Ian Bedloe is the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy. Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: Church of the Second Chance. Ian has always viewed his penance as a burden. But through the power of faith and the love of family, he begins to view it as a gift.

"Baltimore Woman Disappears During Family Vacation." The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with $500 tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.

Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore's Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high-spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl's favorite, who never stops yearning for the perfect family that could never be his own. Now Pearl and her three grown children have gathered....

Barnaby Gaitlin was never a bad kid, but he was certainly doing his best to impersonate one. As a teenager, he developed a habit of breaking into other people’s houses. But he wasn’t interested in the valuable loot - he just liked to read people’s mail, peruse their family albums, and maybe pocket a few personal mementos. Now almost 30 and divorced, he finds himself working for Rent-aBack, which helps the elderly and infirm move furniture or take down their Christmas trees. It’s the perfect career for Barnaby.

Charlotte Emory has always lived a quiet, conventional life in Clarion, Maryland. She lives as simply as possible and one day decides to simplify everything and leave her husband. Her last trip to the bank throws Charlotte's life into an entirely different direction when a restless young man in a nylon jacket takes her hostage during the robbery - and soon the two are heading south into an unknown future and a most unexpected fate.

Through the syncopated rhythms of the ragtime era to the thumping, rocking beats of the 1970s, generations of Pecks have maintained a determined steadiness. Adamantly middle-class - Peck-proud, as the family slogan goes - they are quick to sweep under the rug those members who do not live up to their standards. Maybe that's why Caleb Peck took off with his violincello as a boy? Sixty years later, his brother, Daniel, is still wondering.

Morgan Gower is bored of the tedium of his ordinary life: of his job as manager of a run-down hardware store; of his wife; of his "industriously dull" daughters; of his mother; of his sister. But Morgan's secret escape lies in a box filled with costumes, filled with everything from a fake beard to Napoleon's tricorne to Daniel Boone, all of which provide an outlet away from his life and into the identity of someone who is assuredly not Morgan Gower.

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded this town. And in that ice rink is the reason people in Beartown believe tomorrow will be better than today. Their junior ice hockey team is about to compete in the national semifinals, and they actually have a shot at winning.

For most of the last hundred years, Biloxi was known for its beaches, resorts, and seafood industry. But it had a darker side. It was also notorious for corruption and vice, everything from gambling, prostitution, bootleg liquor, and drugs to contract killings. The vice was controlled by small cabal of mobsters, many of them rumored to be members of the Dixie Mafia.

Sam and Sadie—two college friends, often in love, but never lovers—become creative partners in a dazzling and intricately imagined world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. It is a love story, but not one you have heard before.

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother.

Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one in the journalism community is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband, David, has left her, and her career has stagnated.

Three people find their way back from loss and loneliness to a different kind of belonging in this deeply moving novel. Arthur, an old widower struggling to overcome his grief, meets Maddy, a troubled teenage girl who avoids school by hiding out where Arthur goes every day for lunch. The two strike up a friendship that draws them out of isolation.

Clare and Henry have known each other since Clare was six and Henry was 36. They were married when Clare was 23 and Henry was 31. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity from his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

Here is a classic novel from one of our most honored writers - the author of such acclaimed works as So Long, See You Tomorrow and All the Days and Nights. The Folded Leaf is the serenely observed yet deeply moving story of two boys finding one another in the Midwest of the 1920s, when childhood lasted longer than it does today and even adults were more innocent of what life could bring.

In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness - and the allure - of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters.

New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. When a betrayal leaves her stranded in the wake of a coup, Vera learns the Cold War makes for strange and unexpected bedfellows.

Twelve months after her younger sister Anahita's death, Mitra Jahani reluctantly returns to her parents' home in suburban New Jersey to observe the Iranian custom of "The One Year." Ana is always in Mitra's heart, though they chose very different paths. While Ana, sweet and dutiful, bowed to their domineering father's demands and married, Mitra rebelled, and was banished.

