Showing results by narrator "Alix Dunmore" in All Categories

In The Position of Spoons, Deborah Levy invites the listener into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her. From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author’s own.

This is the story of three women - one an orphan and refugee who finds a place in the studio of a famous French artist, the other a wife and mother who has stood by her husband for nearly forty years. The third is his daughter, caught in the crossfire between her mother and a father she adores.

A new work by the author of “In Defense of Witches” that seeks to redefine heterosexual relationships and give women back their voice.

Peri, a wealthy Turkish housewife, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground. A relic from a past - and a love - Peri had tried desperately to forget. The photograph takes Peri back to Oxford University, as an 18-year-old sent abroad for the first time. It also takes her to her home with her two best friends, Shirin and Mona, and their arguments about Islam and femininity and to the scandal that tore them all apart.

Deborah Levy’s vital literary voice speaks about many things. On footwear: “It has always been very clear to me that people who wear shoes without socks are destined to become my friends and lovers.” On public parks: “A civic garden square gentles the pace of the city that surrounds it, holding a thought before it scrambles.” Levy shares with us her most tender thoughts as she traces and measures her life against the backdrop of different literary imaginations.

A short feminist polemic that argues that the afterlife of the witch hunts continues today: the same reasons for which women were demonized in the past—being single, ageing, deciding to not have children—lead to them be persecuted now.

A short feminist polemic that argues that the afterlife of the witch hunts continues today: the same reasons for which women were demonized in the past—being single, ageing, deciding to not have children—lead to them be persecuted now.

In Threads of Empire, Dorothy Armstrong tells the histories of some of the world's most fascinating carpets, exploring how these textiles came into being then were transformed as they moved across geography and time in the slipstream of the great. She shows why the world's powerful were drawn to them, but also asks what was happening in the weavers' lives, and how they were affected by events in the world outside their tent, village or workshop.

In the summer of 1973, Ruth and her four friends were obsessed with pre-Raphaelite paintings—and a little bit obsessed with each other. Drawn to the cold depths of the river by Ruth’s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks.

Anne arrives in London in search of adventure when trgedy finds her. A thin man, dishevelled and giving off a stench of mothballs, topples onto the tracks and is electrocuted on the rails. Scotland Yard believe it is an accidental death. But Anne is not convinced. Who was the man in the brown suit who she saw poking around the body? And why did he leave so sharply, leaving a message behind: "17-122 Kilmorden Castle"?

Linguist and writer Lorna Gibb will explore the history of these languages, the cultures they belong to, the tales they tell, while offering a glimpse into what we can learn from each of them. From Australia to Finland, from India to the Canary Islands, from Namibia to the United States, from Scotland to Paraguay, the book will guide the reader through contrasting stories of languages under threat and languages in resurgence.

Jessie wakes to darkness, cold, and the rain beating down on her. She reaches out, and her hands meet hard stone. Suddenly she knows where she is. Deep in the woods, far underground, at the bottom of the well where her best friend's lifeless body was found fifteen years ago. After returning to her hometown to investigate a new murder, she now finds herself poised to become the killer's next victim. Jessie gazes up to the circle of night sky above her, the relentless raindrops landing on her face.

Iris Murdoch, Mary Midgley, Philippa Foot and Elizabeth Anscombe were philosophy students at Oxford during the Second World War when most male undergraduates (and many tutors) were conscripted. Taught by refugee scholars, women and conscientious objectors, the four friends developed a philosophy that could respond to the war's darkest revelations.

Finally, this felt like revenge. I was out of the labyrinth, it was all a memory, no map needed. I could enjoy the scenery. Enjoy looking. So I looked. The tautening skin, the stirring muscles, those green eyes, vibrant despite their sightlessness. I stared at him as if he were a picture. I stared at him the way women never get to stare at men: without fear.

It’s 1916 and, as war rages in Europe, Gráinne leaves her job in a department store to join Countess Markiewicz’s revolutionary efforts. It is a decision which will change her life forever. A rebellion is brewing, and as Dublin’s streets become a battleground, Gráinne soon discovers the personal cost of fighting for what you believe in. Decades on, student Nicky is recovering from a break-up when a research project leads her to her great-grandmother’s experiences in revolutionary Ireland.

Debutante of the year. Able politician. Femme fatale. Just some of the many labels attached to the irrepressible, controversial Raine Spencer: Countess, socialite and stepmother to Diana, Princess of Wales. But who was the real Raine? What was hidden behind the immaculately manicured public façade and her overwhelmingly negative tabloid image? From her childhood days as daughter of romantic novelist powerhouse, Barbara Cartland, to Westminster councillor and wife of Earl Spencer, Three Times a Countess recounts Raine's compelling and glamorous life.

From the Siberian permafrost to balmy California, scientists across the globe are working to resurrect all kinds of extinct animals, from ones that just left us to those that have been gone for many thousands of years. Their tools in this hunt are both fossils and cutting-edge genetic technologies. Some of these scientists are driven by sheer curiosity; others view the lost species as a powerful weapon in the fight to preserve rapidly changing ecosystems. It seems certain that these animals will walk the earth again, but what world will that give us? And is any of this a good idea?

Staring at the Sun charts the life of Jean Serjeant, from her beginning as a naive, carefree country girl before the war through to her wry and trenchant old age in the year 2020. We follow her bruising experience in marriage, her probing of male truths, and her adventures in motherhood and in China, and we cannot fail to be moved by the questions she asks of life and the often unsatisfactory answers it provides.

Worn out by poverty, Lettie Radley and her miner husband Tommy grasp at the offer of their very own smallholding - part of a Government scheme to put the unemployed back to work on the land. When she comes down to Essex to join him, it's not Tommy who greets her, but their new neighbours. Overbearing and unkempt, Jean and Adam Dell are everything that Lettie can't abide. But as Lettie settles in, she finds an unexpected joy in the rhythms of life. She's hopeful that her past, and the terrible secret Tommy has come to Foxash to escape, are far behind them. But the Dells have their own secrets.

A family from two nations, England and Greece, live a simple life on a tiny Greek island: Irini, Tasso and their daughter, sweet Chara, whose name means joy. Their life goes up in flames in a single day when one man starts a fire out of greed and indifference. Many are killed, homes are destroyed, and the island's natural beauty wiped out. In the wake of the fire, Chara bears deep scars across her back and arms. Tasso is frozen in trauma, devastated that he wasn't there when his family most needed him. And Irini is crippled by guilt at her part in the fate of the man who started the fire.