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Although unfamiliar with the Persian language, the eminent English poet and critic Richard le Gallienne had a profound interest in the Rubaiyat of Omar Khayyam. In 1901 he published a collection of 261 quatrains, which was based on earlier English translations, in particular the prose version by Justin Huntly McCarthy. In his introduction, Le Gallienne suggests that his ignorance of Persian was in fact an advantage as it allowed him to focus on producing good poetry rather than merely an accurate translation.

Sir Pelham Grenville Wodehouse (aka PG Wodehouse) wrote in excess of 90 books, 40 plays, and 200 short stories between 1902 and 1974 and is widely regarded as one of the greatest humorists of the 20th century. Right Ho, Jeeves! is his second in a series of books written about a luckless young British millionaire named Bertram Wooster and his sharp valet, Jeeves.

This enigmatic scripture is attributed to the mysterious sage Lao Tze, who is believed to have lived in the sixth century BCE. In the present translation by religious scholar Paul Carus, the title is presented as The Canon of Reason and Virtue, and in the body of the text Carus renders the word usually translated as “Tao” as “reason.” This book is an extract from the author’s larger work, Lao-Tze’s Tao Teh King. The latter contained an historical introduction, the Chinese text, a transliteration, explanatory notes and an index, including the Chinese terms.

Dooman's translation of the Rubaiyat, containing 180 quatrains, was first published in 1911. It has a roughhewn quality, reminiscent of the style of an earlier American translator, John Payne, who published a collection of 845 quatrains in 1898.

From Poverty to Power was published in two parts, the first dealing with the road to prosperity and the second the state of peace that ensues when it has been realized. In the foreword, the author described his aim as follows: "I dreamed of writing a book which should help men and women, whether rich or poor, learned or unlearned, worldly or unworldly, to find within themselves the source of all success, all happiness, all accomplishment, all truth".

Shaku's eminently reasonable worldview and his skillful exposition of a truly universal definition of divinity and its inevitable necessity are both compelling and difficult to refute. In particular, this collection of discourses probes deeply and revealingly into the fundamental questions that occupy the minds of believers and unbelievers alike: why men cultivate religion in the first place and what the secret of its persistent vitality is.

The Raven Edition of the works of Edgar Allan Poe (1809 – 1849) presents his complete literary output in five volumes. In addition to 11 prose pieces, volume five contains all of Poe’s verse and also his only play, the unfinished drama, "Politian". Poe’s poetic output consists of 54 pieces, most of them short, but it also includes four longer pieces, The Bells, Al Aaraaf, Tamerlane, and perhaps Poe’s most iconic poem, The Raven.

A prominent focus of the works of New Thought author Christian Larson (1874-1954) was the cultivation of positive mental states for the attainment of success and happiness. In this short treatise, he analyzes some common mental maladies and gives suggestions for their treatment.

Joseph McCabe (1867-1955) was a Catholic priest and scholar who abandoned his faith in the 1890s and later became a very prominent secular activist. He published over 250 books and pamphlets, covering a wide range of genres, including history, politics, biography, and popular science.

This collection of aphorisms, poems and parables has been described as the reflections of a philosopher watching from his window and commenting on the scenes passing before him.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

This small handbook of the theory and practice of Stoic philosophy has become one of the most influential of all texts from the ancient world. It has been a source of inspiration to rulers, philosophers, and social theorists, and its cogent prescriptions about the management of one's personal life can be applied with great benefit in the hectic and confused world of today.

The concept of life as a pilgrimage, or a path from ignorance to realization, is central in the writings of the philosopher and New Thought pioneer James Allen (1864-1912). According to Allen, all men must and will follow this path, at the end of which is a state of spiritual satisfaction, which can be attained only by the earnest efforts of the seeker. While progress along the path necessitates the "strenuous tread" of the pilgrim, there are also valuable opportunities for rest and refreshment.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

In regard to Christianity and, especially, Catholicism, Joseph McCabe was one of the most learned atheist writers of the 20th century. McCabe was a former Catholic priest, fluent in Latin and several other languages, who had taught philosophy and ecclesiastical history in a Catholic university. During his lifetime he wrote hundreds of books and pamphlets, and translated dozens of others, on various aspects of science and history, and a great many texts on religious topics.

James Allen (1864-1912) was a philosopher and pioneer of the New Thought movement. A prolific author, his works have become a fundamental source for many of the concepts used today in motivational and self-help programs. The Mastery of Destiny is Allen's treatise on the apparent conflict between fate and free will. He states that there is a method by which these opposing forces can be reconciled.

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

Although Edgar Allan Poe (1809-1849) is best known today as a master of macabre fiction, his writings cover a wide range of other forms, including poetry, drama, criticism, and historical commentary. The Raven Edition presents his complete literary output in five volumes, the first of which contains three tributes to Poe and eight of his stories.

Many of Gogol's stories feature ineffectual individuals who are overwhelmed by the caprices of fate. In Diary of a Madman, one of his most colorful tales, the narrator, a humble and obscure office worker, veers from mere eccentricity into full blown lunacy, and finds that the delusions fostered by madness are anything but comforting.