Showing results by narrator "Harriet Walter" in All Categories

The planet of Windhaven was not originally a home to humans, but it became one following the crash of a colony starship. It is a world of small islands, harsh weather, and monster-infested seas. Communication among the scattered settlements was virtually impossible until the discovery that, thanks to light gravity and a dense atmosphere, humans were able to fly with the aid of metal wings made of bits of the cannibalized spaceship.

Watching her too is Robbie Turner who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.

Renowned for his wit, style and sophistication, Noël Coward was one of the greatest playwrights of the 20th century. His plays, set in the glittering world of high society in which he lived, are much admired and have remained in the popular theatre repertoire to this day. This collection brings together the very best radio adaptation

Like most families, they had their secrets...and they hid them under a genteelly respectable veneer. No onlooker would guess that prim Vera Hillyard and her beautiful, adored younger sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the '50s was not kind to women who erred, so they had to use every means necessary to keep the truth hidden behind closed doors - even murder.

This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.

Queen Elizabeth II was famous for longer than anyone who has ever lived. When people spoke of her, they spoke of themselves; when they dreamed of her, they dreamed of themselves. She mirrored their hopes and anxieties. To the optimist, she seemed an optimist; to the pessimist, a pessimist; to the awestruck, charismatic; and to the cynical, humdrum. Though by nature reserved and unassuming, her presence could fill presidents and rock gods with terror. For close to a century, she inhabited the psyche of a nation.

Meet Lady Toad, Mistress Badger, Miss Water Rat and Mrs Mole as they go about their adventures, messing around on the river, gallivanting in Lady Toad’s shiny new toy and fighting valiantly to save Toad Hall from unruly squatters. In this retelling by Dina Gregory, The Wind in the Willows becomes a story about a group of female animals to be admired for their close sisterhood and fierce independence. Featuring original music and songs by Rosabella Gregory and sound effects captured on location, put your headphones on, sit back and lose yourself in the British countryside.

The noble Titus returns victorious to Rome bringing Tamora, Queen of the Goths as his captive. When one of Tamora's sons is condemned to die, she vows revenge, and, aided by the villainous Aaron, she exacts a terrible retribution, inaugurating a grim cycle of rape, murder, and cannibalism. This macabre, often brilliant tragedy comes from the earliest stage of Shakespeare's dramatic career.

Twenty-three stories, all unabridged, from a diverse group of star writers and readers. A truly memorable collection with a wide appeal. Includes "The Years Midnight" by Helen Simpson, read by Harriet Walter; "On Seeing the 100% Perfect Girl One Beautiful Morning" by Haruki Marukami, read by Walter Lewis; "Bablady" by A. S. Byatt, read by Roslaind Eyres; "Hotel des Vaoyaguerus" by William Boyd, read by Martin Jarvis; and "Who?" by Fay Weldon, read by Julie Christie.

As the bombs of the Blitz rain down on Britain, one young girl is evacuated to the countryside. She is struggling to make sense of her new life, whose dark, war-ravaged days feel very removed from the peace and love being preached in church and at school. Then she is given a copy of Asgard and the Gods - a book of ancient Norse myths - and her inner and outer worlds are transformed. She feels an instant kinship with these vivid, beautiful, terrifying tales of the end of the gods - they seem far more real, far more familiar during these precarious days.

Bucharest has fallen, and Harriet and Guy Pringle have escaped to Athens in the nick of time to find several of their old acquaintances there already. But even Guy's eternal optimism fails him when he realises that his former employees feel no gratitude or loyalty to him. Guy and Harriet both come to realise that with Greece threatened by the Axis Powers, Athens is not the safe harbour they thought.

When a skeleton is unearthed in the Martellos' garden, Jane Martello is shocked to learn it's that of her childhood friend Natalie, who went missing 25 years ago. Encouraged by a therapist to recover lost memories, Jane hopes to find out what really took place when she was a child - and what happened to Natalie. But in learning the truth about her and Natalie's past, is Jane putting her own future at terrible risk?

Dame Harriet Walter, renowned for her wonderful portrayals in Succession and Killing Eve, among others, is one of Britain's most esteemed Shakespearean actors. Now, having played most of Shakespeare's female characters, audaciously, she lets them speak their minds. With new parts for thirty Shakespearean women, written in 'Shakespearean' verse and prose, Harriet Walter goes between the lines of the plays to let us hear what she imagines - sometimes playfully and sometimes searchingly - these women were really thinking.

This selection of stories relates the many experiences and complexities of womanhood; sometimes joyful, sometimes sad but always enriching. With stories by Edith Wharton, Katherine Mansfield and Elizabeth Gaskell - it includes 'Ladies in Lavender' by William J. Locke, the inspiration for the film of the same name starring Judi Dench and Maggie Smith.

Maggie Smith and Jonathan Pryce star in William Wycherley’s raunchy Restoration comedy. Considered too obscene to be staged in its original form for nearly 200 years, William Wycherley’s bawdy comedy tells the tale of Mr Horner, a notorious rake who spreads the false rumour that he is impotent in order to gain free access to other men’s wives. When he meets the young, innocent Margery Pinchwife, the ‘country wife’ of the title, the scene is set for scandal.

Imogen Waterstone has always prided herself on being a thoroughly independent young woman, but now she needs a man of implacable will and nerves of iron. That's why she invited Matthias Marshall, infamous Earl of Colchester, to her home in Upper Strickland. Who better than the legendary explorer to help her lay the perfect trap? Her scheme is simple, really: She plans to let it be known that when she inherited her uncle's collection of antiquities, she also inherited a map to a fabulous ancient treasure.

A new adaptation of L. P. Hartley's story of a boy who is betrayed by a sophisticated young rich woman and her farmer lover who use him to ferry letters back and forth in the blazing summer of 1900 - with Richard Griffiths and Harriet Walter. It's best known from the 1970 film, which focused on the main plot line. But on re-reading the book, adaptor Frances Byrnes found within it another drama perfect for audio in which an old man finds a boyhood diary and is forced to unlock the trauma inside.

Elizabeth Bowen was one of the 20th century's most distinctive writers. An associate of the Bloomsbury Set, she was a keen observer of upper-middle-class life and relationships. Best known for her novels of the Anglo-Irish gentry and wartime London, her fiction displays recurring themes of loss, rootlessness and displacement. This collection contains five of Bowen's best-loved works, and hears from the author herself in three radio talks on the art of novel-writing.

A notorious author shares a train compartment with a long-time reader. But can they connect with each other through a silent tide of self-doubt and second-guessing? From the playwright of Art. Sir David Suchet and Dame Harriet Walter star in L.A. Theatre Works' performance of Yasmina Reza’s The Unexpected Man. Translated by Christopher Hampton. Directed by Gordon House.

It is a summer's night in 1860. In an elegant detached Georgian house in the village of Road, Wiltshire, all is quiet. Behind shuttered windows, the Kent family lies sound asleep. At some point after midnight, a dog barks. The family wakes the next morning to a horrific discovery: an unimaginably gruesome murder has taken place in their home. The household reverberates with shock, not least because the guilty party is surely still among them.