Showing results by narrator "Anna Cordell" in All Categories

Jo was the last person to see Martha Scott alive. She was helping Martha unlock a repressed memory. But during the session, Jo unlocked more than she bargained for. An alter personality introduced himself as the reincarnation of Jack the Ripper - and thanked Jo for setting him free to kill again. As Ferguson’s team race to find Martha’s killer, a series of copycat killings begin, replicating ‘The Autumn of Terror’ in 1888. But if Jack is just a figment of Martha’s damaged mind, who killed her?

Summer, 1929. The Hinton Dysart estate is dying from lack of money, and Kit Dysart, the heir, sees no way out. Then, at his sister's wedding, he meets the vibrant Daisy Chudleigh and her cousin, the heiress Matty Verrall. In love with Daisy but troubled by his family's decline, Kit chooses to marry Matty, though neither Kit nor Daisy is able to forget the other. When Matty, growing increasingly unhappy in her troubled, empty marriage, decides to re-create the estate's garden, she discovers solace and a gift of which she never dreamt.

Following the death of her mother, Becky begins the sad task of sorting through her empty flat. Starting with the letters piling up on the doormat, she finds an envelope post-marked from Cornwall. In it is a letter that will change her life forever. A desperate plea from her mother's elderly cousin, Olivia, to help save her beloved home. Becky arrives at Chynalls to find the beautiful old house crumbling into the ground and Olivia stuck in hospital with no hope of being discharged until her home is made habitable.

Enid Elliot Linder was the daughter of a butler and a lady’s maid in service in some of England’s grandest country houses. Evoking the lost world of a childhood ‘below stairs’, Linder’s touching memoir describes how her life changed as Britain headed towards war. After the family moved to a Marylebone tenement, her father sought work in London restaurants whilst battling personal demons. Meanwhile Linder’s aunt was nanny to a high-ranking member of the British Union of Fascists as they grew in influence.

When Izzie Dean’s beloved nan, Molly Blackshaw, passes away, Izzie returns to the Blackpool bungalow where she grew up, to say good-bye once and for all. When Izzie’s homecoming reunites her with her first love, Justin Swift, every emotion that Izzie has repressed since the day he broke her heart comes rushing to the surface. But then an unexpected discovery changes everything.

Deep down she knew she was only dreaming, knew that whatever feelings she cherished for him could never be fully returned. After all, he was the heir to the biggest clay works in all of Cornwall, and she was but the daughter of one of their workmen. For just as an unexpected passion began to blossom between Morwen Tremayne and Ben Killigrew, the fates seemed determined to stifle its growth. A long, bitter struggle between owner and workforce brought about Charles Killigrew’s sudden illness, and with it Ben’s summons to the head of the family firm.

Audrey, recently widowed, is not saying why she left her comfortable home in the south of England to move into an old school boarding house on the edge of a moor. Tina, a young estate agent, is concerned for Audrey’s safety as she believes the folklore about a schoolboy who never went home.

Detective Bethany Smith is called out to 21 Bladen Avenue, the home of Jason and Georgia Holt. It's one of the worst murder scenes she's ever seen. In the middle of the living room, Jason lies motionless in front of the fireplace. He's been opened up like a can of tuna. His innards have been removed. His face is pulp. Jason's wife found him. No one should ever have to see their spouse like that. Days later, in another home across the city, a young woman answers the phone: "How does it feel to have killed someone while you're in the process of removing their baby?"

This cold call is murder. Detective Bethany Smith is called out to 21 Bladen Avenue, the home of Jason and Georgia Holt. It's one of the worst murder scenes she's ever seen.

The land, sea and skyscapes of the UK are constantly shifting. Species, landmarks and ways of life slip in and out of existence, and firm ground is often just out of reach. Weaving together stories drawn from literature, local history and her own family heritage, Oxford professor Fiona Stafford leads us along coastlines and through forests and fens, revealing the forces, both natural and human, which leave places unrecognisably changed.

