The island was abandoned for fifty years. So how did the body get there? Three hundred miles from the mainland in the middle of the Atlantic Ocean lies Navigaceo: a tiny island that was hastily abandoned fifty years ago and has been uninhabited ever since. Until now. Tess Macfarlane is a documentary filmmaker tasked with capturing the wild beauty of Navigaceo. Accompanied by a small team of researchers, her job is to film everything she sees. But Tess sees too much: a body. It's clearly a recent murder.

How do social movements arise, wield power, and decline? Renowned scholar Linda Gordon investigates these questions in a groundbreaking work, narrating the stories of many of America's most influential twentieth-century social movements. Beginning with the turn-of-the-century settlement house movement, Gordon then scrutinizes the 1920s Ku Klux Klan and its successors, the violent American fascist groups of the 1930s.

Nikki Serafino is enjoying the sunset from her boat in her beloved port city of Naples, Italy, when she discovers the body of a man in the warm waters of the bay. An investigator working as the liaison between local police and American troops, Nikki is certainly no stranger to violence and organized crime, but this case grows complicated when the victim turns out to be a U.S. Navy captain stationed at the nearby military base—and the autopsy reveals foul play.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

At a Ph.D. program in Southern California, Sarah and her best friend, Nathan, spend their time working on their theses, getting high, and keeping track of the poor air quality due to nearby forest fires. No one believes Sarah when she reports a fellow student for raping her at a party—“He’s such a good guy!”—and the Title IX office simply files away the information, just like the police. Nathan is the only person who cares. When Sarah finds Nathan dead of an overdose from a drug he’s always avoided, she knows something isn’t right.

Beartooth is a novel about two survivalist brothers in desperate straits, who are lured into committing a crime in Yellowstone National Park. Thad and Hazen, long ago abandoned by their wayward mother, are drowning in medical bills and notices about back taxes. They live alone in an aging, timber house hand-built into the leeside of the Beartooth Mountains. Thad’s the older brother, responsible, a loner, the caretaker of Hazen, who is a little . . . different.

Now with a new introduction by Robert Macfarlane and a new afterword by Jenny Odell, this masterpiece of nature writing by Nan Shepherd describes her journeys into “the high and holy places” of the Cairngorm Mountains of Scotland. There she encounters a world of spectacular cliffs, deep silences, and lakes so clear that they cannot be imagined. As she walks through clouds, endures blizzards, and watches the great spirals of eagles in flight, Shepherd comes to know something about the hidden life of this remarkable landscape—and also herself.

When Nadia Amin, a witty and bighearted PhD, publishes an article on deradicalization, everything changes. The United Nations comes calling with an opportunity to put her theory into practice and lead a rehabilitation program for women caught in the crosshairs of harmful ideology. And why not? Abandoned by her mother and devastated by unrequited love, she leaps at the chance.

October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend.

Tony Malik, a half-Irish, half-Arab FBI agent based in New York, specializes in tracking money from drug and arms deals. His life takes a dramatic turn when a long-term relationship ends and his job hangs in the balance. Amid personal turmoil, Malik becomes intrigued by his Palestinian father's past. He decides to visit his ancestral homeland for his niece's wedding, accepting a seemingly simple FBI assignment along the way.

Early in her career, Elaine Pagels changed our understanding of the origins of Christianity with her work in The Gnostic Gospels. Now, in the culmination of a decades-long career, she explores the biggest subject of all, Jesus. In Miracles and Wonder she sets out to discover how a poor young Jewish man inspired a religion that shaped the world.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets. Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas.

Clara and her brother, Teddy, grew up on a small island in Maine in the shadow of their parents’ tragic deaths, haunted by rumors and paparazzi. Fourteen years later, they’ve mostly put their turbulent past to rest. Teddy has married Clara’s best friend, Jess, and the three of them have moved back home to take over the sprawling, remote family mansion known as Vantage Point. Then Teddy decides to run for the Senate—an unnerving prospect made much worse when intimate videos of Clara are leaked online.

