Showing results by author "Charlotte Perkins" in All Categories

The great-niece of Harriet Beecher Stowe, Gilman wrote much about the unequal status of women within the institution of marriage. The great-niece of Harriet Beecher Stowe, Gilman wrote much about the unequal status of women within the institution of marriage.

The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?

The Strange Case of Dr. Jekyll and Mr. Hyde grew out of a horrifying nightmare Robert Louis Stevenson had one night in Bournemouth, England, in 1886. "The Yellow Wallpaper" sprang from a catastrophic nervous breakdown Charlotte Perkins Gilman had six years later on the other side of the Atlantic following the birth of her daughter. Now these two haunting, iconic tales are brought together for the first time in this powerful classic audio exploration of madness and the duality of the human soul.

A timeless piece of feminist literature, this classic follows a series of journal entries made by a woman diagnosed with hysterical tendencies by her doctor husband. Barred from working or writing she is confined to the nursery of an old New England Colonial mansion to recuperate. Trapped in this room with barred windows and sickly yellow wallpaper, the narrator begins to feel the room come alive and mutate around her.

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue.

The Yellow Wallpaper is a short story of extraordinary power, exploring issues of mental health, the role of women in society, and the oppressive nature of the patriarchy. Told in the first person, the story follows the plight of a woman confined by her husband in a small room in an old mansion—ostensibly for her own good. As her boredom increases and her sanity deteriorates, she becomes fixated on the wallpaper in the room, the yellow design of which includes an image of a trapped woman.

When I Was a Witch is a short story written by Charlotte Perkins Gilman in 1909. What would you do if you could right all the wrongs that annoy you in this world?

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

A woman, struggling with mental illness, fights to maintain her sanity in her home, haunted by an apparition from behind her bedroom’s yellow wallpaper.

A new mother is brought by her doctor husband to a summer house to relax. He has determined that she suffers from a nervous condition. She is told to rest and she must have no intellectual or social stimulation. Her child and the house are taken care of by trusted others. She surreptitiously writes when no one is around. At first she is disturbed by the yellow wallpaper in the room she is staying in. when she requests another room, she is told that it is not good for her to have her whims attended to.

Charlotte Perkins Gilman (July 3, 1860-August 17, 1935) has been inducted into the National Women's Hall of Fame. Included in this collection of her works are "The Yellow Wallpaper", "If I Were a Man", "The Giant Wistaria", "Turned", and "When I Was a Witch". These texts were published in 1892, 1914, 1891, 1911, and 1909.

The three friends Van, Terry and Jeff are about to embark on a mission which will change their lives forever. They have heard of a place where only women live but they are more skeptics than believers. However they really do find such a place. And all their assumptions and stereotypes are shattered. The society that women have created is working more than perfectly. There are no wars, no domination nor conflicts. The three self-invited guests are however not welcome and are held captive for a few months.

Turned is a short story written by Charlotte Perkins Gilman in 1911. What would you do if you found out that your husband had cheated on you with the household help?

If I Were a Man is a short story by American writer Charlotte Perkins Gilman. This story, published in 1914, is a "fly on the wall" view of a man's inner landscape as witnessed by his wife, whose wish to inhabit a male consciousness comes true.

The Giant Wistaria, which was originally published in 1891, is a short story by American writer Charlotte Perkins Gilman. Let's join this well-to-do young couple and their friends as they look forward to a lovely summer in the haunted house they rent.

A woman is suffering from severe postpartum psychosis and her husband takes her to a colonial mansion where they can spend the summer. The woman is however closed and isolated in a single room where her nervous depression gets worse with the time. The only thing she sees all day long is a yellow wallpaper which she studies in so many details that she finally finds a creeping woman behind the pattern. The summer is over and the family is about to go home. The husband opens the door to his wife’s room.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.

This story is told as a series of journal entries from a woman who is on forced rest as a treatment for hysteria following the birth of her child. As was common in the time, she is forbidden from any work or "strenuous" tasks and is left to sit alone most of her days without mental stimulation, trapped in a room and a marriage that are not fulfilling her. The woman's isolation and mental state cause her to believe that there is a woman stuck in the wallpaper of her room.