Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

In imagining a Viking, a certain image springs to mind: a barbaric warrior, leaping ashore from a longboat, and ready to terrorize the hapless local population of a northern European town. Yet while such characters define our imagination of the Viking Age today, they were in the minority. Instead, in the time-stopping soils, water, and ice of the North, Eleanor Barraclough excavates a preserved lost world, one that reimagines a misunderstood society.

During a scorching summer in 1920s Provence, a young journalist, Joseph Adelaide, turns up at the farmhouse of reclusive artist Edouard Tartuffe, hoping to write an article about him. There, he meets Ettie, Tartuffe’s niece, who appears to do everything for her uncle—from cooking and cleaning to catering to his maniacal moods. Joseph is beguiled by where he finds himself, not just by this foreign place or Tartuffe himself, but by Ettie, who watches everything so quietly from the periphery.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book Fear of Flying launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just out of reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year.

In this close-up look at the ardent love affair between the author and her painting teacher, which began in the 1970s, when she was seventeen and he was forty-seven and married with two children, Ciment not only reflects on how their love ignited (who leaned in first for that kiss?) but interrogates her 1990s memoir on the subject, Half a Life. She asks herself if she told the whole truth when she wrote about their passion back then, and what truth looked like to her in the even longer-ago era of love-bead curtains when she fell in love.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.

Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox’s car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.

Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka’s physical life is limited, her quick, mischievous mind has no boundaries: She takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention (“In another life, I’d like to work as a high-class prostitute”). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Seventeen-year-old Victoria Nash runs the household on her family’s peach farm in the small ranch town of Iola, Colorado—the sole surviving female in a family of troubled men. Wilson Moon is a young drifter with a mysterious past, displaced from his tribal land and determined to live as he chooses. Victoria encounters Wil by chance on a street corner, a meeting that profoundly alters both of their young lives, unknowingly igniting as much passion as danger. When tragedy strikes, Victoria leaves the only life she has ever known.

Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, creating a global sensation and launching one of the world's most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity's shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas.

John’s House provides all he needs. Surrounded by a vast, beautiful ocean under a void of sky, the House is John’s haven. He is alone, but never lonely; he is here now, but neither remembers nor longs for a before. In his House, John is safe and untroubled. But then a terrible shadow creature breaks in—and it wants him out. Pushed from the House, John falls into the light… And finds himself in modern-day Los Angeles, the first person to ever come back from the other side.

Gorgeous, charismatic Paige White has always lived a picture-perfect life. Her meticulously curated social pages exude an old-fashioned, wholesome lifestyle set against a picturesque town in Australia. Images of breakfasts lakeside with her daughter, sunny afternoons in the family van, and romantic picnics with her husband are the envy of her thousands of followers. But when a dark, brooding image pops up on Paige’s page, where she appears waterlogged and disheveled–and shortly after she’s discovered drowned–alarm bells go off.

Destiny Whip is a former child prodigy, world-renowned enigmatologist and very, very alone. A life filled with loss has made her a recluse, an existence she’s content to endure until a letter arrives inviting her to interview for the position of Scruffmore family historian. Not only does an internet search for the name yield almost nothing, it’s a role she never applied to in the first place! Interspersed with riddles and puzzles that both Destiny and the listener must solve, A Most Puzzling Murder is a one-of-a-kind mystery that will leave you guessing and gasping until the very last chapter!

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.

Vasalie Moran was once a dancer in King Illian’s court, until he framed her for murder. Barely surviving her two years in the dungeons, she’s suddenly called to face her king. He offers her a deal: become his spy at the six-week royal Gathering and he’ll grant her freedom. As Illian’s orders grow bloody and dangerous, forcing her to harm and betray those around her, Vasalie discovers that the monster she serves may be aligned with a bigger monster—one far closer to home.

Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters. Together, this motley crew will face down the ultimate evil—Dracula.

Healer Anja regularly drinks poison. Not to die, but to save—seeking cures for those everyone else has given up on. But a summons from the King interrupts her quiet, herb-obsessed life. His daughter, Snow, is dying, and he hopes Anja’s unorthodox methods can save her. Aided by a taciturn guard, a narcissistic cat, and a passion for the scientific method, Anja rushes to treat Snow, but nothing seems to work. That is, until she finds a secret world, hidden inside a magic mirror. This dark realm may hold the key to what is making Snow sick. Or it might be the thing that kills them all.

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin.

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.