L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

Eve Babitz knew everyone, tried everything (at least once), and was never shy about sharing her thoughts on any subject, be it sex, weight loss, drug use, or her ambivalence toward New York City. From the 1970s through the 1990s, Babitz wrote on a wild variety of topics for some of the biggest publications around, from Esquire to Vogue to The New York Times Book Review. I Used to Be Charming brings together this nonfiction work.

Journalist, party girl, bookworm, artist, muse: By the time she'd hit 30, Eve Babitz had played all of these roles. She was immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha's Five 1965 Girlfriends, and Babitz's first book showed her to be a razor-sharp writer with tales of her own. Eve's Hollywood is an album of vivid snapshots of Southern California's haute bohemians, of outrageously beautiful high school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont.

Eve Babitz captured the voluptuous quality of LA in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her firsthand experiences in the LA cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

After a stint policing the rough streets of Kansas City, Missouri, Chris Voss joined the FBI, where his career as a hostage negotiator brought him face-to-face with a range of criminals, including bank robbers and terrorists. Reaching the pinnacle of his profession, he became the FBI's lead international kidnapping negotiator. Never Split the Difference takes you inside the world of high-stakes negotiations and into Voss' head.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late 60s and 70s and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank’s life is full of all the excesses Cleo’s lacks. He offers her the chance to be happy, the freedom to paint and the opportunity to apply for a green card. But their impulsive marriage irreversibly changes both their lives and the lives of those close to them, in ways they never could’ve predicted.

The wildly funny, occasionally heart-breaking internationally best-selling memoir about growing up, growing older, and learning to navigate friendships, jobs, loss, and love along the ride. When it comes to the trials and triumphs of becoming an adult, journalist and former Sunday Times columnist Dolly Alderton has seen and tried it all.

Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age 21, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book.

Nina Dean is not especially bothered that she's single. She owns her own apartment, she's about to publish her second book, she has a great relationship with her ex-boyfriend, and enough friends to keep her social calendar full and her hangovers plentiful. And when she downloads a dating app, she does the seemingly impossible: She meets a great guy on her first date. Max is handsome and built like a lumberjack; he has floppy blond hair and a stable job. But more surprising than anything else, Nina and Max have chemistry.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention....

For years, New York Times bestselling author Dolly Alderton has been sharing her wisdom, warmth, and wit with the diverse universe of fans who have turned to her “Dear Dolly” column seeking guidance on a host of life problems. Dolly has thoughtfully answered questions ranging from the painfully—and sometimes hilariously—relatable to the occasionally bizarre. They include breakups and body issues, families, relationships platonic and romantic, dating, divorce, the pleasures and pitfalls of social media, sex, loneliness, longing, love and everything in between.

Little Marek, the abused and delusional son of the village shepherd, believes his mother died giving birth to him. One of Marek’s few consola­tions is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby. For some people, Ina’s ability to receive trans­missions of sacred knowledge from the natural world is a godsend. For others, Ina’s home in the woods is a godless place.

I'm the One That I Want, based on her show of the same name, is filled with dead-on insights about the experience of being a woman with attitude, of flowing with the highs and lows of life, and of creating one's own identity and acceptance. It is every bit as hilarious, shocking, and irreverent as she is.

In this breathtakingly inventive autobiographical novel, Eileen Myles transforms life into a work of art. Told in her audacious voice, made vivid and immediate in her lyrical language, Chelsea Girls cobbles together memories of Myles's 1960s Catholic upbringing with an alcoholic father, her volatile adolescence, her unabashed "lesbianity," and her riotous pursuit of survival as a poet in 1970s New York.

Lauren Weedman is not okay. She's living what should be the good life in sunny Los Angeles. After a gig as a correspondent with The Daily Show with Jon Stewart, she scored parts in blockbuster movies, which led to memorable recurring roles on HBO's Hung and Looking. She had a loving husband and an adorable baby boy. In these comedic essays, she turns a piercingly observant, darkly funny lens on the ways her life is actually not okay.

Emma Forrest, a British journalist, was just 22 and living the fast life in New York City when she realized that her quirks had gone beyond eccentricity. In a cycle of loneliness, damaging relationships, and destructive behavior, she found herself in the chair of a slim, balding, and effortlessly optimistic psychiatrist--a man whose wisdom and humanity would wrench her from the dangerous tide after she tried to end her life.

Happily married Brooke discovers her loving husband has led a separate life with…another wife. Newlywed Samantha learns of her husband's cheating heart when she finds the goods on his computer. High-powered career woman Katherine works with heartbreaker Phillip, the man who hurt her early on in her career. Brooke, Samantha, and Katherine don't know one another, but their stories are about to intertwine in ways no one could have imagined. And all three are about to discover the power of friendship to conquer adversity.

In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness - and the allure - of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters.

By the time Wendy Lawless turned 17, she'd known for quite some time that she didn't have a normal mother. But that didn't stop her from wanting one.... Georgann Rea didn't bake cookies or go to PTA meetings; she wore a mink coat and always had a lit Dunhill plugged into her cigarette holder. She went through men like Kleenex, and didn't like dogs or children. Georgann had the ice queen beauty of a Hitchcock heroine and the cold heart to match.

Marina Willett, MD, has a problem. Her husband, Charlie, has become obsessed with H. P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends - or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears.

