Showing results by narrator "Karen   Chilton" in All Categories

It’s 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. Instead, they seek to maintain, and fortify, the community they cherish on their “side of the woods.” In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup’s longstanding status quo and could lead to the young couple’s expulsion—or worse—from the home they both hold dear.

Civil Rights Queen captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country....

Nell Young’s whole life and greatest passion is cartography. Her father, Dr. Daniel Young, is a legend in the field, and Nell’s personal hero. But she hasn't seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over a cheap old gas station highway map. But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable, and also exceedingly rare.

Edited by the host of NPR’s Weekend Edition Sunday, Ayesha Rascoe—with a distinguished and diverse set of contributors including Oprah Winfrey, Stacey Abrams, and Branford Marsalis, HBCU Made illuminates and celebrates the experience of going to a historically Black college or university. This book is for proud alumni, their loved ones, current students, and anyone considering an HBCU.

Wonderfully narrated by Karen Chilton, Afrofuturism is an engaging, hip, and accessible primer to the music, literature, and art of Afrofuturism. Author Ytasha Womack introduces listeners to the burgeoning community of artists creating Afrofuturist works.

In The Other Madisons, Bettye Kearse - a descendant of a slave named Coreen and, according to oral tradition, President James Madison - finally shares her family story, exploring legacy, race, and the powerful consequences of telling the whole truth.

Don’t Tell a Soul is best-selling author Tiffany L. Warren’s sequel to her fan-favorite novel What a Sista Should Do. Here, a trio of faithful friends face trials in their personal lives. When Pam’s husband, Troy, blows their fortune, his partner starts making moves on Pam. Meanwhile, Taylor must decide whether to forgive her ex, Luke, for the sake of their son. And newly divorced Yvonne finds reprieve from her loneliness by befriending a new church member. But only time will tell if the women can keep their faith and friendship intact.

Taking note of all these developments, this fourth edition covers a range of new topics and events, addressing the rise of a fierce wave of criticism from right-wing websites, think tanks, and foundations, some of which insist that America is now colorblind and has little use for racial analysis and study. Award-winning authors Richard Delgado and Jean Stefancic also address the rise in legislative efforts to curtail K–12 teaching of racial history.

Karl Deisseroth has spent his life pursuing truths about the human mind, both as a renowned clinical psychiatrist and as a researcher creating and developing the revolutionary field of optogenetics, which uses light to help decipher the brain’s workings. In Projections, he combines his knowledge of the brain’s inner circuitry with a deep empathy for his patients to examine what mental illness reveals about the human mind and the origin of human feelings - how the broken can illuminate the unbroken.

The Grimke sisters, Sarah and Angelina, have been highly revered figures in American history, lauded for leaving behind their lives as elite slave-owning women on a plantation in South Carolina to become firebrand abolitionists in the North. Yet the focus on their story has obscured the experiences of their Black relatives, the progeny of their brother, Henry, and one of the enslaved people he owned, a woman named Nancy Weston.

In this unique combination of African American music and cultural history, we come to know one of the greatest stars the world has ever seen - Eartha Kitt - as revealed by the person who knew her best, her daughter. Eartha, who was a mix of Black, Cherokee, and White, identified as Black, but Kitt, her biological daughter by a White man, is blonde and pale. This is the story of a little White girl raised by her natural mother, who was the biggest Black celebrity in the world. For three decades before Kitt married, they traveled the world together, mother and daughter.

In The Second, historian and award-winning author Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed and how it has consistently been constructed to keep African Americans powerless and vulnerable. The Second is neither a 'pro-gun' nor an 'anti-gun' book; the lens is the citizenship rights and human rights of African Americans.

Historically Black Colleges and Universities (HBCUs) play a pivotal role in promoting social and economic mobility for African Americans and in mentoring the next generation of Black leaders. In HBCU, Marybeth Gasman and Levon T. Esters explore the remarkable impact and contributions of these significant institutions. Through inspiring personal stories and extensive research, Gasman and Esters showcase how HBCUs have mentored generations of leaders and scholars, fostering a collaborative culture of success and empowerment.

She was born the 20th child in a family that had lived in the Mississippi Delta for generations, first as enslaved people and then as sharecroppers. She left school at 12 to pick cotton, as those before her had done, in a world in which white supremacy was an unassailable citadel. She was subjected without her consent to an operation that deprived her of children. And she was denied the most basic of all rights in America—the right to cast a ballot—in a state in which Blacks constituted nearly half the population. And so Fannie Lou Hamer lifted up her voice.

What does it mean to take action? To bear witness? What does it cost? In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action.

At 7:30 a.m. on June 16, 1944, George Junius Stinney, Jr., was escorted by four guards to the death chamber. Wearing socks but no shoes, the 14-year-old Black boy walked with his Bible tucked under his arm. The guards strapped his slight, five-foot-one-inch frame into the electric chair. His small size made it difficult to affix the electrode to his right leg and the face mask, which was clearly too large, fell to the floor when the executioner flipped the switch. That day, George Stinney became the youngest person executed in the United States during the 20th century.

The scene is teeming Zanzibar just before the American Civil War, when the Isle of Cloves was a center of African slave trade. To it comes Hero Athena Hollis, a Boston bluestocking filled with self-righteousness and bent on good deeds. Then she meets Rory Frost, a cynical, wicked, shrewd and good-humored trader in slaves. What is Hero to make of him (and of her feelings for him)?

Author of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and treating the Earth as a home essential.

It happens in an instant, filling Aija with dread: The Sun is suddenly cast from the sky, throwing the Earth into midday darkness. On the fourth day of endless night, Aija finds an unconscious man by the river. His skin is as hot as her lantern’s glass and just as golden. To Aija, a farmhand with the soul of an artist, this beautiful stranger is an inspiration - and a mystery. He calls himself Saiyon. He bleeds light. His friends are celestial. His enemies, godlings of the moon.

Most people assume that racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.