Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It's been two years since Fiona scrubbed Mary's blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn't forgotten. When she's called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary's old home.

November 1866: The grisly murder site in London's East End is thronged with onlookers. None of them expect the calmly efficient young woman among them to be a medical doctor, arrived to examine the corpse. Inspector Richard Tennant, overseeing the investigation, at first makes no effort to disguise his skepticism. But Dr. Julia Lewis is accustomed to such condescension . . .

A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won't snub the opportunity now. But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she's determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she pleases.

A lass begging to marry him might top the list of "oddest things to happen," but Chief Adam Macquarie is desperate. And no matter how much he hates to do it, he's not above lying to get what he wants. Starting with the fact that he just omitted the truth about the situation back at his home - where there are no women and only a handful of other people. Because he has a secret need for a wife himself, one she won't be too happy about when she finds out.

Famed and brilliant, Lady Alexandra Lane has always known how to look out for to herself. But nobody would ever expect that she has darkness in her past - one that she pays a blackmailer to keep buried. Now, with her family nearing bankruptcy, Alexandra strikes upon a solution: Get married to one of the empire’s most wealthy eligible bachelors. Even if he does have the reputation of a devil.

Cadence "Cady" Bloomquist knows two things for sure: First, shelving books at her shop, Nevermore Bookstore, totally counts as cardio. Second, staying late every Thursday night to take a certain mysterious customer's order is not the same as waiting by the phone for some man. Until the calls with the man who identifies himself only as "Fox" last for hours, and become the highlight of her week. Which leaves her to wonder, if his velvet voice can kindle her fire over the phone, what sort of alchemy might it inspire if they met in person?

London 1815. Newly widowed Lily Adler is returning to a society that frowns on independent women. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden. Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables - until Lord Walter bribes the investigating magistrate to drop the case. Stunned, Lily realizes she's the only one with the key to catching the killer.

Tabitha, Lady Chesterton, the Countess of Pembroke, is newly widowed at only 22 years of age. With no son to inherit the title, it falls to a dashing, distant cousin of her husband's, Jeremy Chesterton, known as Wolf. It quickly becomes apparent that Wolf had consorted with some of London's most dangerous citizens before inheriting the title. Can he leave this world behind, or will shadowy figures from his past follow him into his new aristocratic life in Mayfair? And can Tabitha avoid being caught up in Wolf's dubious activities?

When the body of a young man is found stuffed into the tomb of a medieval knight, Parish Constable Daniel Haze is tasked with investigating his first solo murder case. Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer.

Hannah Harte remembers the long-ago night on the beach that revealed Rafe as more than just "that disreputable Madison boy." And Rafe remembers the heroic gesture that proved Hannah's fierce spirit was stronger than any feud—and saved him from near-certain imprisonment. Now—reunited by a surprising inheritance after years of living their separate lives—Rafe and Hannah return to Eclipse Bay, and the hostilities that still divide, and bind, their families. And they are discovering something that is at once delightful and deeply disturbing.

Four original, unabridged, full-cast productions of Gail Carriger's most beloved fantasy short stories: "The Curious Case of the Werewolf That Wasn't, the Mummy That Was, and the Cat in the Jar": A mummified cat, a secret agent, and an aristocrat entangle Alessandro Tarraboti (father of Alexia Tarraboti from the Parasol Protectorate series) in a rollicking, wry adventure into the supernatural secrets of ancient Egypt.

Newly returned from finishing school, Lady Juliette Thorndike is ready to debut in London society. Due to her years away, she hasn't spent much time with her parents, and sees them only as the flighty, dilettante couple the other nobles love. But when they disappear, she discovers she never really knew them at all. They've been living double lives as government spies-and they're only the latest in a long history of espionage that is the family's legacy.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

An unexpected inheritance has gifted me with the dream of a lifetime—owning a charming bookshop in small-town Scotland. Little did I know this gift comes with a surprise—Highland Hearts bookshop has been running an underground magical matchmaking service—and as new owner of the shop, I am expected to deliver on these matches. As Christmas looms, and lonely hearts beg for love, I’m tossed into the world of magic and romance, aided by a meddling book club who seems more interested in romance than reading. The problem is—I just don’t believe in love. Or so I thought.

After a routine delivery, midwife Sarah Brandt visits her patient in a rooming house and finds that another boarder, a young girl, has been killed. At the request of sergeant Frank Malloy, she searches the girl's room and discovers that the victim is from one of the most prominent families in New York - and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy's help, Sarah begins a dangerous quest to bring the killer to justice before death claims another victim.

Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It's been two years since Fiona scrubbed Mary's blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn't forgotten. When she's called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary's old home.

The shocking murder of Sir Henry Claybourne leaves Regency London shaken and horror-struck. But for genteel spinster Miss Emmeline St. Germaine, the crime slices far too close to home. Just hours before the knight's death she held a dagger to him, threatening him to stay silent as she rescued a scullery maid he had procured for his pleasure. Did the man - or woman - who murdered the knight know of her visit? Her secret identity at risk, her reputation and life in jeopardy, Emmeline must solve the crime or face scandalous exposure and ruination for a crime she did not commit.

Tucked away among Devon's rolling green hills, Mallowan Hall combines the best of English tradition with the modern conveniences of 1930. Housekeeper Phyllida Bright, as efficient as she is personable, manages the large household with an iron fist in her very elegant glove. In one respect, however, Mallowan Hall stands far apart from other picturesque country houses. The manor is home to archaeologist Max Mallowan and his famous wife, Agatha Christie.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.