Showing results by author "Donna Leon" in All Categories

Le commissaire Brunetti, enquêtant sur la mort d'un célèbre avocat, arpente les quartiers malfamés de Venise et tombe sur la piste d'un trafic international de prostitution. Avec l'aide inattendue de la délicieuse signorina Elettra, la nouvelle secrétaire du vice-questeur, le commissaire Brunetti va découvrir un commerce plus ignoble encore qu'une "traite des Blanches" post-rideau de fer... Donna Leon rend hommage à l'atmosphère unique de la Cité des Doges.

Le commissaire Brunetti, surmené par des dossiers compliqués, s’offre une retraite solitaire dans une superbe villa de l’île de Sant’Erasmo, loin de sa femme Paola et de son patron. Il a bien l’intention d’y passer ses journées à ramer sur la lagune vénitienne et à déguster des plats locaux. Mais soudain, le paradis vire au cauchemar quand le gardien de la villa, Davide Casati, disparaît lors d’un violent orage. Personne, pas même la femme qu’il rencontrait le soir en secret, ne sait où il se trouve.

When a friend of Commissario Guido Brunetti’s brother, a priest recently returned from years of missionary work in Africa, calls on him with a request, Brunetti suspects the man has hidden motives. An American-style Christian group has begun meeting in private homes in the city, and it’s possible the priest is merely wary of the competition. Brunetti and his wife, Paola, decide to go undercover. But when a girl’s body is found floating in a canal, Brunetti must put everything aside to investigate the secretive world of her people, the gypsies, who exist on the fringes of Italian society.

Late one night, Brunetti is called away from dinner to investigate the death of a widow in her modest apartment. Though there are some signs of a struggle, the medical examiner rules that she died of a heart attack. It seems there is nothing for Brunetti to investigate. But he can’t shake the feeling that something or someone may have triggered her heart attack, that perhaps the woman was threatened. Conversations with the woman’s son, her upstairs neighbor, and the nun in charge of the old-age home where she volunteered do little to satisfy Brunetti’s nagging curiosity.

Internationally praised for her Commissario Guido Brunetti series, Donna Leon’s first standalone novel features a widely different but equally compelling sleuth, Caterina Pellegrini. Caterina is a native Venetian, and like so many of them, she’s had to leave home to pursue her career. With a doctorate in baroque opera from Vienna, she lands in Manchester, England. Manchester, however, is no Venice. When Caterina gets word of a position back home, she jumps at the opportunity. The job is an unusual one.

On a luminous spring day in Venice, Commissario Guido Brunetti and Inspector Vianello play hooky to help get Vianello’s friend Marco Ribetti—an environmental activist arrested during a protest against toxic waste being dumped into the city’s waters—released from prison. But on the steps of the police headquarters, they come face-to-face with Ribetti’s cantankerous father-in-law, who has been overheard making threats against Ribetti.

It all begins with an early morning phone call. In the chill of the Venetian dawn, a sudden act of vandalism shatters the quiet of the city, and Brunetti is shocked to find that the culprit waiting to be apprehended at the scene is his own wife, Paola. She has taken a stand against a travel agency known for a certain kind of shady tourism. Meanwhile, at work, Brunetti is under pressure from his superiors to solve a daring robbery with a link to a suspicious accidental death. Does it all lead back to the Mafia? And how are his family’s actions connected to these crimes?

When the body of a wealthy elderly woman is found, brutally murdered in her Venetian flat, the police suspect her maid, who has disappeared. As the runaway maid’s train is leaving Italy for Romania, she is approached by the border police, runs away, and is killed as she crosses the tracks in front of an oncoming train. She has a considerable sum of money on her and her papers are obviously fake. Case closed. But when the old woman’s neighbor returns from a business trip in London, it becomes clear that the maid could not have committed the crime.

In Death and Judgment, the fourth novel in Donna Leon's bestselling Commissario Guido Brunetti series, a truck crashes and spills its dangerous cargo on a treacherous road in the Italian Dolomite Mountains. Meanwhile, a prominent international lawyer is found dead aboard an intercity train bound for Venice. Brunetti suspects a connection between the two tragedies. Digging deep for an answer, he stumbles upon a seedy Venetian bar that holds the key to a crime network that reaches far beyond the laguna.

When the body of a man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Commissario Guido Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. With Inspector Vianello, Brunetti canvasses shoe stores, and winds up on the mainland in Mestre, outside his usual sphere, where they learn that the man had a kindly way with animals. Meanwhile, animal rights and meat consumption are quickly becoming preoccupying issues at the Venice Questura, as well as in Brunetti’s home.

