Dark clouds are gathering for cocky storm chaser Oakley Pierce as she throws herself into a bruising Oklahoma tempest that will change the course of four lives. Tracking her path is down-to-earth TV meteorologist Lana Monroe, who'd dearly love a commitment from her free-spirited partner, Oakley, after eight long years of absence and career sacrifice. Buckled in with Oakley for the storm-chasing ride of a lifetime is butch, brave EMT Riley Gatlin. She can't help but be drawn to the sweet newly divorced single mother Chloe Crawford, who seems as out of place in the group as she is sad.

The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him

It is the summer of ‘97 and the repressed Scottish town of Pitlaw is itching for change. Enter the Freakslaw―a travelling carnival of deviant queers and architects of mayhem. There’s Gloria, fortune teller and worm charmer; her daughter Nancy, a contortionist witch; big-hearted tightrope walker, Werewolf Louie; not to mention illusionists and conjoined twins, Cass and Henry, and tattooed human pincushion, Pin Gal.

In vivid, poetic prose, Nancy Kricorian’s The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War. Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes listeners on an epic journey from the mountains of Cilicia to contemporary New York City.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

Gala, a young trans woman, works at a hostel in Truth or Consequences, New Mexico. She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B--. Why did the band stop making music? Why did they never release their rumored album, Summer Fun? Gala writes letters to B-- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B-- and Gala form a dialogue bout creation - of music, identity, self, culture, and counterculture.

On New Year's Eve, in 1923, someone walked into Mickey McFadden's queer speakeasy hidden beneath the Big City Little Theater and shot her and her dog, EZ, dead. Or sort of, mostly, kind of dead. Because instead of crossing over, they become trapped within the bar's walls. And though EZ eventually manages to wriggle his way free, Mickey remains, her spirit frozen in time.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Generations ago, the founders of the idyllic town of Lake Argen made a deal with a dark force. In exchange for their service, the town will stay prosperous and successful, and keep outsiders out. And for generations, it's worked out great. Until a visitor goes missing, and his wealthy family sends a private investigator to find him, and everything abruptly goes sideways.

On a morning much like any other, 30-something queer Brooklynite Wilder makes a miraculous discovery: suddenly, as if by magic, they can understand every language in the world. Dazed and disconnected, Wilder is found and taken in by a small coven of trans witches who have all become Awakened with mystical powers of their own.

From Lydia Millet—“the American writer with the funniest, wisest grasp on how we fool ourselves” (Chicago Tribune)—comes an inventive new collection of short fiction. Atavists follows a group of families, couples, and loners in their collisions, confessions, and conflicts in a post-pandemic America of artificially lush lawns, beauty salons, tech-bro mansions, assisted-living facilities, big-box stores, gastropubs, college campuses, and medieval role-playing festivals.

It is 1659 and Mary Newbury, theyoung granddaughter of a witch, sees her wise and beloved grandmother tortured and hanged as a servant of the Devil. Then a stranger with hauntingly familiar eyes approaches her with an opportunity - safe passage to America. But the difficult ocean voyage only leads her to a community of inflexible, fearful grownups who try to decide for her who and what she will be. Mary must disguise herself as a pious Puritan girl, hiding her true nature, or else face terrible danger once again.

Here is the epic story of Vietnam and the sixties told through the events of a few tumultuous days in October 1967. With meticulous and captivating detail, They Marched Into Sunlight brings that catastrophic time back to life while examining questions about the meaning of dissent and the official manipulation of truth, issues that are as relevant today as they were decades ago.

When an elderly gentleman is found dead at the foot of a staircase, ship's officer Timothy Birch is ready to declare it a tragic accident. But James Temple, a strong-minded Scotland Yard inspector, is certain there is more to this misfortune than meets the eye. Birch agrees to investigate, and the trail quickly leads to the theft of a priceless painting. Its very existence is known only to its owner...and the dead man.

Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.