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In 1761, a tiny, odd-looking girl named Marie is born in a village in Switzerland. After the death of her parents, she is apprenticed to an eccentric wax sculptor and whisked off to the seamy streets of Paris, where they meet a domineering widow and her quiet, pale son. Together, they convert an abandoned monkey house into an exhibition hall for wax heads, and the spectacle becomes a sensation. As word of her artistic talent spreads, Marie is called to Versailles, where she tutors a princess and saves Marie Antoinette in childbirth. But outside the palace walls, Paris is roiling....

The Iremongers are a mean and cruel family, robust and hardworking, living in the Heaps, a vast sea of lost and discarded items. A storm is brewing over Heap House. The Iremongers are growing restless and the whispers are getting louder. When Clod meets Lucy, a girl newly arrived from the city, everything changes. The secrets that bind Heap House together begin to unravel to reveal a dark truth that threatens to destroy Clod's world.

The year is 1901. England’s beloved queen has died, and her aging son has finally taken the throne. In the eastern city of Norwich, bright and inquisitive young Edith Holler spends her days among the boisterous denizens of the Holler Theatre, warned by her domineering father that the playhouse will literally tumble down if she should ever leave its confines. Fascinated by tales of the city she knows only from afar, she decides to write a play of her own: a stage adaptation of the legend of Mawther Meg.

In the aptly named borough of Foulsham, Grandfather Umbitt Iremonger has found a way of making everyday objects assume human shape, and turning real people into objects. Lucy Pennant has been discarded as a clay button, abandoned in the Heaps. Meanwhile, Clod has been turned into a gold coin and is being passed as currency through the town. Everywhere people are searching for Clod, who, it is believed, has the power to bring the mighty Umbitt down.

Foulsham has been destroyed. Darkness lies heavily over the city; the sun has not come up for days. Inside the houses throughout the capital, ordinary objects have begun to move. There are rumours of a terrible contagion. From the richest mansion to the poorest slum, people have disappeared. The police have been instructed to carry arms. Someone has stolen a certain plug. Someone is lighting a certain box of matches. All will come tumbling down. The Iremongers have come to London.

In the small Tuscan town of Collodi, a lonely woodcarver longs for the companionship of a son. One day, "as if the wood commanded me", Giuseppe - better known as Geppetto - carves for himself a pinewood boy, a marionette he hopes to take on tour worldwide. But when his handsome new creation comes magically to life, Geppetto screams...and the boy, Pinocchio, leaps from his arms and escapes into the night.

How can we make intelligent decisions about our increasingly technology-driven lives if we don’t understand the difference between the myths of pseudoscience and the testable hypotheses of science? Pulitzer Prize-winning author and distinguished astronomer Carl Sagan argues that scientific thinking is critical not only to the pursuit of truth but to the very well-being of our democratic institutions.

The year is 1901. England's beloved queen has died, and her aging son has finally taken the throne. In the eastern city of Norwich, bright and inquisitive young Edith Holler spends her days among the boisterous denizens of the Holler Theatre, warned by her domineering father that the playhouse will literally tumble down if she should ever leave its confines.

The Akashic records, or the Book of Life, can be equated to the universe's supercomputer system that acts as the central storehouse of all information for every individual who has ever lived upon the earth. More than just a reservoir of events, the Akashic records contain every deed, word, feeling, thought, and intent that has ever occurred at any time in the history of the world. The Edgar Cayce verbatim readings on the Akashic records offer a rich resource for learning how to connect with and use knowledge from your own records to improve your life.

Nel 1761, una minuscola bambina di nome Marie viene alla luce in un villaggio in Svizzera. Qualche anno più tardi, dopo la morte dei genitori, Marie è presa in casa dal dottor Curtius, un uomo eccentrico e solitario che vive a Berna. Ma Curtius non è propriamente un dottore, è piuttosto un artista, uno scultore della cera: figlio di un famoso anatomista, lavora per l'ospedale della città come modellista, riproducendo parti del corpo umano.

Observatory Mansions was once the Orme family's ancestral home. Now it is a crumbing apartment block, stranded on a traffic island and peopled with eccentrics. Alice Orme never stirs from her bed, her husband lives in his old armchair and Francis, their son, practises his own art of stillness as a human statue in the centre of the decaying city. This careful routine is shaken by the arrival of a new resident, Anna Tap.

Nel centro di una città, in quella zona abitata da gente con un po’ troppo denaro, c’è un parco. Al centro del parco c’è un piedistallo sprovvisto di statua. Ogni mattina prende il suo posto una statua di carne, coperta di vernice bianca da capo a piedi, immobile creatura di immacolata bianchezza che si anima per un attimo quando apre gli occhi per soffiare una bolla di sapone all’indirizzo di chi le offra il proprio obolo.

The myth of an epic, public life—its triumphs and tragedies—is a particularly American obsession. ROAR is a metafictional exploration of such a life and attendant fame of an extraordinary, and completely made up, man.

An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth's unforgettable collection she carves out territory that is entirely her own.

Née à Strasbourg en 1761, la jeune Marie Grosholz, future madame Tussaud, est employée dès son plus jeune âge comme apprentie par un sculpteur sur cire. Lorsque le duo devient célèbre à Paris pour ses réalisations, Marie a pour modèles les plus grandes personnalités de l'époque : Voltaire, Rousseau, Benjamin Franklin, etc. Bientôt elle est accueillie à la Cour où elle prodigue des leçons de sculpture à la princesse Élisabeth, sœur du roi. En 1789, la capitale entre en ébullition, la foule exige des têtes.

Born in Alsace in 1761, the unsightly, diminutive Marie Grosholtz is quickly nicknamed ‘Little’. Orphaned at the age of six, she finds employment in Bern, Switzerland, under the charge of reclusive anatomist Dr Curtius. In time the unlikely pair form an unlikely bond, and together they pursue an unusual passion: the fine art of wax modelling. Forced to flee their city, the doctor and his protégée head for the seamy streets of Paris, where they open an exhibition hall for their uncanny creations.

I am writing this account, in another man’s book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. From the acclaimed author of Little comes this beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast. Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.

E se Geppetto e Pinocchio non si fossero incontrati nel ventre della balena? Edward Carey, narratore dall'estro geniale e dalla sensibilità fiabesca, reinterpreta in questo romanzo una delle storie più amate della letteratura internazionale: dopo aver tentato senza fortuna di salvare suo figlio in mare, Geppetto rimane intrappolato da solo nella pancia del gigantesco animale. Qui, costretto al buio e ai difficili umori della sua nuova casa, si trova a riflettere sulla sua condizione di uomo, di padre, di figlio, di naufrago.

Richard Edward Carey came from a broken home. Enlisting in the Corps in 1946 he later earned a commission, fighting at Inchon and Chosin in Korea before becoming a pilot. During his thirty-eight-year military career he witnessed and participated in major historical events, though a high school wrestling injury would eliminate him from the Mercury-7 space program. As a second lieutenant, he tackled General Douglas MacArthur on the way to Seoul in 1950. Carey would provide critical intelligence decisions enabling the successful defense of the Chinese attack on Hagaru-ri at the Chosin Reservoir.

This is a podcast about belonging, what it means, why it matters, and how we cultivate it. Through stories, interviews, academic research, and discussions we will explore the ideas of belonging and how to develop and growth it in your classrooms, workplaces, and other personal and professional spaces.