Powers of Darkness is an incredible literary discovery. In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, 'Powers of Darkness'), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book.

The warning was inscribed on the entrance of the hidden tomb, forgotten for millennia in the sands of mystic Egypt. Then the archaeologists and grave robbers came in search of the fabled Jewel of Seven Stars, which they found clutched in the hand of the mummy. Few heeded the ancient warning, until all who came in contact with the Jewel began to die in a mysterious and violent way, with the marks of a strangler around their neck.

In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.

A mysterious island, shrouded in fear, evil, and darkness. Here the amoral General Zaroff hunts. And what, you ask, is the most dangerous game? It is the manner and substance of his nightly killings.

As a pair of young scholars research the lives of two Victorian poets, they uncover their letters, journals, and poems and track their movements from London to Yorkshire - from spiritualist seances to the fairy-haunted far west of Brittany. What emerges is an extraordinary counterpoint of passion and ideas.

Following the phenomenal success of Necronomicon, its companion volume brings together Lovecraft's remaining major stories plus his weird poetry, a number of obscure revisions, and some notable nonfiction, including the seminal critical essay "Supernatural Horror in Literature." athering together in chronological order the rest of Lovecraft's rarely seen but extraordinary short fiction, this collection includes the entirety of the long-out-of-print collection of thirty-six sonnets "Fungi from Yuggoth."

The ghost that haunts Canterville Chase has built a marvelous career of midnight haunting. But when an American family moves in, they simply have no respect for permanent bloodstains, nightmarish chains, or ancient legends. They even throw pillows at him.

It is late July in 1461 when young Joseph Charnetski and his family arrive in the great city of Krakow, with its glorious church towers and lively marketplace. The Charnetskis have come to Krakow to seek refuge with their relatives. What they find is more danger and adventure than a simple farm boy like Joseph could ever have imagined. First, a menacing stranger tries to take their pumpkin at sword point. Then a beautiful girl and her black-robed uncle befriend Joseph. Soon he and his family are caught up in the plots of alchemists, hypnotists, and a dark messenger of evil.

A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty....

Prepare yourself for the shocking, the strange, and the terrifying in Ambrose Bierce’s 1893 story collection Can Such Things Be? One of the greatest masters of horror brings you 25 tales of the supernatural and the unexplained. Whether in stories of ghosts sending desperate warnings to their human counterparts, psychics attempting to bridge unknown dimensions, howling werewolves, or a robot who takes on a life of his own, Bierce plumbs the depths of fear and fascination.

When a carousing Englishman disgraces the consecrated effigy of Hanuman, a leprous "Silver Man" marks him with a hideous curse. The ensuing night brings new terrors to the house of the doomed man.

This dark psychological fantasy is more than a moral tale. It is also a product of its time, drawing on contemporary theories of class, evolution and criminality, and the secret lives behind Victorian propriety, to create a unique form of urban Gothic.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.