Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.

In present-day New York City, an Albanian interpreter reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions. Despite her husband’s cautions, she soon becomes entangled in her clients’ struggles: Alfred’s nightmares stir up her own buried memories, and an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan. As ill-fated decisions stack up, jeopardizing the nameless narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania.

So begins Joy Sullivan’s Instructions for Traveling West—a lush debut collection that examines what happens when we leave home and leap into the deep unknown. Mid-pandemic, Sullivan left the man she planned to marry, sold her house, quit her corporate job, and drove west. This dazzling collection tells that story as it illuminates the questions haunting us all: What possible futures lie on the horizon? What happens when we heed the call of furious reinvention?

Maya was a rising star in the political world until her ex-husband’s high-profile sex scandal nearly derailed her career. Landing a gubernatorial candidate is the fresh start she desperately needs–a chance to focus on meaningful work and leave the drama behind. But then an email from her past sends her world spinning: Charlie, former lead singer of Mischief, the boy band that fueled her teenage obsession, is staging a solo comeback and wants Maya’s help to make it happen. Turns out, she likes the grown-up Charlie and his genuine engagement with the world.

Naomi Kelly will do anything to make her new brand consulting business a success. When she lands a career saving contract to rebrand the Mukherjee family’s failing local bazaar, she knows there can be no mistakes. But as the “oops” baby of a free-spirited Bengali mother, Naomi’s lack of connection to her roots represents everything Gia Mukherjee disdains. Enter, Dev Mukherjee.

Twenty-seven-year-old Emily doesn’t have a lot going well in her life right now. She dreams of a creative career but works as a receptionist in an auto shop. She longs for big city life but lives in a small town on Prince Edward Island. She craves a close group of friends but is stuck with irritating, car-obsessed coworkers. What Emily does have is a 300+ day streak on the New York Times Wordle. But one day, with only one guess left and no clue what the answer is, she’s forced to turn to one of her irritating, car-obsessed coworkers, John, for help.

For Glory Edim, that “friend of my mind” is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty, eventually reaching a community of half a million readers. But her own love of books stretches far back. Edim’s father moved back to Nigeria while she was still a child, marking the beginning of a series of traumatic changes and losses for her family. What became an escape, a safe space, and a second home for her and her brother was their local library.

In When Doing It All is Undoing You, Alyssa Bethke helps listeners understand the difference between what is in and what is out of our control, and she examines how our striving for approval, balance, happiness, and lofty ideals often masks underlying fear and disappointment. She acknowledges that even when we do all the right things, the outcome we hope for is not guaranteed, and addresses the disillusionment so many of us feel when the life we have looks nothing like the life we envisioned.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me”. In “Nothing Tastes as Good as Skinny Feels” she challenges her listener to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son's birth she writes, “What is the word for when the light leaves the body/What is the word for when it/ at last, returns”.

Everyone in America knows Dylan Read, or at least has heard her music. Since releasing her debut album her senior year of high school, Dylan’s spent fifteen years growing up in the public eye. She’s not only perfected her skills when it comes to lyrics and melody; she’s also learned how to craft a public narrative that satisfies her fans, her label, and the media. In the circles of fame and celebrity in which she now travels, the careful maintenance of Dylan Read pop star is often more important than the songs themselves.

When Rami sees a floating girl in the museum, he knows he has seen her somewhere before. Then he realizes: She looks just like the girl in the painting that has gone missing. But how does her appearance connect to the theft?

Colton Gentry is riding high. His first hit in nearly a decade has caught fire, he’s opening for country megastar Brant Lucas, and he’s married to one of the hottest acts in the country. But he’s hurting. Only a few weeks earlier, his best friend, Duane, was murdered onstage by a mass shooter at a country music festival. One night, Colton stands before a sold-out arena crowd of country music fans and offers his unfiltered opinion on guns. It goes over poorly. Immediately, his career and marriage implode. Left with few choices or funds, he retreats to his rural Kentucky hometown.

Rhoda West is Silicon Valley’s favorite female CEO: the luminously charismatic founder of the fast-growing startup Radical, a wellness company whose core mission is the betterment of women’s lives. Rhoda’s Instagram page offers intimate glimpses of her personal life alongside promotions for the cult-status products developed in the Well, Radical’s secretive lab.

Compiling Smarsh’s reportage and more poetic reflections, Bone of the Bone is a singular work covering one of the most tumultuous decades in civic life. Timely, filled with perspective-shifting observations, and a pleasure to read, Sarah Smarsh’s essays—on topics as varied as the socioeconomic significance of dentistry, laws criminalizing poverty, fallacies of the “red vs. blue” political framework, working as a Hooters Girl, and much more—are an important addition to any discussion on contemporary America.

A poet's life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value—art, memory, poetry, music, care—are thrown into sharp relief.