Disappearing Earth
A novel
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Narrated by:
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Ilyana Kadushin
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By:
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Julia Phillips
About this listen
One of The New York Times 10 Best Books of the Year
National Book Award Finalist
Finalist for the National Book Critics Circle John Leonard Prize
Longlisted for the Center for Fiction First Novel Prize
Finalist for the New York Public Library's Young Lions Fiction Award
National Best Seller
"Splendidly imagined... Thrilling" (Simon Winchester)
"A genuine masterpiece" (Gary Shteyngart)
Spellbinding, moving - evoking a fascinating region on the other side of the world - this suspenseful and haunting story announces the debut of a profoundly gifted writer.
One August afternoon, on the shoreline of the Kamchatka peninsula at the northeastern edge of Russia, two girls - sisters, eight and 11 - go missing. In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women.
Taking us through a year in Kamchatka, Disappearing Earth enters with astonishing emotional acuity the worlds of a cast of richly drawn characters, all connected by the crime: a witness, a neighbor, a detective, a mother. We are transported to vistas of rugged beauty - densely wooded forests, open expanses of tundra, soaring volcanoes, and the glassy seas that border Japan and Alaska - and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.
In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel brings us to a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.
©2019 Julia Phillips (P)2019 Random House AudioListeners also enjoyed...
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Critic reviews
“Mesmerizing.... The mystery of two sisters’ disappearance alternately ebbs and intensifies over the course of a year, [as] each chapter dips into the life of a different girl or woman [on] Kamchatka. The story reads as a page-turner without relying on any cheap narrative tricks to propel it forward, and the strength of Phillips’s writing - her careful attention to character and tone - will grip you right up until the final heart-stopping pages.” (Keziah Weir, Vanity Fair)
“Accomplished and gripping.... The volcano-spiked Kamchatka Peninsula in Far East Russia, where the tundra still supports herds of reindeer and the various Native groups who depend on them, is the evocative setting of Phillips’ novel. In fresh and unpredictable scenes depicting broken friendships and failed marriages, strained family gatherings, and rehearsals of a Native dance troupe, Phillips’ spellbinding prose is saturated with sensuous nuance and emotional intensity, as she subtly traces the shadows of Russia’s past and illuminates today’s daunting complexities of gender and identity, expectations and longing.” (Donna Seaman, Booklist, starred review)
“A superb debut - brilliant. Daring, nearly flawless. A crime jump-starts Disappearing Earth; the novel exposes the ways in which the women of Kamchatka are fragmented not only by [a] kidnapping, but by place [and] identity...Phillips describes the region with a cartographer’s precision and an ethnographer’s clarity, drawing an emblematic cast.... There will be those eager to designate Disappearing Earth a thriller by focusing on the whodunit rather than what the tragedy reveals about the women in and around it. Phillips’ deep examination of loss and longing is a testament to the novel’s power.” (Ivy Pochoda, The New York Times Book Review)
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It's been said that all great literature boils down to one of two stories—a man takes a journey, or a stranger comes to town. While mystery writers have been successfully using both approaches for generations, there's something undeniably alluring in the nature of a stranger: the uninvited guest, the unacquainted neighbor, the fish out of water. In the newest collection of stories by the Mystery Writers of America, each author weaves a fresh tale surrounding the eerie feeling that comes when a stranger enters our midst, featuring stories by prolific mystery writers.
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The narrators are outstanding here.
- By Jennifer Baratta She/Her on 05-16-21
By: Michael Koryta
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The Playground
- A Novel
- By: Jane Shemilt
- Narrated by: Elizabeth Knowelden
- Length: 9 hrs and 39 mins
- Unabridged
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Over the course of a long, hot summer in London, the lives of three very different married couples collide when their children join the same tutoring circle, resulting in illicit relationships, shocking violence, and unimaginable fallout. There’s Eve, a bougie earth mother with a well-stocked trust fund; she has three little ones, a blue-collar husband, and is obsessed with her Instagrammable recipes and lifestyle.
