On the night he celebrates a big win, defense attorney Mickey Haller is pulled over by police, who find the body of a former client in the trunk of his Lincoln. Haller is immediately charged with murder but can’t post the exorbitant $5 million bail. Mickey elects to represent himself and is forced to mount his defense from his jail cell in downtown Los Angeles. Even if he can obtain a not-guilty verdict, Mickey understands that it won’t be enough. In order to be truly exonerated, he must find out who really committed the murder and why. That is the law of innocence.

Partners in the Los Angeles Police Department, they’re haunted by terrifying dark secrets of the nightwatch - shared predawn drink and sex sessions they call choir practice. Each wears his cynicism like a bulletproof jockstrap - each has his horror story, his bad dream, his night shriek. He is afraid of his friends–he is afraid of himself.

Hollywood. Saturday night. A broken taillight leads to a routine traffic stop. It shouldn’t have changed the lives of the four men involved, but it did. The Onion Field is the frighteningly true story of a fatal collision of destinies that would lead two young cops and two young robbers to a deserted field on the outskirts of Los Angeles, towards a bizarre execution and its terrible aftermath.

When Dinko Babich, a young longshoreman, delivers Lita Medina, a young Mexican dancer, from San Pedro Harbor to a Hollywood nightclub, their lives are forever changed. An unexpectedly tender and moving love story develops among the cops and criminals who occupy the harbor, and soon Dinko and Lita are caught up in terror and peril through no fault of their own.

He is a damned good cop -- a burned-out homicide detective wrapped around a Smith & Wesson .38 and a vodka bottle. She is his partner -- twice divorced, nursing a grudge against men, obsessed by the awful temptation of love.

In his finest, most compelling blend of wild humor and powerful drama, Joseph Wambaugh leads us into the Hollywood scene to demonstrate the effects of that heady, amoral world on four sets of police partners enmeshed in the glamour and the grime, the hustle and the horror. They live and work in a dizzying mix of moguls and starlets, elaborate parties, outrageous and sordid actions; a place where sex and drugs are open and the big deals are undercover.

For maverick LAPD homicide detective Harry Bosch, the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal...because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys to a daring criminal heist beneath the city, his survival instincts will once again be tested to their limit.

For most of the last hundred years, Biloxi was known for its beaches, resorts, and seafood industry. But it had a darker side. It was also notorious for corruption and vice, everything from gambling, prostitution, bootleg liquor, and drugs to contract killings. The vice was controlled by small cabal of mobsters, many of them rumored to be members of the Dixie Mafia.

Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write - and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.

Virgil Flowers kicked around for a while before joining the Minnesota Bureau of Criminal Apprehension. First it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport brought him into the BCA, promising him, "We'll only give you the hard stuff." He's been doing the hard stuff for three years now, but never anything like this.

The most common triggers for homicide are fear, rage, revenge, money, lust, and, more rarely, sheer madness. This isn’t an exact science, of course. Any given murder can have multiple triggers. Sex and revenge seem to be common partners in crime. This book offers my memories of homicide cases that I investigated or oversaw. In each case, I examine the trigger that led to death. I chose this theme for the book because even though the why of a murder case may not be critical in an investigation, it can sometimes lead us to the killer.

In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes. Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

A dying millionaire hires private eye Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, and Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

Daughter of a cold, controlling mother and an anonymous donor, studious, obedient Elizabeth Fitch finally let loose one night, drinking too much at a nightclub and allowing a strange man’s seductive Russian accent to lure her to a house on Lake Shore Drive. Twelve years later, the woman now known as Abigail Lowery lives alone on the outskirts of a small town in the Ozarks.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.