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Number-one New York Times best-selling author Philippa Gregory’s new historical novel tracks the rise of the Tidelands family in London, Venice, and New England.

Vincent Van Gogh curses the stare of the blank canvas. Salvador Dali contemplates mailing a piece of his "lobster-colored pajamas" to Federico Lorca. Hollis Frampton, to the MoMA, demands that artists be paid. The dean of students at San Francisco Art Institute argues to Alicia McCarthy, in very stern words, that graffiti is not art but, rather, a "pain in the ass". In a letter to the editor, Martin Scorsese defends and celebrates Fellini's filmmaking.

A fascinating new volume of messages about motherhood, from the author of the best-selling Letters of Note collections. In Letters of Note: Mothers, Shaun Usher gathers together exceptional missives by and about mothers, celebrating the joy and grief, humor and frustration, wisdom and sacrifice the role brings to both parent and child.

Beethoven yearns to see his famously unknown Immortal Beloved. A Victorian farmer proposes marriage to a woman he's never met. Zora Neale Hurston gives her ex-husband relationship advice. Mildred Loving asks the ACLU for help challenging the racist marriage laws of the Jim Crow South. Revealing deep, eternal truths from the heart, this intimate collection of 30 letters traces all of love's incarnations, from first blush and mutual enchantment to unrequited feelings and the ache of passions past. It offers a rare, passionate, and timeless look at what it means to love and be loved.

I’m Johanna Morrigan, and I live in London in 1995, at the epicentre of Britpop. I might only be 19, but I’m wise enough to know that everyone around me is handling fame very, very badly. My unrequited love, John Kite, has scored an unexpected Number One album, then exploded into a Booze And Drugs HellTM - as rockstars do. And my new best friend - the maverick feminist Suzanne Banks, of The Branks - has amazing hair, but writer’s block and a rampant pill problem. So I’ve decided I should become a 'Fame Doctor'.

It’s 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer! She will save her poverty stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Brontes - but without the dying young bit. By 16, she’s smoking cigarettes, getting drunk, and working for a music paper.

Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life - as she sees it - is perfect. Not unlike the life she recently lost. And then she sees something shocking.

Edinburgh, 1850. Despite being at the forefront of modern medicine, hordes of patients are dying all across the city, with doctors finding their remedies powerless. But it is not just the deaths that dismay the esteemed Dr James Simpson - a whispering campaign seeks to blame him for the death of a patient in suspicious circumstances. Simpson's protégé Will Raven and former housemaid Sarah Fisher are determined to clear their patron's name.

Young women are being discovered dead across the Old Town, all having suffered similarly gruesome ends. In the New Town, medical student Will Raven is about to start his apprenticeship with the brilliant and renowned Dr Simpson. Simpson's patients range from the richest to the poorest of this divided city. His house is like no other, full of visiting luminaries and daring experiments in the new medical frontier of anaesthesia.

The eagerly awaited first book in Philippa Gregory’s sweeping new series begins with the story of Alinor, a young midwife who finds herself tempted by a forbidden love affair. But in a society that has already set a path for her, she is all too aware of the dangers that await a woman who dares step out of place....

The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom.

Sylvia Townsend Warner was a prolific author of novels, short stories and poetry, who also wrote a biography of T. H. White, translated Proust and was an authority on Tudor church music. A sharp, insightful storyteller, she was one of the 20th Century's most acute observers of English mores, and her work is infused with subversive themes reflecting her feminist and Marxist views. This comprehensive anthology includes dramatisations of her two best-known novels.

For 15 years, Lexi and Jake have played the same six numbers with their friends, the Pearsons and the Heathcotes. Over dinner parties, fish & chip suppers and summer barbecues, they’ve discussed the important stuff – the kids, marriages, jobs and houses – and they’ve laughed off their disappointment when they failed to win anything more than a tenner. But then, one Saturday night, the unthinkable happens. There’s a rift in the group. Someone doesn’t tell the truth. And soon after, six numbers come up which change everything forever.

Shaun Usher brings together fascinating correspondence about the universe beyond our planet, containing hopeful thoughts about the future of space travel, awestruck messages penned about the world beyond our own, and celebrations of the human ingenuity that has facilitated our understanding of the cosmos.

In Letters of Note: Sex, Shaun Usher collects together some of the most noteworthy missives ever written on the subject, from euphemism-laden, flirtatious exchanges and desire-driven expressions of passion to sincere and thoughtful meditations on the meaning of sex.

Every year, Tess and Maggie meet up to try a different activity, something they've never done together before. This year, it's baking, and for a few hours each Friday afternoon, they put the rest of their lives on hold to make cakes. And not just ordinary cakes, but spectacular, unique and glorious gateaux, to celebrate special occasions and commemorate landmark events. When they help a neighbour in distress, they create their first showstopper - a dark, sultry bitter chocolate cake.

It is 1685 and England is on the brink of a renewed civil war. King Charles II has died without an heir and his brother James is to take the throne. But the people are bitterly divided, and many do not welcome the new king or his young queen. Ned Ferryman cannot persuade his sister, Alinor, that he is right to return from America with his Pokanoket servant, Rowan, to join the rebel army. Instead, Alinor and her daughter Alys, have been coaxed by the manipulative Livia to save the queen from the coming siege.

The story begins in 1970. The day after Jimi Hendrix's death...dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades, and the Eavises' vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million.

Midsummer’s Eve, 1670. A wealthy man waits outside a poor London warehouse to meet with Alinor, the woman he failed 21 years before. He has everything to offer: money, land, status - and he believes she has the only thing he cannot buy: his son and heir. Meanwhile in New England, Alinor’s brother, Ned, cannot find justice in the New World, as the king’s revenge stretches across the Atlantic and turns the pioneers against each other and against the American Indians.

It is 1685, England is on the brink of a renewed civil war against the Stuart kings and many families are bitterly divided. Ned Ferryman cannot persuade his sister Alinor that he is right to return from America with his Pokanoket servant Rowan to join the rebel army. Instead, Alinor has been coaxed by the manipulative Livia to save the queen from the coming siege. The rewards are life-changing: the family could return to their beloved Tidelands, and Alinor could rule where she was once lower than a servant.