. Móen's clothes are drenched in Eber's blood, and he is clutching a bloodstained knife in his hand.There seems no doubt of culpability, but why did Móen kill the gentle and courteous Eber?

Ireland. AD 671. Sister Fidelma has a mission, and she is sworn by oath to reveal her purpose to no other. The secret investigation leads Fidelma and her companions to the abbey of Finnbarr to question the abbot. But before they have a chance to speak to him, the abbot is found murdered - and the young girl suspected of the crime has fled the scene. Despite their protests, Fidelma's cohorts agree to accompany her in pursuit of the girl for answers.

Ireland, AD 671. The Great Fair of Bealtain is almost upon the fortress of Cashel, and a line of painted wagons carries entertainers to mark the occasion. But preparations take a deathly turn when one carriage is set alight, and two corpses are found, lying poisoned, within. As Sister Fidelma and her companion, Eadulf, investigate, they are plunged into the menacing marshlands of Osraige - where the bloody origin of the Abbey of Cainnech is wreaking his revenge.

Ireland, AD 671. When a curious deputation of religieux arrive in Cashel, death follows close behind. Sister Fidelma and her companion, Eadulf, seem unable to stem the bloodshed. Is one of the deputation responsible? What was the Venerable Verax, the scholar from Rome, hiding? Was there an evil secret behind the austere Bishop Arwald? Indeed, what was the real reason behind Eadulf's brother Egric's unexpected appearance at Cashel - could he be the culprit? Victims and suspects combine to make a tangled skein of mystery more complex and bloody than Fidelma and Eadulf have ever faced.

Wighard, archbishop designate of Canterbury, has been discovered garrotted in his chambers in the Lateran Palace in Rome in the autumn of AD 664. The solution to this terrible crime appears simple as the palace guards have arrested Brother Ronan Ragallach, as he fled from Wighard's chamber. Although the Irish monk denies responsibility, Bishop Gelasius is convinced the crime is political and that Wighard was slain in pique at the triumph of the pro-Roman Anglo-Saxon clergy in their debate with the pro-Columba Irish clergy at Whitby.

On a hillside near the quaint Irish village of Glennkill, the flock gathers around the dead body of their shepherd, George, who lies pinned to the ground with a spade. George cared deeply for the sheep, reading to them daily, and as a result they are far smarter than your average flock. Led by Miss Maple, the sharpest sheep in Glennkill (and possibly the world), they set out to find George’s killer. With an assortment of woolly investigators on the case, there are furtive missions into the village and a collection of two-legged suspects to chew over.

Annie Dunne and her cousin Sarah live and work on a small farm in a remote and beautiful part of Wicklow in late 1950s Ireland. All about them, a way of life is about to disappear. Like two old rooks, they hold to their life, cherishing everything. When Annie's nephew and his wife are set to go to London, their two small children are brought down to spend the summer with them. A summer of adventure, pain, delight and ultimately epiphany unfolds for both the children and their elderly caretakers.

Emily is back in Ireland after nine long years away from home, when she sees him. Her ex-husband, Rob, holding hands with a five-year-old girl. A girl that should be hers. Over a decade before, Emily and Rob were exhausted but ecstatic new parents, delighting in the arrival of their longed-for baby daughter, Alannah. But tragedy was just a few weeks away, and in their unfathomable grief, Emily and Rob's marriage fell apart. Emily moved to New Zealand to get away – but returning to Dublin nearly a decade later for her mother's funeral, she finds herself face-to-face with her past.

Cassie has spent her married life doing everything right - making sure her children have the perfect life, being a devoted wife to her husband and a dutiful daughter-in-law to his mother, even when her patience has been tested. Although it has left her so exhausted that 'wine o'clock' comes a little earlier each afternoon. But she wouldn't change a thing, she's certain, until temptation comes her way.... Her sister, Coco, runs a vintage dress shop and sure, she's shied away from commitment over the years.

Thea Osbourne is only too happy to have a bit of peace and quiet. The only positive thing that came out of her recent house sitting disasters is her blossoming relationship with DI Phil Hollis and she relishes the thought of their spending some quality time together. Even meeting Phil’s childhood acquaintance, the eccentric Ariadne, cannot detract from Thea’s happiness. But the bad luck that plagues the hapless Thea and her beloved spaniel Hepzipah is never far away.

Night & Day takes us from the dusty shelves of an uncanny library filled with fictional characters to a bunker deep beneath the earth where scientists seek revenge on old Nazis, from an English marsh haunted by a mother and her son to a country house where a grieving widower finds comfort in a most unlikely source. Concluding with the author's account of how an obscure horror film brought him closer to his lost father, and how nostalgia can help through our hardest times, this is a collection that will move, entertain, and keep you listening late into the night.

Colm Tóibín's Mothers and Sons is a sensitive and beautifully written meditation on the dramas surrounding this most elemental of relationships. Psychologically intricate and emotionally incisive, each finely wrought story teases out the delicate and difficult strands woven between mothers and sons. This is an acute, masterful and moving collection that confirms Tóibín as a great prose stylist of our time.