
Gallant
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Narrated by:
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Julian Rhind-Tutt
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By:
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V.E. Schwab
AN INSTANT #1 NEW YORK TIMES BESTSELLER
A KIRKUS BEST BOOK
A USA TODAY BESTSELLER
A NATIONAL INDIE BESTSELLER
“A bone-chilling standalone . . . which fuses Shirley Jackson’s gothic horror sensibilities with the warmth and dark whimsy of Neil Gaiman.”—Publishers Weekly (starred review)
“Gripping worldbuilding, well-rounded characters, and fantastic horror.”—Kirkus Reviews (starred review)
“Unsettling and intriguing.”—Bulletin of the Center for Children's Books (starred review)
Everything casts a shadow. Even the world we live in. And as with every shadow, there is a place where it must touch. A seam, where the shadow meets its source.
#1 New York Times–bestselling author V. E. Schwab weaves a dark and original tale about the place where the world meets its shadow, and the young woman beckoned by both sides. The Secret Garden meets Crimson Peak in this stand-alone novel perfect for readers and listeners of Holly Black and Neil Gaiman.
Olivia Prior has grown up in Merilance School for Girls, and all she has of her past is her mother’s journal—which seems to unravel into madness. Then, a letter invites Olivia to come home to Gallant. Yet when Olivia arrives, no one is expecting her. But Olivia is not about to leave the first place that feels like home; it doesn’t matter if her cousin Matthew is hostile, or if she sees half-formed ghouls haunting the hallways.
Olivia knows that Gallant is hiding secrets, and she is determined to uncover them. When she crosses a ruined wall at just the right moment, Olivia finds herself in a place that is Gallant—but not. The manor is crumbling, the ghouls are solid, and a mysterious figure rules over all. Now Olivia sees what has unraveled generations of her family, and where her father may have come from.
Olivia has always wanted to belong somewhere, but will she take her place as a Prior, protecting our world against the Master of the House? Or will she take her place beside him?
New York Times–bestselling author V. E. Schwab crafts a vivid and lush novel that grapples with the demons that are often locked behind closed doors. An eerie, stand-alone saga about life, death, and the young woman beckoned by both. Readers of Neil Gaiman, Holly Black, Melissa Albert, and Garth Nix will quickly lose themselves in this novel with crossover appeal for all ages.
©2022 Victoria Schwab (P)2022 HarperCollins PublishersListeners also enjoyed...




















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Olivia’s prized possession is her mother’s cryptic journal, written to her father, whose untimely death while her mother was pregnant with her apparently drove her mother mad. The last page of the journal is addressed to Olivia and says, “You'll be safe as long as you stay away from Gallant.” Thus, it is with happiness and dread that Olivia learns that her uncle has located her after long searching and has written a letter summoning her “home” to Gallant.
The bulk of the novel then features a rambling old mansion, a family curse or duty, a hostile cousin (“I am the last Prior!”), a pair of kind mixed-race lover-caretakers, a lot of melancholy ghouls (ghosts), an intricate clockwork sculpture featuring a replica of Gallant and a kind of shadow replica of it, a big garden invaded by creepy gray weeds and punctuated by a disturbing ruined wall with an ominous iron door, and a malevolent white-eyed “Master” from the other side of the wall. Despite the fraught secret history, unpleasant cousin Matthew, and her new scary dreams, Olivia desperately wants to have found a true home at last. The story is, then, a Gothic YA horror mystery, as Olivia gradually learns the deal behind her parents, her family, Gallant, and so on.
Perhaps Schwab gets a bit too much into YA short sentence/paragraph/chapter cliffhanger page turning mode as the novel progresses. It belongs to the current stylistic trend of much young adult fiction (it’s even narrated in the present tense, though blessedly not first person). And I wish the clock-house sculpture did something integral to the story instead of just looking cool. And as is usual with horror stories and mysteries, this one is more interesting before we find out what’s going on and what kind of evil monster Olivia must contend with.
If in her orphanhood and unique sensitivity, intelligence, and isolation Olivia seems like a typical YA heroine, the book does interesting things with dreams and death and ghosts and communication, her muteness is affecting, and it’s nice that there is no romance angle for her. And Schwab is a good enough writer of vivid and tight enough prose to make us care for the girl and so to feel great suspense on her behalf.
And there is lots of neat writing in the novel.
Neat creepy fantasy:
“Not a ghost, exactly, just a bit of tattered cloth, a handful of teeth, and a single, sleepy eye floating in the dark. It moves like a silverfish at the edge of Olivia’s sight, darting away every time she looks. But if she stays very still and keeps her gaze ahead, it might grow a cheekbone, a throat. It might drift closer, might blink and smile and sigh against her, weightless as a shadow.”
Vivid similes:
“Something wriggles inside her then, half terror and half thrill. Like when you take the stairs too fast and almost slip. The moment when you catch yourself and look down at what could have happened, some disaster narrowly escaped.”
Neat descriptions:
“… the raspberries bursting brightly in her mouth.”
“They [some drawings] are strange, even beautiful, organic things that shift and curl across the page, slowly resolving into shapes. Here is a hand. Here is a hall. Here is a man, the shadows twisting at his feet. Here is a flower. Here is a skull. Here is a door flung open onto—what? Or who? Or Where?”
I am thankful that Schwab apparently wrote this as a compact stand-alone novel and not as the first in yet another trilogy or longer series, and I will probably read another book by her, although I'm not eager to embark on one of her young adult fantasy trilogies.
“The stuff of fairy tales or something darker”
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Kept me coming back
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Hauntingly Beautiful
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Lives up to the comparisons to Gaiman
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The performance by Julian Rhind-Tutt is perfect, the way he narrates helps bring so much of Gallant to life. The emotional parts hit home, and the suspenseful parts send shivers up your spine. His voice is a perfect fit for this story.
Beautiful story, amazing narration.
Another Home Run by Schwab, Narration is Superb.
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Chilling and vivid
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A new “Coraline” crossed with The Nutcracker
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It was ok....
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Good one for sure
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Dreamy
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