"There is a fish on the sand; I see it clearly. But it is not on its side, lying still. It is partly upright. It moves. I can see its gills, off the ground and wide open. It looks as though it’s standing up." A few decades into the twenty-first century, in their permanently flooded garden in Cornwall, Cathy and her wife Ephie give up on their vegetable patch and plant a rice paddy instead. Thousands of miles away, ex-pat Margaret is struggling to adjust to life in Kuala Lumpur, now a coastal city. In New Zealand, two teenagers marvel at the extreme storms hitting their island.

Tracey Curtis-Taylor has created headlines around the world with three epic flights in a 1942 Boeing Stearman biplane. Paying homage to two historic female aviators, she flew from Cape Town to Goodwood in 2013, from London to Australia in 2015 and, two years later, completed a transcontinental flight across the USA, after surviving a plane crash during the expedition. But her daring exploits came at a huge personal cost. Tracey tells, in breathtaking detail, the remarkable story of how she overcame extreme adversity to complete her three epic journeys.

The day Louisa and James bring their newborn son home from the hospital marks a new beginning for all of them. To hold their child in their arms makes all the stress and trauma of fertility treatment worth it. Little Cory is theirs and theirs alone. Or so they think.... After her mother’s suicide when she was a child, Louisa’s life took an even darker turn. But meeting James changed everything. She can trust him to protect her and to never leave her. Even if deep down she worries that she has never told him the full truth about her past - or the truth about their baby.

A poignant, Edwardian family saga set in a hotel business in Torquay. When laundress Mercy Seaton’s chance meeting with Peter Lisburne at the annual Torquay regatta leads to a whirlwind proposal, she’s swept into her husband’s glittering world at ‘I do’. But all that glitters is not gold, and Mercy’s discomfort in the drawing rooms of Edwardian society leave her adrift in a world she’s ill prepared for. Combined with the onset of war, Mercy’s life becomes an ever-changing landscape of uncertainty.

Guardian Angel is that rare memoir that grabs you by the shoulders with an urgency that screams, “Pay attention!” It leaps to life with an immediacy and relevance that few books achieve. Beginning with her solitary childhood in London, it took years for Melanie Phillips to understand her parents’ emotional frailties and even longer to escape from them. But Phillips inherited her family’s strong Jewish values and a passionate commitment to freedom from oppression.

Frustrated that she spends all her time as either a mum to a football-obsessed teenager or a wife to a workaholic husband, Hannah wants something for herself. When the chance comes to take over the post office in Little Maudley, a charming Cotswold village, Hannah grabs it with both hands. She’ll have a career at last and also get her son, Ben, away from his trouble-making mates. But village life is not so picture-perfect after all.

Hardly out of childhood, Amy Kennedy and fellow orphans Seth, Jay and Daisy are sent from the Lambeth Workhouse in London to the Devon port of Brixham to be taken into service, the girls as maidservants, the boys as apprentices on a trawler. Although her initiation into her job is hard, Amy quickly finds her feet, and shortly her horizons are brightened by an attentive young man, Daniel Newton, the son of a prosperous sea captain.

A young bride leaves a sleepy town with the man she loves, but within months, he is torn from her life. Returning home, the house is the same, but her whole world has changed. Determined to rise above all that has happened, she accepts a job to sell a huge white elephant located on a forbidding moor. Alone at the vast property, she meets a traveler whose roguish charm hides the truth of what really lies within the former Victorian workhouse. Not realizing the risk she is taking, she tracks down an entrepreneur with a worldwide reputation who is attracted by her business proposal.

Maddy Shillabeer’s prospects are limited. As the only woman in a household of men, in a town with precious few romantic possibilities, she’s resigned herself to a life of familial duty. That is, until the arrival of mysterious stranger Patrick Howard. It’s clear Patrick has seen a world Maddy can only imagine, and she’s awed by his charm and beguiling tongue. In no time at all Patrick has skillfully climbed the social pecking order in Duncannon...and worked his way into Maddy Shillabeer’s heart.

With her West Highland terrier Hamish at her side, Lucy plans to relax and read up on the women of nearby Bletchley Park. But the villagers of Little Maudley have other ideas and she finds herself caught up in the campaign to turn a dilapidated telephone box into a volunteer-run library. Along the way, she makes friends with treehouse designer Sam and finds herself falling for the charms of village life. And it seems Bunty has a special connection to Bletchley and the telephone box, one that she's kept secret for decades....