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Ashes
- Narrated by: Diana Croft
- Length: 5 hrs and 39 mins
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Publisher's summary
Patricia's life has fallen apart. Her son, Noah, is in a Russian prison, framed for a crime that he didn't commit. Her husband has abandoned her, and mounting legal costs have left her broke. In desperate need of funds to pursue Noah's appeal, she takes a job supervising the renovation of Gaunt House, an Elizabethan ruin on the North York Moors. When a corpse and a diary are discovered in the rubble, she begins to investigate the house's tragic history - and finds that the past, and the dead, are closer than they seem.
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- Length: 14 hrs and 26 mins
- Unabridged
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How far will he go to save his daughter? How far will he go to get revenge? It's 2053 and runaway climate change has brought civilization to the brink of collapse. Billions are threatened with starvation and mankind is slowly moving north in a world stricken by war, drought and superstorms - easy prey for the pandemics that sweep across the globe. Easy prey, too, for the violent gangs and people-smugglers who thrive in the crumbling world where 'King Death' reigns supreme.
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This is an outstanding novel
- By Midwestbonsai on 06-21-16
By: Adam Nevill
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The Best Horror of the Year, Volume 4
- By: Ellen Datlow - author/editor, Stephen King, Peter Straub
- Narrated by: Meredith Mitchell, Rebecca Mitchell, Michael Healy, and others
- Length: 16 hrs and 55 mins
- Unabridged
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With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.
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Only a few decent stories in this bunch.
- By Jerry on 12-06-14
By: Ellen Datlow - author/editor, and others
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Angelmaker
- By: Nick Harkaway
- Narrated by: Daniel Weyman
- Length: 18 hrs and 11 mins
- Unabridged
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Joe Spork repairs clocks, a far cry from his late father, a flashy London gangster. But when Joe fixes one particularly unusual device, his life is suddenly upended. Joe's client, Edie Banister, is more than just a kindly old lady - she's a former superspy. And the device? It's a 1950s doomsday machine. And having triggered it, Joe now faces the wrath of both the government and a diabolical South Asian dictator, Edie's old arch-nemesis.
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A cure for the modern cynic
- By Maine Colonial 🌲 on 08-28-12
By: Nick Harkaway
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Without Trace
- A Morgan Vine Thriller
- By: Simon Booker
- Narrated by: Imogen Church
- Length: 11 hrs and 5 mins
- Unabridged
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A gripping psychological thriller for fans of Gone Girl and Making a Murderer. For four long years, journalist Morgan Vine has campaigned for the release of her childhood sweetheart Danny Kilcannon - convicted, on dubious evidence, of murdering his 14 year-old stepdaughter. When a key witness recants, Danny is released from prison. With nowhere else to go, he relies on single mum Morgan and her teenage daughter, Lissa.
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Interesting story...
- By NC_Mom76 on 08-16-16
By: Simon Booker
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Once Upon a Haunted Moor
- The Tyack & Frayne Mysteries, Book 1
- By: Harper Fox
- Narrated by: Tim Gilbert
- Length: 2 hrs and 57 mins
- Unabridged
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Gideon Frayne has spent his whole working life as a policeman in the village of Dark on Bodmin Moor. His first missing-child case is eating him alive. When his own boss sends in a psychic to help with the case, he's gutted - he's a level-headed copper who doesn't believe in such things, and he can't help but think that the arrival of clairvoyant Lee Tyack is a comment on his failure to find the little girl. But Lee is hard to hate, no matter how Gideon tries. At first Lee's insights into the case make no sense, but he seems to have a window straight into Gideon's heart.
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Excellent start, terrific narration
- By Annika on 01-26-18
By: Harper Fox
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Normal
- By: Graeme Cameron
- Narrated by: Julian Elfer
- Length: 6 hrs and 40 mins
- Unabridged
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He lives in your community, in a nice house with a well-tended garden. He shops in your grocery store, bumping shoulders with you and apologizing with a smile. He drives beside you on the highway, politely waving you into the lane ahead of him. What you don't know is that he has an elaborate cage built into a secret basement under his garage. And the food that he's carefully shopping for is to feed a young woman he's holding there against her will - one in a string of many, unaware of the fate that awaits her.
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Twisted
- By Richelle Reid on 04-03-15
By: Graeme Cameron
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Dark Screams
- Volume One
- By: Kelley Armstrong, Bill Pronzini, Ramsey Campbell, and others
- Narrated by: Luke Daniels
- Length: 3 hrs and 12 mins
- Unabridged
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Weeds by Stephen King: When a meteorite lands on his property, Jordy Verrill envisions an easy payday. Unfortunately for Jordy, this is no ordinary rock - and the uncompromising force inside has found its first target.
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WISH IN ONE HAND, SPIT IN THE OTHER
- By Jim "The Impatient" on 03-14-16
By: Kelley Armstrong, and others
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Haunted Nights
- A Horror Writers Association Anthology
- By: Ellen Datlow - editor, Garth Nix, Kelley Armstrong, and others
- Narrated by: Gabra Zackman, Erin Spencer, James Patrick Cronin, and others
- Length: 11 hrs and 38 mins
- Unabridged
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Here are 16 chilling, never-before-published tales that explore every aspect of our darkest holiday, Halloween, coedited by Ellen Datlow, one of the most successful and respected genre editors, and Lisa Morton, a leading authority on Halloween. Included are stories about scheming jack-o'-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick-or-treating in the future.
