They whisper about her in Chicago. Men come to her with their hopes, their dreams - their fortunes. But no one sees them leave. No one sees them at all after they come to call on the Widow of La Porte. The good people of Indiana may have their suspicions, but if those fools knew what she'd given up, what was taken from her, how she'd suffered, surely they'd understand. Belle Gunness learned a long time ago that a woman has to make her own way in this world.

Cassandra Tipp is dead...or is she? After all, the notorious recluse and eccentric best-selling novelist has always been prone to flights of fancy - everyone in town remembers the shocking events leading up to Cassie's infamous trial (she may have been acquitted, but the insanity defense only stretches so far). Cassandra Tipp has left behind no body - just her massive fortune and one final manuscript. Then again, there are enough bodies in her past.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

Buried in debt due to his young daughter’s illness, his marriage at the brink, Mario reluctantly takes a job as a hitman, surprising himself with his proclivity for violence. After tragedy destroys the life he knew, Mario agrees to one final job: Hijack a cartel’s cash shipment before it reaches Mexico. Along with an old friend and a cartel-insider named Juanca, Mario sets off on the near-suicidal mission, which will leave him with either a cool $200,000 or a bullet in the skull. But the path to reward or ruin is never as straight as it seems.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Alice Wright marries handsome American Bennett Van Cleve hoping to escape her stifling life in England. But small-town Kentucky quickly proves equally claustrophobic, especially living alongside her overbearing father-in-law. So, when a call goes out for a team of women to deliver books as part of Eleanor Roosevelt’s new traveling library, Alice signs on enthusiastically. The leader, and soon Alice's greatest ally, is Margery, a smart-talking, self-sufficient woman who's never asked a man's permission for anything.

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

A therapist and self-help writer with all the answers, Sarah has just bought a gorgeous Victorian in the community of her dreams. Turns out you can get a killer deal on a house where someone was murdered. Plus, renovating Black Wood House makes for great blog content and a potent distraction from her failing marriage. Good thing nobody knows that her past is as tainted as the bloodstain on her bedroom floor.

In the waning days of the Civil War, brothers Prentiss and Landry—freed by the Emancipation Proclamation—seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys. Equal parts beauty and terror, The Sweetness of Water is an epic whose grandeur locates humanity and love amid the most harrowing circumstances.

January 1937. Jack Miller has just about run out of options. His shoes have worn through, he can't afford to heat his rented room in Tooting, and he longs to use his training as an specialist wireless operator instead of working in his dead-end job. When he is given the chance to join an arctic expedition, as communications expert, by a group of elite Oxbridge graduates, he brushes off his apprehensions and convinces himself to join them.

Nobody has a “normal” family, but Vesper Wright’s is truly...something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn’t return. But then an envelope arrives on her doorstep.