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A collection of Christina Rossetti's finest poetry including Goblin Market.

Christina Rossetti’s poetry has never disappeared from view. Critical interest in her poetry swelled in the final decades of the twentieth century, a resurgence largely impelled by the emergence of feminist criticism; much of this commentary focuses on gender issues in her poetry and on Rossetti as a woman poet. Collected here are 16 of her most beautiful, haunting, and renowned poems.

Christina Rossetti's long narrative poem about two innocent sisters, Lizzie and Laura, tempted by the delicious, magical fruit sold by goblin merchants as they walk through the glen....

Christina Rossetti's poignant wish that she could capture the elusive memory of the first time she met her love, read by Jenny Agutter.

Elizabeth Barrett Browning (1806-1861) and Christina Rossetti (1830-1894) were both regarded as the female poet laureates of their time, and between them their writings spanned almost the entire Victorian age, from the end of Romanticism to the beginnings of Modernism. This selection of their shorter works contains all the major themes that animated them - social justice, faith, love and mortality - and some of the best-loved poetry in English, including "In The Deep Midwinter" and "How Do I Love Thee?"

A dark, allegorical, Gothic horror fable in verse telling of seduction, enthrallment, and deep sisterly love by the British Victorian poet, Christina Rossetti. The goblin market men, selling sweet and delicious fruits, inveigle Laura, a young girl, to partake of their tempting wares. Soon, she is lost to the world and her life begins slowly to fade away. Only the courage of her sister, Lizzie, can possibly save her from her fate. Will it be enough?

Christina Georgina Rossetti remains one of the most important poets in the British tradition, both for her own work and those she influenced, most notably Virginia Wolfe. Rossetti is praised for her willingness to explore different genres and poetic forms within her body of work. Thematically, her poems run the gamut from frustrated love, to religion, to the Gothic, and beyond. Her choice of form is equally eclectic. Here, a reading of some of her best work by David Shaw-Parker and Ghizela Rowe.

This Collection of 63 poems by various authors including Christina Rossetti, Thomas Ken, John Nelson Darby, Richard Baxter, Isaac Watts, Gerhardt Ter Steegan, Anne Ross Cousin and many others has been brought together in order that these spiritual truths and impressions, presented in poetical form, will comfort and edify God's people as they wrestle daily with the world, the flesh, and the devil.

Classic Poems for Girls is a collection of over 25 funny, whimsical and moving poems for 5- to 10-year olds, designed to fuel the imagination. From the adventures of the Jumblies, who sail away in a sieve; to the sticky end of a girl named Matilda; to the courtship of a maiden who lived long ago, in a kingdom by the sea, there’s a poem to suit any feeling or mood. Seasoned Naxos AudioBooks readers Laura Paton, Anne-Marie Piazza, Benjamin Soames and Roy McMillan work their magic on the works of Edward Lear, Louisa May Alcott, Christina Rossetti, and many more.

"A Birthday": Christina Rossetti's joyful celebration that her one true love has arrived, read by Jenny Agutter.

A collection of the greatest poetry from the Victorian era, read by some of the 20th century’s most renowned actors. Science, religion and sexuality are played out in these timeless readings of poetry written during the Romantic period.

The fourth and final book in the Gobbled series.

Christina Georgina Rossetti was an English poet who wrote a variety of romantic, devotional, and children's poems. She is famous for writing Goblin Market and Remember, and the words of the Christmas carol In the Bleak Midwinter.Rossetti was educated at home by her mother and father, who had her study religious works, classics, fairy tales and novels. Rossetti delighted in the works of Keats, Scott, Ann Radcliffe and Matthew Lewis. The influence of the work of Dante Alighieri, Petrarch and other Italian writers filled the home and would have a deep impact on Rossetti's later writing. Their ...

In this collection we rely on the words and wisdom of such fine poets as John Milton, Emily Dickinson, Sir Walter Scott, Daniel Sheehan, Wordsworth, Longfellow and a whole host of others to absorb us in a Christmas time of hope and togetherness set amongst a landscape of winter wonderment and Nature’s palest palette. The experiences and memories they share with us speak of a time, of a world, that did have a common purpose and an ambition to share good fortune with everyone.

Stella Endicott loves her teacher, Miss Liliana, and she is thrilled when the class is assigned to write a poem. Stella crafts a beautiful poem about Mercy Watson, the pig who lives next door - a poem complete with a metaphor and full of curiosity and courage. But Horace Broom, Stella's irritating classmate, insists that Stella's poem is full of lies and that pigs do not live in houses. And when Stella and Horace get into a shouting match in the classroom, Miss Liliana banishes them to the principal's office. Will the two of them find a way to turn this opposite-of-a-poem day around?

Come on Shore and We Will Kill and Eat You All is the story of the cultural collision between Westerners and the Maoris of New Zealand, told partly as a history of the complex and bloody period of contact between Europeans and the Maoris in the late 18th and early 19th centuries, and partly as the story of Christina Thompson's marriage to a Maori man.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 3 we bring you the classics 'Goblin Market' by Christina Rosseti; 'The Wreck of the Hesperus' by Henry Wadsworth Longfellow; 'The Raven' by Edgar Allan Poe; 'Morte D'Arthur' by Alfred Lord Tennyson; and from 'Horatius' by Thomas Babington Maculay.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

Each and every one of us has attempted the feat—to express our feelings on love is one of the joys, or heartaches, of life. In this volume 10 poets add their immortal words on love. Some are tender, some are strident, some beguile with unknown words and play but always, always in tones of love. Genius in every name.

The sun has descended below the far horizon. The inky blackness of night begins to envelop the land. Day has gone, and the nocturnal times reveal themselves. But above the dark blanket the moon, whether waxing or waning, stands sentry, and around it vast clouds and swirls of stars regiment themselves. We look up in awe and wonder, frail beneath their vista. Our gloried poets are on hand, though, to capture word and deed, emotion and feeling, friend and foe.