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Slow burn stories
- By Alex Sumner on 03-05-22
By: Ellen Datlow - editor, and others
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The Wicked Girls
- By: Alex Marwood
- Narrated by: Anna Bentinck
- Length: 14 hrs and 12 mins
- Unabridged
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On a fateful summer morning in 1986, two 11-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her to interview carnival cleaner Amber Gordon. For Kirsty and Amber, it's the first time they've seen each other since that dark day so many years ago.
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I didn't want to like these girls...
- By Lesley on 08-30-13
By: Alex Marwood
What listeners say about Ashes
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- My Opinion Only
- 04-22-16
Spooky house and those bloody Russians!
I love a good scare and although I didn't get that...it's hard to come by as we are mostly shock proof these days...I thoroughly enjoyed this tale. The only reason the overall was 4 not 5 stars was the ending. A bit too abrupt with no real conclusion. I even listened to it again thinking I had missed something. However with that aside, it had a storyline that kept me actively listening and loving the back story of her son and the Russians and the to and fro issues with her clingy ex-husband. Philip wrote a good little complex story and Diana was very easy to listen to. Very happy with this book.
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- Reed
- 02-22-17
Terrifically cosmic and intensely personal horror. Why isnt there more Hemplow???
I've read two other stories by Hemplow, "Innsmouth Syndrome" and "Sarcophagus." They both had a terrific sense of desolation and bleakness on a scale that crushes hope with inevitable certainty. Not out of malice, but because hope in Hemplow's stories is a delusion resulting from our species' many limitations of perspective.
Why do I mention two stories that are not this one? So you know this is not a fluke, and more people need to read or listen to Hemplow.
If that sounds appealing, listen to this right now. Right now.
It absolutely needs to be said that Diana Croft is a spectacular reader and performer. Long story short, just as I would listen to anything by Hemplow no matter who read it, I would now listen to anything performed by Croft, no matter who wrote it.
She has a splendid breadth of performance and puts a powerful emotive life into the story as she reads it.
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- Mercedes and Jason
- 05-04-16
Slow starting book but good overall.
The story was slow to start but soon picked up pace. It was an overall good story but the ending was a bit confusing. Narrator did well and I liked the various character development.
(This book was given to me free for an honest and unbiased review. )
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- MeDi
- 04-22-16
Ashes
If you could sum up Ashes in three words, what would they be?
This book is truly an horror book from beginning to end. It was hard for me to pause and do other things. If your genre is horror, this audiobook is for you.
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3 people found this helpful
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- Anonymous User
- 09-10-19
Chilling and unsettling, superbly performed
One of those audiobooks I actively looked for opportunities to listen to, instead of just having it on while I do other things that don’t require concentration. I have to admit my bias here, in that the pitch of “ghost story with a steady IV drip of cosmic horror during the renovation of a ruined Elizabethan house” is *extremely* my thing. Some readers may have less tolerance for the details of the renovation, but for me it was a good, ah, foundation for the uncanny to steadily erode. Haunted house stories have a long tradition of also being stories about finances: people who are tied to something horrible not by being trapped in a dungeon with it, but because their hopes and dreams depend on this place somehow, against increasingly slim odds, working out for the better. Ashes continues in that tradition from a fresh perspective, as the renovation uncovers fresh horrors that seem to warn Patricia to turn back before it’s too late, even as genre-savvy readers know that she’s in it ‘til the bitter end.
Speaking of the end, it is, as other reviewers have pointed out, a bit abrupt, which seems to happen in a lot of horror fiction. I would have gladly taken Ashes in the form of a full-length novel rather than novella, to give that ending a bit more room to breathe, but novel-length horror has its own troubles to deal with. That said, the ending is perfectly comprehensible, and I disagree entirely on the “no closure” comment in an earlier review. We know very much what happened after the final sentence of Ashes, but that’s all I can say on the subject. As an aside, it’s all too common to find reviews of perfectly-crafted short horror fiction which read something to the effect of, “a bunch of chapters cut out from larger stories, one star.” Frankly, I suspect there are folks here who are looking for a tidier wrap-up than short horror fiction as a genre likes to provide.
Seconding those reviews that praise Diana Croft’s reading. Audio is an unforgiving medium for horror, where the narrator needs to impart an emotional state to the listener in addition to conveying the personalities of the characters and having a voice that’s a good match for the subject matter. Croft nailed Patricia’s mounting frustration, distress, denial, and horror, and managed to pull off tricky Elizabethan passages in the journal which plays such a prominent role in Ashes without sounding like a bad stereotype. I’ll certainly be keeping an eye out in case she reads more horror, or, really, anything.
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- Kindle Customer
- 11-20-17
not what I expected
I was expecting more of a ghost story. this is NOT what this one was about. more than half of the book was flashbacks from an old diary and renovation talk. also I hated that we were kept in the dark about why her son was in jail until the end of the book. the book really didn't get interesting for me till there was 36 minutes left
then it got sorta.... hmm.. messy. but still confusing. ending was left hanging... no closure.
this just wasn't my cup of tea.
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