
Black Coffee
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Narrated by:
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John Moffatt
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By:
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Agatha Christie
Sir Claud Amory's formula for a powerful new explosive has been stolen, presumably by a member of his large household. Sir Claud assembles his suspects in the library and locks the door, instructing them that the when the lights go out, the formula must be replaced on the table - and no questions will be asked. But when the lights come on, Sir Claud is dead. Now Hercule Poirot, assisted by Captain Hastings and Inspector Japp, must unravel a tangle of family feuds, old flames, and suspicious foreigners to find the killer and prevent a global catastrophe.
©1998 Agatha Christie Limited (P)1998 HarperCollins Publishers LtdListeners also enjoyed...




















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Superb Mystery!
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Every detail matters
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Christie
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Black coffee
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Agatha Christie originally wrote this as a play, rather than a novel, somewhat of a departure from her usual style, and Charles Osborne has put it into book form. Many years ago I actually saw the play. (Can you tell I have been a life-long Christie devotee?) As well as I recall it, I think this book is quite faithful to the play--I believe it has kept the same plot/characters/development. This is a "classic Poirot" where he actually does line all the family members up at the end to do his wonderful thing of announcing how the murder was committed, and by whom. Very pleasing to old mystery readers like myself.
The premise of the book is that Sir Claud Amory, a scientist who has been working on a secret formula for something that has the potential to become a more powerful weapon than any currently available, has reason to believe that someone in his own household wants to steal it. So he hires Poirot to come to the house and help detect who that is. Unfortunately he arrives just in time for Amory's murder.
This book lays out the plot well, has very good character development, neatly suggests (or leaves the reader guessing) the various possible reasons any person could have killed Sir Claud, and it all flows as well (if not better than) any Christie herself could have written. I think he was largely faithful to Christie's own language and style. My only regret is that I believe he made Poirot a *tiny* bit more pompous and narcissistic than Christie portrayed him, and left me feeling sad with the way Poirot made fun of poor Hastings. I know there was a slight suggestion of that in Christie, but I don't recall it being as strong as Osborne has made it.
But if you listen to this book for no other reason--I would recommend that you do so just to hear the extraordinarily talented John Moffatt read the whole book, but especially the role of Poirot. It was just stupendous! There were opportunities throughout the book to speak English (mostly), French and Italian. And as far as I could tell, he spoke all three with perfection. But mostly he was able to capture the nuances of tone that left no doubt that is was, indeed, Poirot who was the main feature of the book. I'm not planning to abandon listening to Fraser, for whom I have great fondness, but I certainly am planning to listen to more of the Christies read by Moffatt. His narration was the true gem of this book.
A REAL TREAT for Poirot fans!
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I like my Coffee Black, Like my Soul
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Perfection
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Moffat's Performance Makes It Better
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Would be interested to see the play
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Beautifully Performed!
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