October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend.

Una mujer descubre accidentalmente el cadáver castrado de un joven. El cuerpo yace al fondo de un callejón, junto a unos enigmáticos versos de la poeta argentina Alejandra Pizarnik. Cuando la mujer –que se hace llamar Cristina Rivera Garza y ha leído la obra poética de Pizarnik– notifica su hallazgo a la policía, se convierte, de manera automática, en la misteriosa Informante. ¿Qué ha visto? ¿Qué cree que significan esos versos, que comienzan así: "Cuídate de mí amor mío"?

Naema, an elderly princess dedicated to her pet causes, is in a bind: struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor the author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize, and she’s reduced to begging the ancient award winner to find some attendees at the last minute. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best friends.

A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he is still here, he watches his girlfriend, Hannah, lost in grief in the apartment they shared and begins to realize how much of her life was invisible to him. In the weeks and months before Max’s death, Hannah was haunted by the secrets she left Australia to escape. A relationship with Max seemed to offer the potential of a fresh new chapter, but the past refused to stay hidden.

Horror begins at home. From family homes in Amityville to Gothic mansions in Los Angeles and the Unabomber's cabin, houses often capture and contain the horror that has happened within them. Sick Houses crosses the threshold of these eerie spaces to explore how different types of architecture become vessels for terror and how these spaces, meant to shelter us, instead become the source of our deepest fears.

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible.

The island was abandoned for fifty years. So how did the body get there? Three hundred miles from the mainland in the middle of the Atlantic Ocean lies Navigaceo: a tiny island that was hastily abandoned fifty years ago and has been uninhabited ever since. Until now. Tess Macfarlane is a documentary filmmaker tasked with capturing the wild beauty of Navigaceo. Accompanied by a small team of researchers, her job is to film everything she sees. But Tess sees too much: a body. It's clearly a recent murder.

Gabby and Fred have just begun to adapt to their new life as empty nesters when Gabby makes a stunning realization: she can’t stand her husband. One night at a bar, Gabby meets an enigmatic younger woman named Ellis, and in a haze of drunkenness, she confesses that she wishes Fred dead. Surely she didn’t expect anything to come of it, but when she tries to track Ellis down again, she realizes that Ellis might not have been who she said she was.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

Alice and Tom are made for each other. Deeply connected, they share a flat in London, go to galleries together, enjoy the same books and wine. They even share a toothbrush. It’s all picture perfect. Except Alice and Tom have never met. Alice has been cleaning Tom’s apartment every Wednesday for a year. With every smudge wiped from his coffee cup, every multivitamin counted in the jar, Alice spirals deeper into infatuation, imagining a love so powerful it might erase a lifetime of self-hatred and loneliness.

This hybrid collection of short crónicas, journalism, and personal essays on systemic violence in contemporary Mexico and along the US-Mexico border draws together literary theory and historical analysis to outline how neoliberalism, corruption, and drug trafficking - culminating in the misnamed “war on drugs” - has shaped Mexico. Working from and against this political context, Cristina Rivera Garza posits that collective grief is an act of resistance against state violence and that writing is a powerful mode of seeking social justice and embodying resilience.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

Hannah is a fusion scientist working alone at a remote cottage off the coast of Scotland when she sees a figure making his way from the sea. It is a young man from a human settlement on Mars, traveling backwards through time to try to make a crucial intervention in the fate of our dying planet, and he needs Hannah's help. Hannah and the stranger are on the path towards a breakthrough—and then things go terribly wrong.

Chloe and her husband Scott are holidaying with their families on the beautiful Greek island of Mykonos. But Chloe has a secret... She has hired a hitman to kill Scott when they return home. This week, her plan is to pretend to be such a happy wife that no suspicion can possibly fall on her after the murder. But she's reckoning without Scott’s meddlesome sister, Tori, plus the rivalries and demands of both families. Can she deal with them all while keeping her murderous intentions hidden?