In 1927, in Brooklyn, New York, Carl Brown and Annie McGairy meet and fall in love. Though only 18, Annie travels alone halfway across the country to the Midwestern university where Carl is studying law - and there they marry. But Carl and Annie’s first year together is much more difficult than they anticipated as they find themselves in a faraway place with little money and few friends. With hardship and poverty weighing heavily upon them, they come to realize that their greatest sources of strength, loyalty, and love will help them make it through.

When Annie Jacobson's brother Mike enlists as a medic in the Army in 1967, he hands her a piece of paper with the address of their long-estranged father. If anything should happen to him in Vietnam, Mike says, Annie must let their father know. In Mike's absence, their father returns to face tragedy at home, adding an extra measure of complication to an already tense time. As they work toward healing and pray fervently for Mike's safety overseas, letter by letter the Jacobsons must find a way to pull together as a family, regardless of past hurts.

By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form.

Maggie and Ira Moran are on a road trip from Baltimore, Maryland, to Deer Lick, Pennsylvania, to attend the funeral of a friend. Along the way, they reflect on the state of their marriage, its trials, and its triumphs - through their quarrels, their routines, and their ability to tolerate each other's faults with patience and affection.

Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore's Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high-spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl's favorite, who never stops yearning for the perfect family that could never be his own. Now Pearl and her three grown children have gathered....

Ian Bedloe is the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy. Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: Church of the Second Chance. Ian has always viewed his penance as a burden. But through the power of faith and the love of family, he begins to view it as a gift.

Barnaby Gaitlin was never a bad kid, but he was certainly doing his best to impersonate one. As a teenager, he developed a habit of breaking into other people’s houses. But he wasn’t interested in the valuable loot - he just liked to read people’s mail, peruse their family albums, and maybe pocket a few personal mementos. Now almost 30 and divorced, he finds himself working for Rent-aBack, which helps the elderly and infirm move furniture or take down their Christmas trees. It’s the perfect career for Barnaby.

"Baltimore Woman Disappears During Family Vacation." The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with $500 tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.

Charlotte Emory has always lived a quiet, conventional life in Clarion, Maryland. She lives as simply as possible and one day decides to simplify everything and leave her husband. Her last trip to the bank throws Charlotte's life into an entirely different direction when a restless young man in a nylon jacket takes her hostage during the robbery - and soon the two are heading south into an unknown future and a most unexpected fate.

In the small town of Larksville, the Pike family is hopelessly out of step with the daily rhythms of life. Mrs. Pike seldom speaks, while Mr. Pike maintains a forced stoicism. Only their 10-year-old, Simon, seems able to acknowledge that their world has changed. He just doesn't understand why. The Pikes may choose to stand still, to hide from an unnamable past, but the strange shroud over their home cannot be contained.

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love.

The Garretts take their first and last family vacation in the summer of 1959. They hardly ever leave home, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common.

In the debut novel that set her on the path to becoming an American classic, Anne Tyler's If Morning Ever Comes presents a timeless portrait of a young man's homecoming and his ensuing journey through youth, identity, family, and love. Raised among a family of strong-minded women has left Ben Joe Hawkes as something of a worrier, who has always felt like an outsider in his own family.

Willa Drake can count on one hand the defining moments of her life. In 1967, she is a schoolgirl coping with her mother's sudden disappearance. In 1977, she is a college coed considering a marriage proposal. In 1997, she is a young widow trying to piece her life back together. And in 2017, she yearns to be a grandmother but isn't sure she ever will be. Then, one day, Willa receives a startling phone call from a stranger. Without fully understanding why, she flies across the country to Baltimore....

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

"It was a beautiful, breezy, yellow-and-green afternoon..." This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture.

Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay, and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

Morgan Gower is bored of the tedium of his ordinary life: of his job as manager of a run-down hardware store; of his wife; of his "industriously dull" daughters; of his mother; of his sister. But Morgan's secret escape lies in a box filled with costumes, filled with everything from a fake beard to Napoleon's tricorne to Daniel Boone, all of which provide an outlet away from his life and into the identity of someone who is assuredly not Morgan Gower.