On a beautiful spring morning on the island of Pellestrina, south of the Lido on the Venetian lagoon, a small boat moored at the docks suddenly explodes, killing two local clam fishermen. When it becomes clear that the fire was deliberately set, Brunetti decides to investigate. But when he tries to dig up information about the murder, the island’s tight-knit—and closemouthed—community closes ranks, forcing Brunetti to accept Signorina Elettra’s offer to visit her relatives there to search for clues.

When Commissario Brunetti is summoned in the middle of the night to the hospital bed of a senior pediatrician, he is confronted with more questions than answers. Three men—a young Carabiniere captain and two privates from out of town—had burst into the doctor’s apartment while the family was sleeping, attacked him, and taken away his eighteen-month-old boy. What could have motivated an assault by the forces of the state so violent that it has left the doctor mute? Who would have authorized such an alarming operation?

In The Golden Egg, as the first leaves of autumn begin to fall, Commissario Guido Brunetti’s wife Paola comes to him with a request. The mentally handicapped man who worked at their dry cleaners has suffered a fatal sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing or helping him. To please her, Brunetti investigates the death and is surprised to find nothing on the man: no birth certificate, no driver’s license, no credit cards. As far as the Italian government is concerned, he never existed. And yet, there is a body.

La huitième enquête du commissaire Brunetti. Le commissaire Guido Brunetti est sur la sellette : sa propre femme, Paola, est arrêtée après avoir démoli la vitrine d'une agence de voyages qu'elle suspecte de promouvoir le tourisme sexuel. Brunetti est temporairement démis de ses fonctions. Mais l'affaire se corse avec l'assassinat du propriétaire de l'agence. Pour tout indice, on retrouve à côté du corps une lettre accusant le défunt d'être un "pornographe". L'enquête s'annonce délicate, pour la carrière comme pour la vie privée de Guido Brunetti...

La sixième enquête du commissaire Brunetti. Alors que Venise sort doucement de l'hiver, le commissaire Brunetti s'ennuie à la questure. Jusqu'au jour où il reçoit la visite d'une très belle jeune femme, religieuse défroquée. Parce qu'un certain nombre de morts suspectes sont survenues dans l'institution où travaille celle-ci, elle a préféré quitter son ordre et demander l'aide de la police.

La cinquième enquête du commissaire Brunetti. Venise en hiver : une cité crépusculaire, envahie par les eaux de la lagune durant l'acqua alta, et où l'on est obligé d'enfiler des bottes si l'on ne veut pas se mouiller les pieds. C'est dans cette ville battue par la pluie que le commissaire Brunetti va devoir enquêter sur la mort du dottor Semenzato, conservateur.

La troisième enquête du commissaire Brunetti. Par un matin d'août, un équarisseur découvre, dans un terrain vague de Mestre, la banlieue industrielle de Venise, le cadavre d'un travesti. On pense d'abord qu'il s'agit d'un des prostitués qui travaillent Via Cappuccina, mais lorsqu'on s'aperçoit que l'homme déguisé en femme n'était autre que le directeur de la Banca di Verona, le commissaire Brunetti comprend qu'il va devoir renoncer à ses vacances familiales dans la fraîcheur du Tyrol.

Au cœur de la nuit vénitienne, une adolescente chute du pont San Boldo dans un canal. Incapable de nager, Manuela est sur le point de se noyer quand un passant la sauve. Mais elle n’en sort pas indemne, souffrant de dommages cérébraux irréversibles qui la condamnent à garder à tout jamais l’esprit d’une enfant. Quinze ans plus tard, à l’occasion d’un gala de charité, Brunetti rencontre la comtesse Lando-Continui, une riche mécène, qui s’avère être la grandmère de Manuela et qui lui demande d’enquêter sur le drame. Elle est convaincue qu’il ne s’agit pas d’un simple accident.

Brunettis Bravourstück. Der Commissario ermittelt in den Tiefen der Erinnerung: Contessa Lando-Continui möchte ihren Frieden finden, doch der tragische Sturz ihrer Enkelin in den Canale di San Boldo lässt ihr keine Ruhe. Was, wenn es kein Unfall war? Brunetti nutzt seine Connections, seine Einfühlung und seine Erfahrung.

Als im Morgengrauen eine aufgedunsene Leiche im Kanal gefunden wird, ist ein eleganter Lederschuh die einzige Spur, die Brunetti hat. Und eine persönliche Erinnerung: Obwohl die Augen des Toten geschlossen sind, glaubt Brunetti deren Farbe von irgendwoher zu kennen. Aber woher? Seinen Stiernacken verdankt der Tote einer seltenen Krankheit. Doch so erschreckend sein Aussehen, so sanft seine Seele, wie Vianello und Brunetti bei ihren Nachforschungen entdecken.