It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what’s happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy’s carefully constructed life.

In this close-up look at the ardent love affair between the author and her painting teacher, which began in the 1970s, when she was seventeen and he was forty-seven and married with two children, Ciment not only reflects on how their love ignited (who leaned in first for that kiss?) but interrogates her 1990s memoir on the subject, Half a Life. She asks herself if she told the whole truth when she wrote about their passion back then, and what truth looked like to her in the even longer-ago era of love-bead curtains when she fell in love.

The Dead Don’t Need Reminding is a braided story of Julian Randall’s return from the cliff edge of a harrowing depression and his determination to retrace the hustle of a white-passing grandfather to the Mississippi town from which he was driven amid threats of tar and feather. Alternatively wry, lyrical, and heartfelt, Randall transforms pop culture moments into deeply personal explorations of grief, family, and the American way

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

As we emerge from the past few years of collective upheaval, are we ready to face the complexities of our time with joy, authenticity, and connection? Now more than ever, we must learn to heal ourselves, connect with one another, and embody our values. In this revolutionary book, Prentis Hemphill shows us how.

Shalom Auslander was raised like a veal in a dysfunctional family in the Orthodox community of Monsey, New York: the son of an alcoholic father; a guilt-wielding mother; and an overbearing God. Now, as he reaches middle age, Auslander begins to suspect that what plagues him is something worse, something he can't so easily escape: a story. The story. One implanted in him at an early age, a story that told him he is fallen, broken, shameful, disgusting, a story we have all been told for thousands of years, and continue to be told by the religious and secular alike, a story called "Feh."

In this deeply moving and lyrical memoir, Hoppe shares an intimate, courageous account of what it means to truly interrupt cycles of harm. For fans of The Recovering by Leslie Jamison, Somebody’s Daughter by Ashley C. Ford, and Heavy by Kiese Laymon. During the first year of quarantine, drug overdoses spiked, the highest ever recorded. And Hoppe’s cousin was one of them. “I never learned the true history of substance use disorder in my family,” Hoppe writes. “People just disappeared.” At the time of her cousin’s death, she’d been in recovery for nearly four years, but she hadn’t told anyone.

On February 17, 2022, Brittney Griner arrived in Moscow ready to spend the WNBA offseason playing for the Russian women’s basketball team where she had been the centerpiece of previous championship seasons. Instead, a security checkpoint became her gateway to hell when she was arrested for mistakenly carrying under one gram of medically prescribed hash oil. Brittney’s world was violently upended in a crisis she has never spoken in detail about publicly—until now.

On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black—black clothes, black mask—rushed down the aisle toward him, wielding a knife. His first thought: So it’s you. Here you are. What followed was a horrific act of violence that shook the literary world and beyond.

Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola.

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past.

Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song. In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he's come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past.

Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship, and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief.

It’s the middle of the summer before her fiftieth birthday and Alexandra is just barely hanging on. Grieving her father and pining for her home country of Zimbabwe, chafing and straining against the stresses and strictures of midlife as a mother and ex-wife, and piecing her way through a disastrous relationship with a younger woman that lurches and buckles, but never quite breaks. And then—suddenly and incomprehensibly—her son Fi, at 21 years old, dies in his sleep. What happens next is what Alexandra details in this book.

Studies show that nearly 70 percent of divorces are initiated by women—women who are tired, fed up, exhausted, and unhappy. We’ve all seen how the media portrays divorcées: sad, lonely, drowning their sorrows in a bottle of wine. Lyz Lenz is one such woman whose life fell apart after she reached a breaking point in her twelve-year marriage. But she refused to take part in that tired narrative and decided to flip the script on divorce.

The standout memoir from NBA powerhouse Andre Iguodala, the indomitable sixth man of the champion Golden State Warriors. Andre Iguodala is one of the most admired players in the NBA. And fresh off the Warriors’ third NBA championship in the last four years, his game has never been stronger. Off the court, Iguodala has earned respect, too - for his successful tech investments, his philanthropy, and increasingly for his contributions to the conversation about race in America.

Failed Pitbull impersonator Ismael Reyes—you can call him Izzy—might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull’s legal team and living in his aunt’s garage, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana.

Susan Lieu has long been searching for answers. About her family’s past and about her own future. Refugees from the Vietnam War, Susan’s family escaped to California in the 1980s after five failed attempts. Upon arrival, Susan’s mother was their savvy, charismatic North Star, setting up two successful nail salons and orchestrating every success—until Susan was eleven. That year, her mother died from a botched tummy tuck. After the funeral, no one was ever allowed to talk about her or what had happened.

For a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians.

Priyanka Mattoo was born into a wooden house in the Himalayas, as were most of her ancestors. In 1989, however, mounting violence in the region forced Mattoo’s community to flee. The home into which her family poured their dreams was reduced to a pile of rubble. Mattoo never moved back to Kashmir—because it no longer existed. She and her family just kept packing and unpacking and moving on. In forty years, Mattoo accumulated thirty-two different addresses, and she chronicles her nomadic existence with wit, wisdom, and an inimitable eye for light within the darkest moments.

From the New York Times bestselling author of Midnight in Chernobyl comes the definitive, dramatic, minute-by-minute story of the Challenger disaster, based on fascinating in-depth reporting and new archival research—a riveting history that flows like a thriller.

A sex and relationship columnist bares it all in a series of essays—part memoir, part manifesto—that explore the author’s coming of age and coming out as a bisexual man and move toward embracing and celebrating sex unencumbered by shame.

In 2020, Olivia Laing began to restore an eighteenth century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there's still time? Moving between real and imagined gardens, from Milton's Paradise Lost to John Clare's enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.

Compiling Smarsh’s reportage and more poetic reflections, Bone of the Bone is a singular work covering one of the most tumultuous decades in civic life. Timely, filled with perspective-shifting observations, and a pleasure to read, Sarah Smarsh’s essays—on topics as varied as the socioeconomic significance of dentistry, laws criminalizing poverty, fallacies of the “red vs. blue” political framework, working as a Hooters Girl, and much more—are an important addition to any discussion on contemporary America.

Welcome to the not-too-distant future: Japan, having vanished from the face of the earth, is now remembered as "the land of sushi." Hiruko, its former citizen and a climate refugee herself, has a job teaching immigrant children in Denmark with her invented language Panska (Pan-Scandinavian): "homemade language. no country to stay in. three countries I experienced. insufficient space in brain. so made new language. homemade language."

Patrick Hinds has failed. A lot. In fact, he’s kind of an expert at it—which is why he’s uniquely qualified to say that failure is a good thing.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth.

When journalist Annabelle Tometich picks up the phone one June morning, she isn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterwards was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

On a dark, wet evening in Dublin, scientist and mother of four Eilish Stack answers her front door to find the GNSB on her step. Two officers from Ireland’s newly formed secret police are here to interrogate her husband, a trade unionist. Ireland is falling apart. The country is in the grip of a government turning towards tyranny and when her husband disappears, Eilish finds herself caught within the nightmare logic of a society that is quickly unravelling.