Hip-hop artist Tip "T.I." Harris has received every acclaim the music world has to offer. Now, working with bestselling celebrity collaborator David Ritz, T.I. applies all his talent and experience to the world of fiction by creating the epic love story of Power and Beauty. After the death of his mother, Charlotte, Paul “Power” Clay allows himself to be guided by Slim, a local businessman. Slim always has the best of everything, and Power is sure that if he learns Slim's ways, he'll make something of himself - and perhaps be worthy of Tanya “Beauty” Long.

A jaw-dropping story of how a girl from the suburbs ends up in a prince's harem and emerges from the secret Xanadu both richer and wiser. At 18, Jillian Lauren was an NYU theater school dropout with a tip about an upcoming audition. The "casting director" told her that a rich businessman would pay pretty girls $20,000 if they stayed for two weeks to spice up his parties. Soon, Jillian was on a plane to Borneo, where she would spend the next 18 months in the harem of Prince Jefri Bolkiah....

One summer day, Margaux Fragoso meets Peter Curran at the neighborhood swimming pool, and they begin to play. She is seven; he is 51. When Peter invites her and her mother to his house, the little girl finds a child’s paradise of exotic pets and an elaborate backyard garden. Her mother, beset by mental illness and overwhelmed by caring for Margaux, is grateful for the attention Peter lavishes on her, and he creates an imaginative universe for her, much as Lewis Carroll did for his real-life Alice.

For years, they were the best of friends: the grand, erratic Humboldt and the ambitious young Charlie. But now Humboldt has died a failure, and Charlie's success-ridden life has taken various turns for the worse. Then Humboldt acts from the grave to change Charlie's life: he has left Charlie something in his will.

A Fine Romance begins with Bergen's charming first husband, French director Louis Malle, whose huge appetite for life broadened her horizons and whose occasional darkness never diminished their love for each other. But her real romance begins when she discovers overpowering love for her daughter after years of ambivalence about motherhood.

Clinton Kelly is probably best known for teaching women how to make their butts look smaller. But in I Hate Everyone, Except You, he reveals some heretofore unknown secrets about himself, like that he's a finicky connoisseur of 1980s pornography, a disillusioned critic of New Jersey's premier water parks, and perhaps the world's least enthused high school commencement speaker.

The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.

The popular rediscovery of Eve Babitz continues with this very special reissue of her novel, originally published in 1979, about a dreamy young girl moving between the planets of Los Angeles and New York City. We first meet Jacaranda in Los Angeles. She's a beach bum, a part-time painter of surfboards, sun-kissed and beautiful. Jacaranda has an on-again, off-again relationship with a married man and glitters among the city's pretty creatures, blithely drinking pink ladies with any number of tycoons, unattached and unworried in the pleasurable mania of California.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

Journalist, party girl, bookworm, artist, muse: By the time she'd hit 30, Eve Babitz had played all of these roles. She was immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha's Five 1965 Girlfriends, and Babitz's first book showed her to be a razor-sharp writer with tales of her own. Eve's Hollywood is an album of vivid snapshots of Southern California's haute bohemians, of outrageously beautiful high school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont.

Eve Babitz captured the voluptuous quality of LA in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her firsthand experiences in the LA cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the listener. Set in a place beyond good and evil—literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul—it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis.

Los Angeles in the 1960s and '70s was the pop cultural capital of the world - a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA. The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age 20, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety.

Welcome to 1990s Norway. White picket fences run in neat rows, and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo, a coven of witches begin cooking up some curses. A time-traveling Edvard Munch arrives in town to join a death-metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic.

Eve Babitz knew everyone, tried everything (at least once), and was never shy about sharing her thoughts on any subject, be it sex, weight loss, drug use, or her ambivalence toward New York City. From the 1970s through the 1990s, Babitz wrote on a wild variety of topics for some of the biggest publications around, from Esquire to Vogue to The New York Times Book Review. I Used to Be Charming brings together this nonfiction work.

When the final four women in competition for an aloof, if somewhat sleazy, bachelor’s heart arrive on a mysterious island in the Pacific Northwest, they mentally prepare themselves for another week of extreme sleep deprivation, invasive interviews, and of course, the salacious drama that viewers nationwide tune in to eagerly devour. Each woman came on The Catch for her own reasons - brand sponsorships, followers, and yes, even love - and they’ve all got their eyes steadfastly trained on their respective prizes.

Joan Didion, in spite of her confessional style, is so little known or understood. She’s remained opaque, elusive. Until now. With deftness and skill, journalist Lili Anolik uses Babitz, Babitz’s brilliance of observation, Babitz’s incisive intelligence, and, most of all, Babitz’s diary-like letters—letters found in those sealed boxes, letters so intimate you don’t read them so much as breathe them—as the key to unlocking Didion.

The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father's caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys' prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city.

"Sur ce sentiment inconnu dont l'ennui, la douceur m'obsèdent, j'hésite à apposer le nom, le beau nom grave de tristesse. C'est un sentiment si complet, si égoïste que j'en ai presque honte alors que la tristesse m'a toujours paru honorable. Je ne la connaissais pas, elle, mais l'ennui, le regret, plus rarement le remords. Aujourd'hui, quelque chose se replie sur moi comme une soie, énervante et douce, et me sépare des autres."

Mona, a Peruvian writer based in California, presents a tough and sardonic exterior. She likes drugs and cigarettes, and when she learns that she is something of an anthropological curiosity - a woman writer of color treasured at her university for the flourish of rarefied diversity she brings - she pokes fun at American academic culture and its fixation on identity. When she is nominated for "the most important literary award in Europe", Mona sees a chance to escape her downward spiral of sunlit substance abuse and erotic distraction.