Hollywood Station

They call him the Oracle. He's got 46 years under his belt and more hash marks than a football field. More importantly, he has a crew of cops to look out for on the streets of Hollywood. From his understaffed office at Hollywood Station, he keeps a close eye on his squad who spend their day in patrol cars, and their nights in the underbelly of a city that never sleeps.

Outside Grauman's Chinese Theatre, Batman has assaulted Spider-Man. Marilyn Monroe reported the crime and three Elvises witnessed it. It's business as usual for the cops out of Hollywood Station. But while they deal with the costumed crack-heads, prostitutes, purse snatchers, and ordinary lunatics that haunt the boulevards, in the streets behind the lights and crowds, the real Los Angeles simmers, never far from boiling point.

When Nate and Bix Rumstead (a supposedly upstanding cop with serious sobriety issues) find themselves caught up with bombshell Margot Aziz, they think they're just having some fun. But in Hollywood, nothing is ever what it seems.

There's a saying at Hollywood station that the full moon brings out the beast--rather than the best--in the precinct's citizens. One moonlit night, LAPD veteran Dana Vaughn and "Hollywood" Nate Weiss, a struggling-actor-turned cop, get a call about a young man who's been attacking women.

LAPD veteran "Hollywood Nate" Weiss could take or leave the opulence, but he wouldn't say no to onscreen fame. He may get his shot when he catches the appreciative eye of B-list director Rudy Ressler, and his troublemaking fiance, Leona Brueger, the older-but-still-foxy widow of a processed-meat tycoon. Nate tries to elude her crafty seductions, but consents to keep an eye on their estate in the Hollywood Hills while they're away.