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Create Dangerously
- The Immigrant Artist at Work
- Narrated by: Kristin Kalbli
- Length: 4 hrs and 53 mins
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Publisher's summary
In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.
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The Red-Haired Woman
- A Novel
- By: Orhan Pamuk
- Narrated by: John Lee, Katharine Lee McEwan
- Length: 7 hrs and 22 mins
- Unabridged
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On the outskirts of a town 30 miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, the two will develop a filial bond neither has known before - not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world.
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Drags On
- By T. Conrad on 10-25-17
By: Orhan Pamuk
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The Possessed
- Adventures with Russian Books and the People Who Read Them
- By: Elif Batuman
- Narrated by: Elif Batuman
- Length: 9 hrs and 32 mins
- Unabridged
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In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.
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Dear Russian Literary Diary...
- By Darwin8u on 08-29-17
By: Elif Batuman
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Death Is Hard Work
- A Novel
- By: Khaled Khalifa, Leri Price - translator
- Narrated by: Neil Shah
- Length: 5 hrs and 51 mins
- Unabridged
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Abdel Latif, an old man from the Aleppo region, dies peacefully in a hospital bed in Damascus. His final wish, conveyed to his youngest son, Bolbol, is to be buried in the family plot in their ancestral village of Anabiya. Though Abdel was hardly an ideal father, and though Bolbol is estranged from his siblings, this conscientious son persuades his older brother Hussein and his sister Fatima to accompany him and the body to Anabiya, which is - after all - only a two-hour drive from Damascus. There's only one problem: Their country is a war zone.
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The bleakness of living in a war-torn country!
- By Susan on 03-20-19
By: Khaled Khalifa, and others
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The Pendulum
- A Granddaughter's Search for Her Family's Forbidden Nazi Past
- By: Julie Lindahl
- Narrated by: Gabra Zackman
- Length: 9 hrs
- Unabridged
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This powerful memoir traces Brazilian-born American Julie Lindahl's journey to uncover her grandparents' role in the Third Reich, as she is driven to understand how and why they became members of Hitler's elite, the SS. Out of the unbearable heart of the story - the unclaimed guilt that devours a family through the generations - emerges an unflinching will to learn the truth.
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Exceptional
- By Jean on 01-14-19
By: Julie Lindahl
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The Home That Was Our Country
- By: Alia Malek
- Narrated by: Alia Malek
- Length: 12 hrs and 28 mins
- Unabridged
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At the Arab Spring's hopeful start, Alia Malek returned to Damascus to reclaim her grandmother's apartment, which had been lost to her family since Hafez al-Assad came to power in 1970. Its loss was central to her parents' decision to make their lives in America. In chronicling the people who lived in the Tahaan building, past and present, Alia portrays the Syrians—the Muslims, Christians, Jews, Armenians, and Kurds—who worked, loved, and suffered in close quarters, mirroring the political shifts in their country
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Syria as never read before
- By rami hachwi on 09-17-18
By: Alia Malek
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Distant Star
- By: Roberto Bolano
- Narrated by: Walter Krochmal
- Length: 4 hrs and 43 mins
- Unabridged
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A chilling novel about the nightmare of a corrupt and brutal dictatorship. The star of Roberto Bolano's hair-raising novel Distant Star is Alberto Ruiz-Tagle, an air force pilot who exploits the 1973 coup to launch his own version of the New Chilean Poetry, a multimedia enterprise involving sky-writing, poetry, torture, and photo exhibitions. For our unnamed narrator, who first encounters this "star" in a college poetry workshop, Ruiz-Tagle becomes the silent hand behind every evil act in the darkness of Pinochet's regime.
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Omg
- By Sierra on 08-03-16
By: Roberto Bolano
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Out of the Depths
- The Story of a Child of Buchenwald Who Returned Home at Last
- By: Rabbi Israel Meir Lau
- Narrated by: Steve Blane
- Length: 15 hrs and 35 mins
- Unabridged
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Israel Meir Lau, one of the youngest survivors of Buchenwald, was just eight years old when the camp was liberated in 1945. Descended from a 1,000-year unbroken chain of rabbis, he grew up to become Chief Rabbi of Israel--and like many of the great rabbis, Lau is a master storyteller. Out of the Depths is his harrowing, miraculous, and inspiring account of life in one of the Nazis' deadliest concentration camps, and how he managed to survive against all possible odds.
