Theater Classics

In the1930s and '40s, Black Mask was the single most important magazine for the modern mystery field. Here writers such as Dashiell Hammett, Raymond Chandler, and Earl Stanley Gardner reshaped the established view of mystery fiction, creating the "hard-boiled" private eye. Now this series resurrects from those pages the toughest of tough detectives in sonic dramatizations from the award-winning Hollywood Theater of the Ear.

In the dead gray cold of Starkfield, Massachusetts, farmer Ethan Frome is struggling to scrape out a living. His duties are to his wife, Zeena - an ungrateful, soul-sick hypochondriac as frigid as the New England winter. When Zeena’s cousin Mattie arrives to help with the farm, the ethereal, gentle-natured beauty brings a light and a fugitive affection into Ethan’s life. Yet for Ethan and Mattie, daring to be happy - and together - will have its consequences.

Charming, rich, and clever, heiress Emma Woodhouse has no need for an occupation - or a husband. Still, she considers herself quite skilled at matchmaking. Although her dear friend Mr. Knightley advises against it, there is nothing that she enjoys more than entangling herself in the romantic lives of others. But when one of her well-intentioned plans goes awry - as Mr. Knightley rightly predicted - Emma must face the consequences of her meddling.

The 1925 New York edition of Ernest Hemingway’s In Our Time trails readers through the years before, during, and after World War I. The collection’s first two stories, “Indian Camp” and “The Doctor and the Doctor’s Wife,” introduce Hemingway’s semiautobiographical character Nick Adams as a child. In total, seven stories portray the young man’s coming of age. All fourteen, including interspersed vignettes, embody the themes that Hemingway would return to throughout his career: alienation, grief, loss, and separation, as well as the regenerative powers of nature.

Bequeathed a rare diamond by her late uncle, heiress Rachel Verinder has no idea it was stolen from an Indian temple or that it has a cursed history. When the diamond disappears on her eighteenth birthday, multiple suspects - including Rachel’s suitor, Franklin Blake - are implicated in its theft. Determined to prove his innocence, Franklin begins his own investigation. Did one of his fellow Englishmen steal the jewel? Or was it whisked back to India? The case, which unfolds through multiple narratives, takes startling twists and turns in pursuit of the truth.

In the treasured follow-up to Little Women, Jo March returns as a mother of two sons and schoolmaster to twelve orphans. Now Jo Bhaer, literature’s beloved heroine has transformed Plumfield, the decorous New England estate of the March sisters’ youth, into a progressive school. During the coming year, newcomer Nat Blake joins the other restless, rascally seedlings as they grow under the tutelage of an equally spirited woman who extols the virtues of self-expression.

Ten years ago, Mary Morstan’s father, an officer in an Indian regiment, vanished. Four years later, elegant pearls began to arrive, six in total, and now she holds an invitation to meet her mysterious anonymous benefactor. As Miss Morstan shares this peculiar tale with Sherlock Holmes and Dr. Watson, she urges the detectives to accompany her. Her only clues to her father’s disappearance: a map of a fortress with the names of four strangers and an assertion that she’s been dreadfully wronged.

After Nadya, a 16 year old girl, returns home from seeing a play, she is happily consumed with its plot of unrequited love. To Nadya, unrequited love is the most interesting type of love, as love is boring if everyone is happy. Quickly, Nadya's thoughts turn to her two suitors, Gorny and Guzdev. Although they have both declared their love for her, she, more than anything, wants to believe that they do not love her. Trying to emulate the unrequited love from the play, she writes a letter to Gorny, like the heroine in the play....

In her moving account of how she came to understand the world around her despite being blind and deaf since childhood, Helen Keller confirms that no physical obstacle can hinder the achievements of the human mind. Included with Keller's poignant autobiography are her letters, spanning 15 years, which reveal her remarkable intellectual growth and empathic soul. Commentary by her teacher, Anne Sullivan, and the book's original editor is also featured, providing illuminating insight from two of Keller's closest companions.

Charles Darwin’s theory of evolution now forms the basis for all the life sciences, but it ignited widespread controversy upon its 1859 publication. The idea that humans and animals might have evolved from a common source came as a shock to readers at the time, and people struggle with the implications of Darwin’s theory to this day. But Darwin foresaw this resistance and argued his case with extensive examples and rigorous logic - and his theory continues to push us toward a deeper understanding of life on Earth.

George Webber, a first-time author, writes a book that makes frequent references to his home town of Libya Hill. The book is a success, except in Libya Hill, where the residents believe that it paints an extremely distorted portrait of their town. They send Webber menacing letters, including death threats.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

Through her transcendent imagery, distinct punctuation, experimental slant rhyme, and wordplay, Emily Dickinson set herself apart from every other poet of her time. These essential works - thematically divided into poems on life, nature, love, and time and eternity - reveal a keen, humorous observer whose art, like the artist herself, defied tradition.

At sixty-four Mickey Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence. But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction...

“Todo o mundo é um teatro”, escreveu William Shakespeare, “e homens e mulheres não passam de meros atores”. No novo audiolivro de Leandro Karnal, atores-ouvintes são convidados a dar um passeio pela própria consciência: a jornada de aprender com quem mais tem a ensinar no teatro do mundo - o criador de Hamlet. O que aprendi com Hamlet, dessa forma, revela os ensinamentos deixados pela principal peça de William Shakespeare numa combinação entre a experiência de um homem do século XVI e outro do século XXI.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

Richard, duke of Gloucester, schemes to inherit the throne by killing all who stand in his way - including his own brother and the two young sons of King Edward IV.

Mirele Efros, also known as "The Yiddish Queen Lear", is a sophisticated version of Ukrainian-born Jacob Gordin's work about honesty, decency and devotion towards family and community. Mirele, a wealthy and pious widow, whose devotion to her children even goes as far as hand-picking her eldest son's wife, makes a tragic mistake in evaluating her future daughter-in-law as giving and pious. Conflict ensnares the two in short order and a lesson about the value of piety is conveyed in the cautionary tale. Adapted in English by David Serero.

Carl Zuckmayer liest die Szene zwischen Harras und Hartmann aus "Des Teufels General"...

"The Importance of Being Earnest" is a play by Oscar Wilde. First performed in 1895 in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humor.