Travel writer Macon Leary hates travel, adventure, surprises, and anything outside of his routine. Immobilized by grief, Macon is becoming increasingly prickly and alone, anchored by his solitude and an unwillingness to compromise his creature comforts. Then he meets Muriel, an eccentric dog trainer too optimistic to let Macon disappear into himself. Despite Macon’s best efforts to remain insulated, Muriel upends his solitary, systemized life, catapulting him into the center of a messy, beautiful love story he never imagined.

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

"Baltimore Woman Disappears During Family Vacation." The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with $500 tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.

Ian Bedloe is the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy. Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: Church of the Second Chance. Ian has always viewed his penance as a burden. But through the power of faith and the love of family, he begins to view it as a gift.

Charlotte Emory has always lived a quiet, conventional life in Clarion, Maryland. She lives as simply as possible and one day decides to simplify everything and leave her husband. Her last trip to the bank throws Charlotte's life into an entirely different direction when a restless young man in a nylon jacket takes her hostage during the robbery - and soon the two are heading south into an unknown future and a most unexpected fate.

Barnaby Gaitlin was never a bad kid, but he was certainly doing his best to impersonate one. As a teenager, he developed a habit of breaking into other people’s houses. But he wasn’t interested in the valuable loot - he just liked to read people’s mail, peruse their family albums, and maybe pocket a few personal mementos. Now almost 30 and divorced, he finds himself working for Rent-aBack, which helps the elderly and infirm move furniture or take down their Christmas trees. It’s the perfect career for Barnaby.

Morgan Gower is bored of the tedium of his ordinary life: of his job as manager of a run-down hardware store; of his wife; of his "industriously dull" daughters; of his mother; of his sister. But Morgan's secret escape lies in a box filled with costumes, filled with everything from a fake beard to Napoleon's tricorne to Daniel Boone, all of which provide an outlet away from his life and into the identity of someone who is assuredly not Morgan Gower.

Through the syncopated rhythms of the ragtime era to the thumping, rocking beats of the 1970s, generations of Pecks have maintained a determined steadiness. Adamantly middle-class - Peck-proud, as the family slogan goes - they are quick to sweep under the rug those members who do not live up to their standards. Maybe that's why Caleb Peck took off with his violincello as a boy? Sixty years later, his brother, Daniel, is still wondering.

Set in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses.

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother.

Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn’t spoken for many years, comes to see her. Gentle gossip about people from Lucy’s childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy’s life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself.

Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now 15 and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina’s tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears.

Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge - until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage, the Foss children are assured that they will soon be returned to their parents - but they quickly realize the dark truth.

Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on the brink of a new and optimistic era. But for Elsa Wolcott, deemed too old to marry in a time when marriage is a woman’s only option, the future seems bleak. Until the night she meets Rafe Martinelli. By 1934, the world has changed; millions are out of work and drought has devastated the Great Plains. Elsa must make an agonizing choice: fight for the land she loves or leave it behind and go west, to California, in search of a better life for her family.

In 1958 Georgia, the shade of a 13-year-old black girl's skin can make the difference in her fate. Tangy Mae is the smartest of her mother's 10 children, but she is also the darkest complected. The Quinns - all different skin shades, all with unknown fathers - live with their charismatic, beautiful, and tyrannical mother, Rozelle, in poverty on the fringes of a Georgia town where Jim Crow rules. Rozelle's children live in fear of her mood swings and her violence, but they are devoted to her. Rozelle pulls her children out of school when they are 12 years old so that they can help support her by going to work.

Maggie and Ira Moran are on a road trip from Baltimore, Maryland, to Deer Lick, Pennsylvania, to attend the funeral of a friend. Along the way, they reflect on the state of their marriage, its trials, and its triumphs - through their quarrels, their routines, and their ability to tolerate each other's faults with patience and affection.

In the debut novel that set her on the path to becoming an American classic, Anne Tyler's If Morning Ever Comes presents a timeless portrait of a young man's homecoming and his ensuing journey through youth, identity, family, and love. Raised among a family of strong-minded women has left Ben Joe Hawkes as something of a worrier, who has always felt like an outsider in his own family.

Travel writer Macon Leary hates travel, adventure, surprises, and anything outside of his routine. Immobilized by grief, Macon is becoming increasingly prickly and alone, anchored by his solitude and an unwillingness to compromise his creature comforts. Then he meets Muriel, an eccentric dog trainer too optimistic to let Macon disappear into himself. Despite Macon’s best efforts to remain insulated, Muriel upends his solitary, systemized life, catapulting him into the center of a messy, beautiful love story he never imagined.

Ian Bedloe is the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy. Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: Church of the Second Chance. Ian has always viewed his penance as a burden. But through the power of faith and the love of family, he begins to view it as a gift.

Mrs. Emerson, widowed with seven adult children, lives alone in crumbling Victorian mansion outside Baltimore with only a collection of antique clocks to keep her company. Elizabeth Abbott - 23 years old, aimless, bohemian, and beautiful - leads a vagabond lifestyle until she happens upon Mrs. Emerson's home and convinces the older woman to hire her as a handyman. When three of the strange, idiosyncratic Emerson children return to their childhood home for a visit, they are irresistibly drawn to Elizabeth.

Barnaby Gaitlin was never a bad kid, but he was certainly doing his best to impersonate one. As a teenager, he developed a habit of breaking into other people’s houses. But he wasn’t interested in the valuable loot - he just liked to read people’s mail, peruse their family albums, and maybe pocket a few personal mementos. Now almost 30 and divorced, he finds himself working for Rent-aBack, which helps the elderly and infirm move furniture or take down their Christmas trees. It’s the perfect career for Barnaby.

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, torn apart by the death of his wife, is gradually restored by her frequent appearances: in their house, on the roadway, in the market. Gradually he discovers, as he works in the family's vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye.

"It was a beautiful, breezy, yellow-and-green afternoon..." This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture.

Back When We Were Grownups is about one woman's search for who she really is. Listen as a 53-year-old grandmother tries to recover her girlhood self and that dignified grownup she had once been.

"Baltimore Woman Disappears During Family Vacation." The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with $500 tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.

Willa Drake can count on one hand the defining moments of her life. In 1967, she is a schoolgirl coping with her mother's sudden disappearance. In 1977, she is a college coed considering a marriage proposal. In 1997, she is a young widow trying to piece her life back together. And in 2017, she yearns to be a grandmother but isn't sure she ever will be. Then, one day, Willa receives a startling phone call from a stranger. Without fully understanding why, she flies across the country to Baltimore....

Through the syncopated rhythms of the ragtime era to the thumping, rocking beats of the 1970s, generations of Pecks have maintained a determined steadiness. Adamantly middle-class - Peck-proud, as the family slogan goes - they are quick to sweep under the rug those members who do not live up to their standards. Maybe that's why Caleb Peck took off with his violincello as a boy? Sixty years later, his brother, Daniel, is still wondering.

Morgan Gower is bored of the tedium of his ordinary life: of his job as manager of a run-down hardware store; of his wife; of his "industriously dull" daughters; of his mother; of his sister. But Morgan's secret escape lies in a box filled with costumes, filled with everything from a fake beard to Napoleon's tricorne to Daniel Boone, all of which provide an outlet away from his life and into the identity of someone who is assuredly not Morgan Gower.

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love.