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remarkable
- By lisa on 01-10-20
By: Jane Shemilt
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We Begin at the End
- By: Chris Whitaker
- Narrated by: George Newbern
- Length: 10 hrs and 30 mins
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Duchess Day Radley is a 13-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother.
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Horrible narrator in this audible book
- By M. patton on 03-03-21
By: Chris Whitaker
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What listeners say about Disappearing Earth
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- George Khalsa
- 04-21-20
Unforgettable
Marvelous language; great story; mystery with unexpected twists; richly drawn characters; a spiritual journey; exciting and unexpected ending. Among the best books you will ever read by any author. And, the audio version narration is tops!
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1 person found this helpful
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- Anonymous User
- 08-18-24
Very good….not great!
Enjoyed the time jump narrative and the narrator was talented…didn’t care for the ending after such a buildup
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- Amazon Customer
- 12-15-19
Why did I need to meet all of these characters?
I'm quoting a previous reviewer who couldn't have said it better.
"There are just way too many voices in this story. Each vignette is very well written. But it felt relentless, one after the other, having to meet new characters and get inside their heads, only to abandon most of them completely."
I liked some of the characters we meet early in the story, but by the end I wasn't sure why they were introduced at all. If there was a connection to them in the end, I missed it.
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- readers & reviewers
- 03-04-20
book? interesting. Audible? missed
this book review has more to do with audible. where the heck are the book notes at the end?
I realize once again after a book club meeting that audible does not provide the acknowledgement, or book notes, let alone discussion questions (in this book there may not have been any discussion questions)
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- Laura S. Carlson
- 12-01-19
Gripping mystery set in remote Russia
This eminently readable first novel weaves together the remote terrain, weather and isolation of the Kamchatka peninsula and a mystery of two missing little sisters who disappeared one summer afternoon. A haunting sense of foreboding is ever-present in these interwoven stories of the townspeople and others affected by the girls’ disappearance. Hard to put this down.
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- Barbara or Jerold Gendler
- 06-14-19
Stands up the reviews
Very different setting , Russia I think , not sure of location but definitely Russian influence & names of characters like a Russian novel of old . You have to hang in through many developing chapters but it’s worth it once u hit the last chapter which is good as it gets in ‘ gone girl ‘ thrillers ! Still shaking at ending which I love that u have to interpret for yourself . What a movie !
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- Anne M. Langsdorf
- 10-04-20
Well written, but....
If you want to spend many hours feeling sad and anxious this is the book for you.
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- Rachael LoBosco
- 02-01-20
A short story collection, some better than others
This book is basically a collection of short stories that are loosely connected together by the overarching effects of the disappearance of two little girls. Since each chapter focused on a different set of characters with an almost completely new story/situation, I struggled to get engaged each time a new chapter began. I tried to remember previous character when they appeared in a later chapter, but it was challenging since I was listening to the audiobook and there is a the large cast of characters. I found some chapters more interesting than others--just some women's stories resonated more than others. Overall, I enjoyed the book, but I wish the disappearance of the sisters had been explored more than it was, especially at the end.
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- Calliope
- 05-20-20
Not what I expected, but very good
It starts with the kidnapping of 2 young sisters from their city home on the Kamchatka Peninsula, but the rest of the book is not about them or their kidnapper - it's not even about the search for them. It's a series of chapters, each told from the perspective of a different woman in the city or regional villages, and each showing some mention of the kidnapping, however peripherally. They link together with themes of gender roles, racism, class divides, fear, and vulnerability. In the end, the author does tie it all back to the missing children, but it's the route it takes that makes it so interesting.
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- JBoles
- 03-03-20
A Different World but a Universal Heartache
The writer's tone and story structure are classic creative writing execution. I can hear it being workshopped. It's a mood of its own, if you were once a partnof that world, in addition to the actual world of the story, contemporary Russia and the mix of cultures, the common struggles not very different from any other part of the world. The reader was excellent. I felt, in her enunciation, the homeland and cultural identity of the characters. I missed the girls midway through, however, and felt we'd drifted from them in the meat of the collection when we were witnessing others' responses and not something to grasp that was distinctly from their POV. I really do love the form of mixing what are essentially short stories into a novel which is tied together by the suspense of the missing girls.
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