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Amazing Book, Amazing Man
- By Shari on 01-14-13
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Dreams in a Time of War
- A Childhood Memoir
- By: Ngugi wa'Thiong'o
- Narrated by: Hakeem Kae-Kazim
- Length: 7 hrs and 29 mins
- Unabridged
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Of Kenya's largest ethnic group, the Kikuyu, Ngugi wa Thiongo was born in 1938 in the backlands of his country (Kiambu district) to a father whose four wives bore him two dozen or so children. Ngugi was the fifth child of the third wife. His father was a peasant farmer forced to become a squatter after the British Imperial Act of 1915. Before going off to school, he had what was then considered a bizarre and inexplicable thirst for learning....
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An escape through education
- By Tango on 06-17-12
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Where the Past Begins
- A Writer's Memoir
- By: Amy Tan
- Narrated by: Amy Tan
- Length: 14 hrs and 32 mins
- Unabridged
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Moving from her childhood in Oakland and growing up with her Chinese parents through her success as a novelist, Amy Tan delves into her creative interests in music, the paralysis of beginning a new project, journal writing, and travelling. Where the Past Begins chronicles the making of a writer. With characteristic humor and poignant observation, Tan weaves a nontraditional introspective narrative that is as complex and vibrant as this beloved American novelist's fiction.
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Narration Issues
- By Sara on 12-14-17
By: Amy Tan
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What listeners say about Create Dangerously
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Graeme
- 11-24-16
A Very Sobering Reflection On Art
This collection of essays really provided an interesting take on the role of art, how it effects society, and it's importance in times of crisis. When people talk about the crucial role art has in times of collective hardship and grief, I believe it, but with limited evidence. What Edwidge Danticat manages to do—in an incredibly non-confrontational, yet entirely convincing manner—is make a case for this importance. She manages to show real instances that art serves its function to help us process difficult situations like immigration, domestic disputes, or even national emergencies. It is masterfully written.
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- Tyler
- 12-07-19
A very important book.
Danticat’s book is a critically important and relevant read. I implore all who can hear, to listen carefully to what she has to say.
I’m sorry to say the narration is incredibly lackluster, I was convinced it was a computer until halfway through the second chapter.
Danticat’s writing is extremely sensitive and discusses incredibly complicated elements of the human experience, and I found the narrator to have utterly failed at rising to the challenge of bringing her work to life. What is perhaps one of the most important books of our time, is diminished by a mundane and emotionless narration.
Please buy the book and read it for yourself, as listening to this narrator will drain the life from Danticat’s incredibly valuable work.
A high rating is for Edwidge Danticat alone.
I would have rated nothing for the narration.
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1 person found this helpful
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- pam
- 11-06-13
The Narrator Does Not Do This Justice
What did you love best about Create Dangerously?
Really beautiful essays. Danticat is a wonderful author.
Would you be willing to try another one of Kristin Kalbli’s performances?
No! She reads every sentence with the exact same intonation and lilt in her voice, she sounds like a machine, like Siri.
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1 person found this helpful
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- Katrina Salas-Padilla
- 01-27-16
Create Dangerously
The story is both captivating and informational as a nonfiction work. I found the narration particularly compatible with the tone of the book and it was pleasing to listen to while easy to follow.
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- Prime member
- 05-15-13
Painful audio, disservice to story
Would you listen to Create Dangerously again? Why?
Definitely, I would listen to it if someone else read it. I enjoy Danticat's work, but listening to this reader is like listening to the computer voice on my GPS read a story (sorry Ms. Kalbli).
What did you like best about this story?
The story itself and Danticat's manner of telling it.
Would you be willing to try another one of Kristin Kalbli’s performances?
No. I'm sorry, it's like listening to my GPS read me a story. Too little variation in tone for such an important story.
Was this a book you wanted to listen to all in one sitting?
No. I like to listen in 1 hour segments.
Any additional comments?
I feel badly for the reader of the story, but after several listening attempts, the reader's voice was so monotone I actually had to turn my iPod off as I couldn't stand the reading voice.
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1 person found this helpful
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- Amazon Customer
- 03-28-19
Wasn't anyone listening?
The work, as all of Danticat's work, is excellent. But it seems the producers of the audiobook let a narrator loose with it who wasn't up to the task. This work contains words, names, and phrases in several languages, including French, Creole, and German, all of which the narrator struggled with. But then, she also mispronounced words in English.... Seriously, was no one listening who could have said, "Perhaps we should do a second take...."?
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