January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why.

Set in the tumultuous period of the Tudors' ascent, The Pretender brings to life the little-known story of Lambert Simnel. From humble beginnings as a peasant boy, Lambert's life takes an astonishing turn when, at just ten years old, he becomes a claimant to the English throne as one of the last of the Plantagenet line. As Lambert navigates the treacherous waters of royal intrigue and court life, complex themes of identity, power, and destiny unfold, weaving a tapestry of ambition and survival in a world where the stakes couldn't be higher.

A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister Abigail is throwing him a jazz-age Murder Mystery themed party. As the night plays out, champagne is drunk, hors d’oeuvres consumed, and relationships forged, consolidated or frayed. Someone kisses the wrong person; someone else’s heart is broken. In the morning, all of them wake up—except Benjamin. As Abigail attempts to wrap her mind around her brother’s death, an eminent detective arrives determined to find Benjamin's killer.

Two young women with different backgrounds, attitudes, and aptitudes are living in an exciting but confusing time, the most extreme counter-culture movement the modern world has ever seen. They have little in common except for the place they both call home: an apartment building on Isabella Street.

In 1795, Catherine the Great of Russia was in search of a bride for her grandson Constantine, who stood third in line to her throne. In an eerie echo of her own story, Catherine selected an innocent young German princess, Julie of Saxe-Coburg, aunt of the future Queen Victoria. Though Julie had everything a young bride could wish for, she was alone in a court dominated by an aging empress and riven with rivalries, plotting, and gossip—not to mention her brute of a husband. She longed to leave Russia and her disastrous marriage, but her family in Germany refused to allow her to do so.

From Lydia Millet—“the American writer with the funniest, wisest grasp on how we fool ourselves” (Chicago Tribune)—comes an inventive new collection of short fiction. Atavists follows a group of families, couples, and loners in their collisions, confessions, and conflicts in a post-pandemic America of artificially lush lawns, beauty salons, tech-bro mansions, assisted-living facilities, big-box stores, gastropubs, college campuses, and medieval role-playing festivals.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Daily interactions between Jacob and Daniel are a powder keg of sexual tension and uncertainty. A recent Morehouse graduate and Brooklyn transplant, Jacob fears that accepting the truth of his sexuality will disappoint the hopes his parents have for him to lead a respectable life. Grieving the death of his mother while searching for answers about a father he has never known, Daniel, an Atlanta native, has resigned himself to the reality that men who love men don’t have happy endings.

Summer 1966. Robert Simon is in his early thirties and has a dream. Raised in a home for war orphans, Robert has nonetheless grown into a warm-hearted, hard-working, and determined man. When the former owners of the corner café in the Carmelite market square shutter the business, Robert sees that the chance to realize his dream has arrived. The place, dark and dilapidated, is in a poor neighborhood of the Austrian capital, but for some time now a new wind has been blowing, and the air is filled with an inexplicable energy and a desire for renewal.

On a spring day in 1926, Aimee Semple McPherson wandered into the Pacific Ocean and vanished. Weeks later she reappeared in the desert, claiming to have been kidnapped. A national media frenzy and months of investigation ensued. Who was this woman? America’s most famous evangelist, McPherson was a sophisticated marketer who used spectacle, storytelling, and the newest technology—including her own radio station—to bring God’s message to the masses.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

Duc Tran, the eccentric founder of the Vietnamese sandwich chain Duc’s Sandwiches, has decided to retire. No one has heard from his wife, Evelyn, in two decades. She abandoned the family without a trace, and clearly doesn’t want anything to do with Duc, the business, or their kids. But the money has to go to someone. With the help of the shady family lawyer, Duc informs his five estranged adult children that to receive their inheritance, his four daughters must revitalize run-down shops in old-school Little Saigon locations across America: Houston, San Jose, New Orleans, and Philadelphia.

Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside his childhood friend, Tribal President Mack Beck, he runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love.