Showing results by narrator "Tamala" in All Categories

From Manuka to Manhattan, Lauren’s going all the way! Lauren is a curator at the National Aboriginal Gallery in Canberra. She's good at her job, passionate about the arts and focused on her work - that is, when she's not focusing on Adam. But Adam is a player, on and off the field. Lauren knows he's the one, but he doesn't seem to feel the same way about her. If she just waits long enough, though, surely he'll realise how much he needs her? Then her boss offers her the chance of a lifetime - a fellowship at the Smithsonian in New York.

A story of homecoming, this engrossing novel opens with a young, city-based lawyer setting out on her first visit to ancestral country. Candice arrives at ‘the place where the rivers meet’, the camp of the Eualeyai where in 1918 her grandmother Garibooli was abducted. As Garibooli takes up the story of Candice’s Aboriginal family, the twentieth century falls away. Garibooli, now renamed Elizabeth, is sent to work as a housemaid, but marriage soon offers escape from the terror of the master’s night-time visits.

When a mother and daughter take the overseas trip of a lifetime, they discover that the past is never quite behind them. When Indigenous lawyer Jasmine decides to take her mother, Della, on a tour of England's most revered literary sites, Jasmine hopes it will bring them closer together and help them reconcile the past. Twenty-five years earlier the disappearance of Jasmine's older sister devastated their tight-knit community. This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath.

When May’s mother dies suddenly, she and her brother Billy are taken in by Aunty. However, their loss leaves them both searching for their place in a world that doesn’t seem to want them. While Billy takes his own destructive path, May sets out to find her father and her Aboriginal identity. Her journey leads her from the Australian east coast to the far north, but it is the people she meets, not the destinations, that teach her what it is to belong.

Jacky was running. There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running. The natives of the colony are restless. The settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.

In the six months since the first case of a terrifying new epidemic - when a healthy baby wouldn't take a breath at birth - the country has been thrown into turmoil. The government has passed sweeping new laws to monitor all citizens. And several young pregnant women have vanished without trace. As a midwife, Lainey's mum Emma is determined to be there for those who need her. But when 17-year-old Lainey finds herself in trouble, this dangerous new world becomes very real. The one person who might help is Emma's estranged mother, but reaching out to her will put them all in jeopardy.

A proud Gunai/Kurnai woman, Veronica Gorrie grew up dauntless, full of cheek and a fierce sense of justice. After watching her friends and family suffer under a deeply compromised law-enforcement system, Gorrie signed up for training to become one of a rare few Aboriginal police officers in Australia. In her 10 years in the force, she witnessed appalling institutional racism and sexism and fought past those things to provide courageous and compassionate service to civilians in need, many Aboriginal themselves.

Meet Evie, a young woman held captive by a man named Jim in the isolated New Zealand beach town of Maketu. Jim says he's hiding Evie to protect her, that she did something terrible back home in Melbourne. In a house that creaks against the wind, Evie begins to piece together her fractured memories of the events that led her here. Jim says he's keeping her safe. Evie's not sure she can trust Jim, but can she trust her own memories?

As bushfires rage outside the city, three women watch a performance of a Beckett play. Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone.

From the acclaimed author of the Miles Franklin long-listed Madukka: The River Serpent (UWA) and the Barbara Jefferis Award shortlisted Benevolence, Compassion continues Julie Janson's emotional and intense literary exploration of the complex and dangerous lives of Aboriginal women during the 1800s in colonial New South Wales, which she began in Benevolence as a counter narrative to colonial history in Australian literature.

When football star Nick Harding hobbles into the Black Salt Cafe the morning after the night before, he is served by Anna, a waitress with haunted-looking eyes and no interest in footballers, famous or otherwise. Nick is instantly drawn to this exotic, intelligent girl. But a relationship between them risks shame for her conservative refugee family and backlash for Nick that could ruin his career. Meanwhile, when Nick's sister, Lily meets Toby, it seems that for the first time she is following her heart, not the expectations of others.

Evie and her uncle Jim have just moved to the small, insular town in New Zealand - a far cry from their hometown of Melbourne. But Evie isn't her real name. And Jim isn't really her uncle. Jim tells Evie she did something terrible back home, that he's hiding her to protect her. But Evie can't remember anything about that night - she doesn't know if he's telling the truth. As fragments of her memory starts to return, she starts to wonder if Jim is really her saviour...or her captor.

Evie has been raised in the heart of Aboriginal Redfern, by a proud trailblazing Wiradjuri family. She remembers so much about the previous world – the Dreamtime, the ancestors, and the knowing – but she also harbours a dark pain that is becoming almost too much to bear. And then Evie meets James, a young man radiating pure love who fills her life with light. On the cusp of adulthood, with their whole lives ahead of them, they travel to Evie’s beloved country, the central west of New South Wales and the Riverina regions.

Sorrento, Victoria, 1999. Fred's family is a mess. Her mother died when she was six and she's been raised by her Pop and adoptive father, Luca, ever since. But now Pop's had to go away, and Luca's girlfriend Anika and her son have moved in. More and more it feels like a land-grab for family, and Fred is the one being left off the map. Even as things feel like they're spinning out of control for Fred, a crisis from the other side of the world comes crashing in.

It's 1965 and Joe Cluny is living in a working-class suburb with his mom, Marion, and sister, Ruby, spending his days trying to avoid trouble with the nuns at the local Catholic primary school. One evening his Aunty Oona appears on the doorstep, distressed and needing somewhere to stay. As his mom and aunty work out what to do, Joe comes to understand the secrets that the women in his family carry, including on their bodies. Yet their pleas for assistance are met with silence and complicity from all sides. Who will help Joe's family at their time of need?

For perhaps the first time in novel form, Benevolence presents an important era in Australia’s history from an Aboriginal perspective. Told through the fictional characterisation of Darug woman Muraging (Mary James), Benevolence is a compelling story of first contact. Born around 1813, Muraging is among the earliest Darug generations to experience the impact of British colonisation - a time of cataclysmic change and violence, but also remarkable survival and resistance.

Dark as Last Night confirms, once again, that Tony Birch is a master of the short story. These exceptional stories capture the importance of human connection at pivotal moments in our lives, whether those occur because of the loss of a loved one or the uncertainties of childhood. In this collection, we witness a young girl struggling to protect her mother from her father’s violence, two teenagers clumsily getting to know one another by way of a shared love of music, and a man mourning the death of his younger brother, while beset by memories and regrets from their past.

Rita is an escort, one of the best in Australia. It all began on a whim at 18, after she rang the number on a sign looking for nude models. Always the outsider, she quickly learns the sex industry is comprised of many other people just like her and she becomes immersed in this world: the drugs, the late nights, the glamour, being an outcast, the attention and validation from men. Mostly she thrives on how taboo her life has become.

Sleeping in the Bathtub is based on a true story. Former Marine, Timothy Allen McWilliams shot three people in 1980 near West Virginia University. One young man died. After a mistrial in 1984, a conviction in 1984, and the overturning of the verdict by the West Virginia Supreme Court in 1986, Timothy Allen McWilliams came home to his parents in 1988. In March of 2018, Tim woke up one morning and stabbed to death his father.

This is the story of one of Australia's first true heroes Pemulwuy. A proud and feared Aboriginal warrior, Pemulwuy leads an uncompromising twelve-year war against British colonial oppression and makes the supreme sacrifice in order to guide his people to safety. Most histories of Australia start with the First Fleet and the hard times the colonists had with the climate and unruly convicts. Very few mention what really happened or the blood that was spilled in the wars never spoken of.