
Corporate Asset
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Narrated by:
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David Drummond
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By:
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Don Easton
Corporate Asset takes RCMP undercover operative Jack Taggart into the world of white-collar crime and murder. Insurance companies are being bilked out of millions of dollars. Multiple murders are taking place right under the cops' noses, but are thought to be accidental.
Taggart gets a whiff of what is going on when he captures a drug trafficker willing to expose one of the murderers connected to the plot. The problem is that the new informant is also a serial rapist.
Corporate Asset puts Taggart into the gut-wrenching position of having to let a rapist go in order to catch a serial killer. With his informant's assistance, he sets himself up as bait to be murdered in a bid to discover who is behind the insurance scam. It is a race against time to catch the murderer before the rapist strikes again.
©2013 Don Easton (P)2013 Audible, Inc.Listeners also enjoyed...




















Editorial reviews
Another fast-paced Jack Taggart action-mystery from Don Easton finds Taggart, working undercover for the Royal Canadian Mounted Police, in the world of big business where someone is committing brutal murders and making them appear accidental. To make matters more difficult Taggart has to use a loathsome criminal and rapist as his source of information. David Drummond gives a gritty performance of this thrilling edition of the series, creating memorable voices for the heroes and villains that populate Easton's sordid world.
More, more,
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Great Book!
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Death and Destruction
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Bout Time
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Great series
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Great reading
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Great suspense
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No mystery. No suspense. No moral complexity. No insight into human nature. No deft or memorable writing. Dull, predictable grade 8 plot. The (Canadian RCMP) good guy kills a large number of (international) bad guys. No worries. They deserved it and left him no option to instead subdue and arrest them. Every time. And, frankly, you can’t trust Canadian courts, prosecutors, or (especially) defense attorneys to “do the right thing” no matter how blindingly obvious, so it’s all “good.”
Great Canadian crime fiction? See Louise Penny.
More absorbing writing by a Canadian author about law enforcement officers who rack up huge body counts? See Simon Gervais. (Although his “hero” is a US DEA agent, possibly because he’s a straight up sadist when killing “bad” guys. You just have to buy into the righteousness is his mission.)
This author? Skip.
Strong performance of a schlock novel
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