Agatha is pregnant and works part time stocking shelves at a grocery store in a ritzy London suburb, counting down the days until her baby is due. As the hours of her shifts creep by in increasing discomfort, the one thing she looks forward to at work is catching a glimpse of Meghan, the effortlessly chic customer whose elegant lifestyle dazzles her. Meghan has it all: two perfect children, a handsome husband, a happy marriage, and a stylish group of friends, and she writes perfectly droll confessional posts on her popular parenting blog.

It is a cold January morning, and Shetland lies beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a splash of color on the frozen ground, ravens circling above. It is the strangled body of her teenage neighbor, Catherine Ross. The locals on the quiet island stubbornly focus their gaze on one man - loner and simpleton Magnus Tait.

Case One: A little girl goes missing in the night. Case Two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case Three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.

Emma loves her husband Leo and their young daughter Ruby: she’d do anything for them. But almost everything she's told them about herself is a lie. And she might just have got away with it, if it weren’t for her husband’s job. Leo is an obituary writer; Emma a well-known marine biologist. When she suffers a serious illness, Leo copes by doing what he knows best – researching and writing about his wife’s life. But as he starts to unravel the truth, he discovers the woman he loves doesn’t really exist. Even her name isn’t real.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

On the day Concord Webster turned eighteen, the Devil died. The Devil's real name was Judge Martin, but Concord's mother called him the Devil. She said he boiled babies for dinner and made lampshades out of human skin. So why did she, who hated him so venomously, have a key to his house? The key will unlock more than just Judge's front door. It will also unlock a multitude of stories - where magic children talk to crows, men disappear in piles of leaves, and James Dean lookalikes kiss in dark alleys - and reveal a secret history that will change Concord's life forever.

At 39, Manon Bradshaw is a devoted and respected member of the Cambridgeshire police force, and though she loves her job, what she longs for is a personal life. Single and distant from her family, she wants a husband and children of her own. One night, after yet another disastrous Internet date, she turns on her police radio to help herself fall asleep - and receives an alert that sends her to a puzzling crime scene.

Mix Cellini (which he pronounces with an S rather than a C) is superstitious about the number 13 and has always felt dogged by ill-luck. In the house where he lives, there are 13 steps down to the landing below his rooms. His landlady lives her life almost exclusively through her library, blind to the neglect and decay around her. However, Mix is obsessed with the life of the notorious John Christie, who lived in the same Notting Hill neighbourhood at 10 Rillington Place.

Kate Reddy had it all: a nice home, two adorable kids, a good husband. Then her kids became teenagers (read: monsters). She's facing her 50th birthday; her mother and in-laws are in precarious health; and her husband is having a midlife crisis that leaves her desperate to restart her career after years away from the workplace. Kate is scrambling to keep all the balls in the air in a juggling act that an early review from the UK Express hailed as "sparkling, funny, and poignant...a triumphant return for Pearson."

Everyone tells her she's a survivor. No one knows she's dead inside. Six years ago Melody Pieterson was attacked and left for dead. She coped by locking away her memories, burying herself. The man responsible was caught and convicted. Even his release from jail won't derail her new life. She's a survivor after all. Then the body of another woman is discovered in identical circumstances. Like Melody, she has blond hair and green eyes. Like Melody she is found holding a gold bird cage chain.

In the spirit of Zoë Heller’s Notes on a Scandal and Tom Perrotta’s Mrs. Fletcher, an explosive and thought-provoking novel about the far-reaching repercussions of an illicit relationship between a young girl and a man 20 years her senior. Masterfully told from three diverse viewpoints - victim, perpetrator, and witness - Putney is a subtle and enormously powerful novel about consent, agency, and what we tell ourselves to justify what we do, and what others do to us.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of twenty-eight, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing.

It was their darkest secret. Three schoolgirls made a promise - to take the horrible truth of what they did to the grave. Thirty years later, Beth and Sally have tried to put the trauma behind them. Though Carol has distanced herself from her former friends, the three are adamant that the truth must never come to light, even if the memory still haunts them. But when some shocking news threatens to unearth their dark secret, Beth enlists the help of private investigator Matthew Hill to help her and Sally reconnect with estranged Carol.

Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, made strange by the darkness; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: Each of these stories illuminates a crucial moment of transition, often imperceptible to the protagonist.